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The Summer 2009 Issue of Arts and Literary Journal The Battered Suitcase. Edited by Fawn Neun and Apythia Morges. Fiction by Don Hucks, Doug Mathewson, Anthony Kane Evans, Chris Miller. Poetry by Mark Bonica, Naomi Woddis. Interviews with Amanda Palmer and Paul Diamond Blow
The Winter 2009 Issue of Arts and Literary Journal The Battered Suitcase; intelligent and imaginative prose, poetry and art that explores the human Lexperience. Edited by Fawn Neun, Maggie Ward, and Apythia Morges. Features Gay Degani, Catherine Sharpe, Anthony Bromberg, Milan Smith and an interview with artist Chris Mars.
Autumn 2009 Issue of The Battered Suitcase; intelligent and imaginative prose, poetry and art that explores the human experience. Edited by Fawn Neun, Maggie Ward, and Apythia Morges. Fiction by D.E. Fredd, C Rommial Butler and Moira Moody. Poetry by iDrew, Amye Archer and Molly Gaudry. Art by Aunia Kahn. Interviews with Kieran Leonard and Steve Parsons of Jupiter Crash.
The Spring Issue of Arts and Literary Journal The Battered Suitcase; intelligent and imaginative prose, poetry and art that explores the human experience. Edited by Fawn Neun, Maggie Ward, Alice Bigelow and Apythia Morges.
A magic-tinged contemporary YA about grief and hope from the acclaimed New York Times bestselling author of the Graceling Realm novels. Wilhelmina Hart is part of the infamous class of 2020. Her high school years began with a shocking presidential election and ended with a pandemic. In the midst of this global turmoil, she also lost one of her beloved aunts, a loss she still feels keenly. Having deferred college, Wilhelmina now lives in a limbo she can see no way out of, like so many of her peers. Wilhelmina’s personal darkness would be unbearable (especially with another monumental election looming) but for the inexplicable and seemingly magical clues that have begun to intrude on her life—flashes of bizarre, ecstatic whimsy that seem to add up to a message she can’t quite grasp. But something tells her she should follow their lead. Maybe a trail of elephants, birds, angels, and stale doughnuts will lead Wilhelmina to a door?
"Struggling to raise her little brother Donal, eight-year-old Wavy is the only responsible adult around. Obsessed with the constellations, she finds peace in the starry night sky above the fields behind her house, until one night her star-gazing causes an accident. After witnessing his motorcycle wreck, she forms an unusual friendship with one of her father's thugs, Kellen, a tattooed ex-con with a heart of gold. By the time Wavy is a teenager, her relationship with Kellen is the only tender thing in a brutal world of addicts and debauchery"--
"Perhaps that’s the greatest reason why He calls us to dangerous places: so that we will know His astonishing, sacrificial, life-restoring love.” Why God Calls Us to Dangerous Places is about what is lost and what is gained when we follow God at any cost. Soon after 9/11, Kate McCord left the corporate world and followed God to Afghanistan—sometimes into the reach of death. Alive but not unscathed, she has suffered the loss of many things: comfort, safety, even dear friends and fellow sojourners. But Kate realizes that those who go are not the only ones who suffer. Those who love those who go also suffer. This book is for them, too. Weaving together Scripture, her story, and stories of both those who go and those who send, Kate considers why God calls us to dangerous places and what it means for all involved. It means dependence. It means loss. It means a firmer hold on hope. It can mean death, trauma, and heavy sorrow. But it can also mean joy unimaginable. Through suffering, we come closer to the heart of God. Written with the weight of glory in the shadow of loss, Why God Calls Us to Dangerous Places will inspire Christians to count the cost—and pay it.
The Coding Manual for Qualitative Researchers is unique in providing, in one volume, an in-depth guide to each of the multiple approaches available for coding qualitative data. In total, 29 different approaches to coding are covered, ranging in complexity from beginner to advanced level and covering the full range of types of qualitative data from interview transcripts to field notes. For each approach profiled, Johnny Saldaña discusses the method’s origins in the professional literature, a description of the method, recommendations for practical applications, and a clearly illustrated example.