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This study attempts to re-evaluate Lawrence's poetry, which has often been read as a set of biographical documents or supplementary notes to his novels, as fully independent literary work in the light of post-modern critical theory. The author carefully examines how Lawrence needed to misread his precursors, the nineteenth-century Romantics, to establish himself as one of the modern poets. What separates his poetry from his precursors' is his self-consciousness as a modern poet. His search for radical freedom in language and his meta-poetic exploration of a new poetic expression make him a true pioneer of the "terra incognita" in English poetry.
This study focuses on the work of D.H. Lawrence (1885-1930). One of the few major English writers to come from an industrial working-class background, Lawrence contributed to the development of all the major literary genres, bringing to them a fresh perspective and a willingness to experiment radically with form. His brief but productive literary career largely coincided with the crisis years of the Great War and its aftermath, and his creative engagement with contemporary events is reflected in a body of work which conveys vividly and powerfully the experience of the time. Lawrence's diagnosis of his own time was informed by the radical ideas which arose in the intellectual ferment of the first decades of the twentieth century - ideas about mind and consciousness, relationships and sexuality, community and history. In his fiction, the Great War is set in a long historical perspective, drawing in particular on Nietzsche's analysis of the origins of European nihilism. This study focuses on Lawrence's prose fiction and essays in particular, which explore the polymorphous effects - social, political, psychological - of the War. His treatment of the profound forces which have shaped European history and his sense that contemporary conditions are capable of creating sharply contrasting futures point forward to Michel Foucault's paradoxical vision of historical development.
Peter Carey is one of Australia's finest creative writers, much admired by both literary critics and a worldwide reading public. While academia has been quick to see his fictions as exemplars of postcolonial and postmodern writing strategies, his general readership has been captivated by his deadpan sense of humour, his quirky characters, the outlandish settings and the grotesqueries of his intricate plots. After three decades of prolific writing and multiple award-winning, Carey stands out in the world of Australian letters as designated heir to Patrick White. Fabulating Beauty pays tribute to Carey's literary achievement. It brings together the voices of many of the most renowned Carey critics in twenty essays (sixteen commissioned especially for this volume), an interview with the author, as well as the most extensive bibliography of Carey criticism to date. The studies represent a wide range of current perspectives on the writer's fictions. Contributors focus on issues as diverse as the writer's biography; his use of architectural metaphors; his interrogation of narrative structures such as myths and cultural master-plots; intertextual strategies; concepts of sacredness and references to the Christian tradition; and his strategies of rewriting history. Amidst predictions of the imminent death of 'postist' theory, the essays all attest to the ongoing relevance of the critical parameters framed by postmodernism and postcolonialism.
A pioneering scholarly collection of essays outlining D.H. Lawrence's reception and influence in Europe
Modernism and Masculinity investigates the varied dimensions and manifestations of masculinity in the modernist period. Thirteen essays from leading scholars reframe critical trends in modernist studies by examining distinctive features of modernist literary and cultural work through the lens of masculinity and male privilege. The volume attends to masculinity as an unstable horizon of gendered ideologies, subjectivities and representational practices, allowing for fresh interdisciplinary treatments of celebrated and lesser-known authors, artists and theorists such as D. H. Lawrence, Ezra Pound, Henry Roth, Theodor Adorno and Paul Robeson as well as modernist avant-garde movements such as vorticism, surrealism and futurism. As diverse as the masculinities that were played out across the early twentieth century, the approaches and arguments featured in this collection will appeal especially to scholars and students of modernist literature and culture, gender studies and English literature more broadly.