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The Ypres salient 'was the favourite battle ground of the devil and his minions' wrote one returned serviceman after the First World War. Few who fought in the infamous third battle of Ypres - now known as Passchendaele - in 1917 would have disagreed. All five of the Australian Imperial Force's (AIF) infantry divisions were engaged in this bloody campaign. Despite early successes, their attacks floundered when autumn rains drenched the battlefield, turning it into an immense quagmire. By the time the AIF withdrew, it had suffered over 38,000 casualties, including 10,000 dead, far outweighing Australian losses in any other Great War campaign. Given the extent of their sacrifices, the Australians' exploits in Belgium ought to be well known in a nation that has fervently commemorated its involvement in the First World War. Yet, Passchendaele occupies an ambiguous place in Australian collective memory. Tracing the commemorative work of official and non-official agents, The Battlefield of Imperishable Memory explores why these battles became, and still remain, peripheral to the dominant First World War narrative in Australia: the Anzac legend.
Visitors to the battlefields of France and Belgium expressed pain and anguish, pride and nostalgia, and wonder and surprise at what they saw. Postcards from the Western Front chronicles the many ways in which these sites were perceived and commemorated by British people, both during the First World War and in the twenty years following the Armistice. Mark Connelly’s definitive and engaging study of the former Western Front examines how different and distinctive sub-communities – regional, ethnic and religious, civilian and armed forces – influenced the depth and strength of the visiting public’s relationship with the battlefields, all the while comparing and contrasting this relationship with the viewpoint of the French and Belgian inhabitants of the devastated regions. Connelly draws from a vast archive a number of interlocking themes, including the lingering presence of the battlefields in the British domestic imagination, the often fraught experience of visiting the battlefields, memorials and cemeteries functioning as part of a historical testimony to wartime realities, and the interactions between visitors and the people living in these former fighting zones. Focusing on French and Belgian sites, Connelly nevertheless provides insight into other major battlefields fought over by troops from the British Empire. Extensively illustrated with black and white photographs, Postcards from the Western Front offers a groundbreaking perspective on landscapes that rarely left anyone – whether tourist, inhabitant, veteran, or pilgrim – unmoved.
In August 1914, Canada found itself jolted from its splendid isolation by the onrush of a European catastrophe. In Victoria, British Columbia, five hundred youth who had been educated at Victoria High School went to war and were forever changed by the experience. From Classroom to Battlefield follows the experiences of this cohort through the Second Battle of Ypres, when Canadians suffered terribly from the German use of poison gas; the horrors of the Somme, Vimy Ridge, Passchendaele, and Amiens; and, at last, victory at Mons. It weaves Victoria High School’s idealistic hopes into the realities of the pain, suffering, and death in faraway fields of fire, while examining legacies of the conflict at home. This is a poignant book about war, memory, and sacrifice from one of Canada’s preeminent writers of historical nonfiction.
Major and Mrs. Holt's Battlefield Guide to the Somme is, without doubt, one of the best-selling guide books to the battlefields of the Somme. This latest updated edition, includes four recommended, timed itineraries representing one day's traveling. Every stop on route has an accompanying description and often a tale of heroic or tragic action.Memorials, private and official, sites of memorable conflict, the resting places of personalities of note are all drawn together with sympathetic and understanding commentary that gives the reader a sensitivity towards the events of 1916.
The American Civil War left indelible marks on the country. In the century and a half since the war, Americans have remembered the war in different ways. Veterans placed monuments to commemorate their deeds on the battlefield. In doing so, they often set in stone and bronze specific images in specific places that may have conflicted with the factual historical record. Erecting monuments and memorials became a way to commemorate the past, but they also became important tools for remembering that past in particular ways. Monuments honor, but they also embody the very real tension between history and the way we remember that history—what we now today call “memory.” Civil War Monuments and Memory: Favorite Stories and Fresh Perspectives from the Historians at Emerging Civil War explores some of the ways people monumented and memorialized the war—and how those markers have impacted our understanding of it. This collection of essays brings together the best scholarship from Emerging Civil War’s blog, symposia, and podcast—all of it revised and updated—coupled with original pieces, designed to shed new light and insight on the monuments and memorials that give us some of our most iconic and powerful connections to the battlefields and the men who fought there.
The war in Afghanistan is now the longest and, arguably, worst reported conflict in Australian history. In Don’t Mention the War, Kevin Foster explores why this is so and considers who engineered and who has benefitted from its impoverished coverage. He examines how and why the Australian Defence Force restricted the media’s access to and freedom of movement among its troops in Afghanistan and what we can learn about their motives and methods from the more liberal media policies of the Dutch and Canadian militaries. He analyses how the ADF ensured positive coverage of its endeavours by bringing many aspects of the reporting of the war in-house and why some among the fourth estate were only too happy to hand over responsibility for newsgathering to the military. The book also investigates how political responses to the conflict, and the discourse that framed them, served to conceal the facts and neuter public debate about the war. After more than a decade of evasion and obstruction, half-truths and hype, Don’t Mention the War reveals how politicians, the military and the media failed the public over the Afghan conflict. Here is the real story behind the Australian story of the war.
This edited collection explores and develops representations of war experience from 1914 to the ongoing conflicts of the 21st century, through the specific lens of memory. It builds on recent explorations of the importance of war experience in shaping cultural memory that have focused on the aftermath of the First World War and the Second World War, particularly through Holocaust studies. These essays, by a range of international and interdisciplinary scholars, broaden the scope considerably, examining the alternate spaces of the First World War and those that followed it through a range of different media, offering an artistic trajectory to the centennial commemorations of 2014-18.
Exploring the representations of the war dead in early Greek mythology, particularly the Homeric poems and the Epic Cycle, alongside iconographic images on black-figure pottery and the evidence of funerary monuments adorning the graves of early Athenian elites, this book provides much-needed insight into the customs associated with the war dead in Archaic Athens. It is demonstrated that this period had remarkably little in common with the much-celebrated institutions of the Classical era, standing in fact much closer to the hierarchical ideals enshrined in the epics of Homer and early mythology. While the public burial of the war dead in Classical Athens has traditionally been a subject of much scholarly interest, and the origins of the procedures described by Thucydides as patrios nomos are still a matter of some debate, far less attention has been devoted to the Athenian war dead of the preceding era. This book aims to redress the imbalance in modern scholarship and put the spotlight on the Athenian war dead of the Archaic period. In addition, the book deepens our understanding of the processes which led to the establishment of first public burials and the Classical customs of patrios nomos, shedding significant light on the military, cultural and social history of Archaic Athens. Challenging previous assumptions and bringing new material to the table, the book proposes a number of new ways to investigate a period where many 'ancestral customs' were thought to have their roots.
Montauban was the southernmost of the Somme villages attacked by the British Army on 1 July, 1916, and it was where there was the greatest success. This new book in the series takes the reader over ground where Captain Nevill kicked a football on going over the top, where the Somme cameramen took some of their most evocative footage and where Pals battalions engaged in a triumphant first major engagement.