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On scraps of paper hidden by friends and strangers until their dying moments, young Ana Novac kept a diary in Auschwitz, a testimony that deserves to become one of the most treasured books of our time.
This book examines a wide range of works written by and about child survivors and victims of the Holocaust. The writers analyzed range from Anne Frank and Saul Friedlander to Ida Fink and Louis Begley; topics covered include the Kindertransport experience, exile to Siberia, living in hiding, Jewish children masquerading as Christian, and ghetto diaries. Throughout, the argument is made that these texts use such similar techniques and structures that children's-eye views of the Holocaust constitute a discrete literary genre.
During the Holocaust, amid death and violence, Jewish men were not mere powerless victims. Linking gender studies with a history of sexuality and emotions will highlight intimate agency, power struggles, negotiations of relationships, social dynamics, and representations of masculinities. Considering the agency and vulnerability will further convey intimate choices, the representation of masculine ideals, intimate violence, and the expression of various emotions such as honour and love. As research on the Holocaust often links women with sexuality or portrays women as gendered beings, it is crucial to excavate the intimate, hidden lives of Jewish men and their specific intimate experiences as men. The analysis not only demonstrates how Jewish men remember and make sense of their experiences, but also how they chose to form the narrative and how they represented their ordeal in four chapters, namely ghettos, concentration camps, Jewish resistance in the countryside, and finally, DP camps in the aftermath of the Holocaust. The consideration of these four spaces allows a nuanced, innovative understanding of the intimate history of Jewish men during the Holocaust, i.e. how some men established male dominated structures and established intimate strategies to find solace and pleasure.
A “wickedly funny” (Newsweek) collection of ten short stories from Nobel Prize–winning author Alice Munro, “one of the most eloquent and gifted writers of contemporary fiction” (Michiko Kakutani, The New York Times). “Each of her collections demonstrates such linguistic skill, delicacy of vision, and . . . moral strength and clarity.”—Chicago Tribune A woman haunted by dreams of her dead mother. An adulterous couple stepping over the line where the initial excitement ends and the pain begins. A widow visiting a Scottish village in search of her husband’s past—and instead discovering unsetting truths about a total stranger. The miraculously accomplished stories in this collection not only astonish and delight, but also convey the unspoken mysteries at the heart of all human experience. The mastery—the almost numinous ability to say the unsayable—makes Friend of My Youth a genuine literary event.