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One hundred creative, intelligent, and interesting women--some well-known, some not--reveal their inner selves through candid, tender, and often humorous snapshots--both visual and textual--of a single object or corner of their bathroom. For many women, the bathroom is the most intimate of spaces. It is the place where we encounter ourselves in the mirror each morning and every night-brushing our teeth, applying make-up, fixing our hair, getting ready to face the day, or recede from it. The Bathroom Chronicles is a beautiful, chic, touching, and deeply feminine collection of photos and accompanying short stories (sometimes no more than a sentence or two) by women about their private spaces and most cherished possessions. Lena Dunham reveals the corner by the sink where she keeps her favorite pieces of jewelry, as well as her birth control. Erica Jong snaps her poodles and insists that they love her powder room and to "fluff up their hair" in front of the mirrors. Roz Chast reflects on a shelf in the corner that she purchased from a second-hand store. It's decorated with birds, because she loves birds, and a tiny emu that was given to her by a friend when she was in Australia. Like the bathrooms themselves each of these stories and images is unique--open, private, minimalistic, messy, and beautiful.
Named a Best Book of 2017 by NPR and GQ Joining the ranks of the classics Please Kill Me, Our Band Could Be Your Life, and Can’t Stop Won’t Stop, an intriguing oral history of the post-9/11 decline of the old-guard music industry and rebirth of the New York rock scene, led by a group of iconoclastic rock bands. In the second half of the twentieth-century New York was the source of new sounds, including the Greenwich Village folk scene, punk and new wave, and hip-hop. But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war—and a dozen New York City bands that had been honing their sound and style in relative obscurity suddenly became symbols of glamour for a young, web-savvy, forward-looking generation in need of an anthem. Meet Me in the Bathroom charts the transformation of the New York music scene in the first decade of the 2000s, the bands behind it—including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend—and the cultural forces that shaped it, from the Internet to a booming real estate market that forced artists out of the Lower East Side to Williamsburg. Drawing on 200 original interviews with James Murphy, Julian Casablancas, Karen O, Ezra Koenig, and many others musicians, artists, journalists, bloggers, photographers, managers, music executives, groupies, models, movie stars, and DJs who lived through this explosive time, journalist Lizzy Goodman offers a fascinating portrait of a time and a place that gave birth to a new era in modern rock-and-roll.
A new anthology of cocaine stories from the creators of The Speed Chronicles—“Caution: these stories are addicting” (Harlan Coben). This ambitious anthology of jaw-grinding criminal behavior is masterfully curated by acclaimed authors Gary Phillips and Jervey Tervalon. Cocaine is the subject, the whys and whereofs in The Cocaine Chronicles, a collection of original short stories that are funny and harrowing, sad and scary, but at all times riveting. The Cocaine Chronicles contains tough tales by a cross-section of today’s most thought-provoking writers. Featuring brand-new stories by: Susan Straight, Lee Child, Laura Lippman, Ken Bruen, Jerry Stahl, Nina Revoyr, Bill Moody, Emory Holmes II, James Brown, Gary Phillips, Jervey Tervalon, Kerry E. West, Donnell Alexander, Deborah Vankin, Robert Ward, Manuel Ramos, and Detrice Jones.
Husband and wife design duo Robert and Cortney Novogratz share their trade secrets and personal stories from over twenty-five years of buying, selling, and fixing up homes. Robert and Cortney Novogratz, stars of HGTV’s Home by Novogratz and Bravo’s 9 by Design, have transformed fabulous properties across the U.S. and around the world, including Hotel Dylan (Woodstock, NY), the Bungalow Hotel (Long Branch, NJ), and Timber Cove (Sonoma, CA), to name a few. They've also partnered with many celebrities and top retailers and had their work profiled in major national media outlets, from The New York Times to Architectural Digest, all while raising their family of seven children.​ They not only know how to run a successful and innovative design business but also how to balance work, family, and fun. The Novogratz Chronicles is their most intimate and personal book to date, taking readers on their journey from their first house renovation project in Chelsea in the 1990s to their latest home in Greenwich Village and projects in Los Angeles, Brazil, and the Berkshires. Eleven chapters explore and share their path to success, from thinking outside the box when financing, to building the right renovation team, to developing a design aesthetic and trusting your design instincts, interspersed with personal anecdotes and stories from their hands-on experiences. DIYers, HGTV fans, weekend warriors, and anyone interested in buying, selling, and renovating houses and spaces will love reading The Novogratz Chronicles and discovering the expertise that lies beyond their renowned how-to decorating prowess to inform and inspire their own renovation dreams and endeavors.
Aaron Atwater, Jamison Dawtry and Laura Conyers embark on an unexpected journey of intrigue and excitement when the three teens discover two priceless Artifacts in LDS Church Historical Archives. Follow their journey through early Church history as they attempt to unravel the mystery of the Artifacts...and the impact they have on the very core of the LDS Church.
It was funny I started this book as therapy through counseling, but I found the more I wrote, the more people became interested. My wife began this journey for me into writing by just throwing it in front of people to just get their opinion on what seems long ago a simple short story, but to my surprise, they wanted more and more, and I was asked by many people when I was going to publish; well, here it is. Please enjoy. I look forward to creating my next one.
Napkin Nights: The Crunk Chronicles is the story of two young guys living it up in the Seattle club scene. This historical fiction story is written in mostly "street" slang and lingo that is delicately blended with standard English. The two guys are; the older yet not street wise Derek, and his younger friend, Juan. Please join them as they hit the streets of the Seattle to find crazy adventures and perhaps find themselves as well.
In this case study book we present real teaching cases in branding and marketing which are suitable for Bachelor and Master Programs in International and Strategic Management. Case study learning and teaching offers students and lecturers a great opportunity for class discussions on prevailing topics. Case studies can be used for individual and group work. The structure of the cases allows lecturers to use it in different contexts regarding exercises and educational objectives. Case teaching provides an interactive and challenging environment, involving diverse perspectives and complex interdependencies that trigger thoughts and discussions about practical business challenges.
The Vatican Chronicles is a tongue-in-cheek novel about the most dangerous act of nuclear terrorism in the twenty-first century, a romp of international intrigue and espionage by a man who spent thirty-three years in the field. The explosive story begins in Washington and focuses on the most recent shipment of plutonium by Japan from Cherbourg to Nagasaki—a shipment that could produce three hundred Nagasaki-size bombs. A bizarre attack on His Holiness at the Vatican’s summer palace and the murder of a well-known cardinal in the Vatican hospital lead a much-loved and popular pope and an unloved and unpopular intelligence agency to form an unlikely joint venture to save a key priest at an obscure monastery near Kyoto. As readers, we are treated to a Japan no Westerner is permitted to see, and made privy to a Vatican initiative so daring it may not be revealed. The harrowing escapade of nuclear terrorists will succeed unless a handful of Americans and Japanese, aided by the Vatican, can discover who is behind the threat and stop them. Wikipedia defines roman à clef (French for novel with a key) as “a novel about real life events that is overlaid with a façade of fiction. The fictitious names in the novel represent real people. The reasons an author might choose roman à clef format include writing about a controversial subject and/or reporting inside information (and) the opportunity to turn the tale the way the author would like it to have gone.”
Dubbed a pioneer of critical race theory, Delgado offers a book of compelling conversations about race in America Richard Delgado is one of the most evocative and forceful voices writing on the subject of race and law in America today. The New York Times has described him as a pioneer of critical race theory, the bold and provocative movement that, according to the Times "will be influencing the practice of law for years to come." In The Rodrigo Chronicles, Delgado, adopting his trademark storytelling approach, casts aside the dense, dry language so commonly associated with legal writing and offers up a series of incisive and compelling conversations about race in America. Rodrigo, a brash and brilliant African-American law graduate has been living in Italy and has just arrived in the office of a professor when we meet him. Through the course of the book, the professor and he discuss the American racial scene, touching on such issues as the role of minorities in an age of global markets and competition, the black left, the rise of the black right, black crime, feminism, law reform, and the economics of racial discrimination. Expanding on one of the central themes of the critical race movement, namely that the law has an overwhelmingly white voice, Delgado here presents a radical and stunning thesis: it is not black, but white, crime that poses the most significant problem in modern American life.