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The Franco-Prussian War broke out in 1870 when Bismarck engineered a war with the French Second Empire under Napoleon III. This was part of his wider political strategy of uniting Prussia with the southern German states, excluding Austria. The war was an overwhelming Prussian victory, and King Wilhelm I was proclaimed Emperor of the new united Germany. The Second Empire collapsed and Napoleon III became an exile in Britain. In the peace settlement with the French Third Republic in 1871 Germany gained the eastern French provinces of Alsace and Lorraine, areas that were to provide a bone of contention for years to come.
The publication of the 1982 version of Army Field Manual (FM) 100-5, Operations, introduced to the English-speaking world the idea of an operational level of war encompassing the planning and conduct of campaigns and major operations. It was followed 3 years later by the introduction of the term "operational art" which was, in practice, the skillful management of the operational level of war. This conception of an identifiably separate level of war that defined the jurisdiction of the profession of arms was, for a number of historical and cultural reasons, attractive to U.S. practitioners and plausible to its English-speaking allies. As a result, it and its associated doctrine spread rapidly around the world. The authors argue that as warfare continues to diffuse across definitional and conceptual boundaries and as the close orchestration of all of the instruments of national power becomes even more important, the current conception of campaigns and operations becomes crippling.
Page Harris was a mere shadow of who she used to be, since her ex-boyfriend had come into her life. The one thing she could thank him for was giving her a deep-seated fear of men. That was until her five best friends invited her to get out of town for a white water rafting adventure with them, where she meets wildly handsome and intriguing river guide, Boe Brandon.Boe Brandon was a white water guide until a horrible accident two years earlier made him vow to never go on the river again. That is, until one evening when his brother Mark called and begged him to take his place as guide one a seven night, eight day trip down the very same stretch of river that had cost him everything. He is pleasantly surprised to find Paige Harris among the guest.They both must learn to put the past behind them when they learn there is a killer on the river and one of them is the target.
During the Crimean War, for the first time, newspaper correspondents were able to provide the public with eye-witness accounts of the scenes of conflict. This book combines such descriptions from The Times of London with a discussion of the war, based on historical scholarship.
Nathaniel Wallace’s Scanning the Hypnoglyph chronicles a contemporary genre that exploits sleep’s evocative dimensions. While dreams, sleeping nudes, and other facets of the dormant state were popular with artists of the early twentieth century (and long before), sleep experiences have given rise to an even wider range of postmodern artwork. Scanning the Hypnoglyph first assesses the modernist framework wherein the sleeping subject typically enjoys firm psychic grounding. As postmodernism begins, subjective space is fragmented, the representation of sleep reflecting the trend. Among other topics, this book demonstrates how portrayals of dormant individuals can reveal imprints of the self. Gender issues are taken up as well. “Mainstream,” heterosexual representations are considered along with depictions of gay, lesbian, and androgynous sleepers.
Beginning with the emergence of German-language literature on the international stage in the mid-eighteenth century, the book plays down conventional labels and periodization of German literary history in favour of the explanatory force of international cultural impact. It explains, for instance, how specifically German and Austrian conditions shaped major contributions to European literary culture such as Romanticism and the 'language scepticism' of the early twentieth century. --
Edward Snow's selection of more than one hundred of Rainer Maria Rilke's little-known and neglected poems in this bilingual edition offers the reader a glimpse into one of the most powerful and underrated accomplishments in all of modern poetry. The poems in Uncollected Poems reveal a freer, more dangerous, less self-fashioning Rilke than the poet of the Elegies and the Sonnets; and Snow's translations of them, while always scrupulously faithful to the German, bring Rilke's power and music into English with unmatched grace and intelligence.
The modern enterprise of anthropology, with all of its important implications for cross-cultural perceptions, perspectives, and self-consciousness emerged from the eighteenth-century intellectual context of the Enlightenment. If the Renaissance discovered perspective in art, it was the Enlightenment that articulated and explored the problem of perspective in viewing history, culture, and society. If the Renaissance was the age of oceanic discovery—most dramatically the discovery of the New World of America—the critical reflections of the Enlightenment brought about an intellectual rediscovery of the New World and thus laid the foundations for modern anthropology. The contributions that constitute this book present the multiple anthropological facets of the Enlightenment, and suggest that the character of its intellectual engagements—acknowledging global diversity, interpreting human societies, and bridging cultural difference—must be understood as a whole to be fundamentally anthropological.