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"The first edition of the Bay Psalm Book, or New England version of the Psalms, printed by Stephen Daye at Cambridge, Massachusetts, in 1640, has the distinction of being the first book printed in English America. When the Pilgrims landed at Plymouth in 1620, and founded the first permanent colony in New England, they brought with them Henry Ainsworth's version of the Psalms in prose and metre, with the printed tunes. This version was used in the church at Plymouth until 1692. Elsewhere, the Puritan colonists of the Massachusetts Bay, coming over in 1629 and 1630, sang the words and tunes of Sternhold and Hopkins' Psalms, which for many years had been published with the ordinary editions of the English Bible"--Introduction.
The first book written and printed in the New World, the Bay Psalm Book holds a unique place in our cultural history. A group of New England Clergy, believed led by Richard Mather, transcribed psalms into metered verse and, in 1640, printed it in Cambridge, Mass. Originals are extremely rare. With this reproduction of the first edition, the earliest book published in America will finally be available again to a modern audience.
'The Bay Psalm Book' was the first book to be printed in North America, twenty years after the arrival of the Pilgrim Fathers in Massachusetts. Now extremely rare - only eleven copies survive - it is also the most expensive book in the world, fetching over $14.2 million at auction.Worship in the 'mother tongue' and congregational hymns had become key tenets of Puritanism following the Reformation. New England Puritans were unhappy with contemporary translations of the Psalms and decided that they needed their own version, which would better represent their beliefs. A team of writers in the Massachusetts Bay settlement, including John Cotton and Richard Mather, set about translating the psalms into English from the original Hebrew, and setting the lyrics to a metre so that they could easily be sung in congregation. The resulting translation, 'The Whole Booke of Psalmes Faithfully Translated into English Metre,' was published in 1640 on a printing press brought over from Surrey. It became known as the Bay Psalm Book after the name of the colony that was home to its translators.Every page of this extraordinarily influential book, including the translators' preface, is faithfully reproduced here, complete with original printer's errors and binding marks. An introduction by Diarmaid MacCulloch sets the book in context and explains how this unassuming Psalter came to have a profound effect on the course of the Protestant faith in America. This edition is made from the original held at the Bodleian Library, one of the best preserved of the surviving copies, despite its accidental submersion in the river Thames in 1731, when the barge carrying it to Oxford unexpectedly sank.
"A bibliography of poetry composed in what is now the United States of America and printed in the form of books or pamphlets before 1821"--Provided by publisher.
For students and scholars in American music and religious studies, as well as for church musicians, this book is the first to study the ways in which music shapes the distinctive presence of religion in the United States. The sixteen essayists' contributions to this book address the fullness of music's presence in American religion and religious history.
Hugh Amory (1930-2001) was at once the most rigorous and the most methodologically sophisticated historian of the book in early America. Gathered here are his essays, articles, and lectures on the subject, two of them printed for the first time. An introduction by David D. Hall sets this work in context and indicates its significance; Hall has also provided headnotes for each of the essays. Amory used his training as a bibliographer to reexamine every major question about printing, bookmaking, and reading in early New England. Who owned Bibles, and in what formats? Did the colonial book trade consist of books imported from Europe or of local production? Can we go behind the iconic status of the Bay Psalm Book to recover its actual history? Was Michael Wigglesworth's Day of Doom really a bestseller? And why did an Indian gravesite contain a scrap of Psalm 98 in a medicine bundle buried with a young Pequot girl? In answering these and other questions, Amory writes broadly about the social and economic history of printing, bookselling and book ownership. At the heart of his work is a determination to connect the materialities of printed books with the workings of the book trades and, in turn, with how printed books were put to use. This is a collection of great methodological importance for anyone interested in literature and history who wants to make those same connections.
“A delightful romp through key formative events that shaped our popular passion for all things ancient Egyptian.” —Peter Der Manuelian, Professor of Egyptology, Harvard University When the Romans conquered Egypt, it was really Egypt that conquered the Romans. Cleopatra captivated both Caesar and Marc Antony and soon Roman ladies were worshipping Isis and wearing vials of Nile water around their necks. In this book, renowned Egyptologist Bob Brierexplores our three-thousand-year-old fascination with all things Egyptian—from ancient times to Napoleon’s Egypt Campaign, the discovery of Tutankhamen’s tomb, and beyond. In this original and groundbreaking book, Brier traces our fascination with mummies that seem to have cheated death and the iconic pyramids that have stood strong for millennia. He also includes twenty-four pages of color photos from his impressive collection of Egyptian memorabilia, which includes everything from Napoleon’s twenty volume Egypt encyclopedia to archeologist Howard Carter’s letters written as he was excavating the Valley of the Kings.