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His brother’s betrothed becomes the captive pawn of his revenge…and the woman who steals his heart. Wrongly accused of murdering his father, Drake MacDougall wanted nothing more than to strike back at his guilty, duplicitous half-brother. So he made the fiend pay by abducting his bride-to-be. But as Drake carried his captive off to a windswept Scottish isle, he soon found that vengeance wasn’t the only thing on his mind. Lady Averyl Campbell proved herself no biddable maiden, but an alluring, strong-willed beauty who could tame his dark moods with her touch. When danger and treachery threatened to part them, Drake realized that only she could heal his tormented soul, for she had won his love.
The New York Times bestselling author of Rules for a Proper Governess returns with an engrossing tale that promises to delight lovers of Outlander. 1745, Scotland: The youngest son of the scandalous Mackenzie family, Malcolm is considered too wild to tame…until he meets a woman who is too unattainable to resist. Lady Mary Lennox is English, her father highly loyal to the king, and promised to another Englishman. But despite it being forbidden to speak to Malcolm, Lady Mary is fascinated by the Scotsman, and stolen moments together lead to a passion greater than she’d ever dreamed of finding. When fighting breaks out between the Highlanders and the King's army, their plans to elope are thwarted, and it will take all of Malcolm’s daring as a Scottish warrior to survive the battle and steal a wife out from under the noses of the English.
Students reading the Iliad for the first time are often bewildered by the sheer volume of information on apparently unrelated subjects contained in it. The central narrative seems to unfold very slowly, and to be complicated by long speeches containing stories which might be interesting in themselves, but which seem to have no relevance to anything else. In this book Dr Alden offers advice on how to read the Iliad through the relationship of major paradigms to the events of the main narrative. The first section offers the first full-length study in English of the paradigmatic functions of secondary narratives and minor-key episodes in the Iliad. None of these are irrelevant or merely ornamental: rather each is carefully selected and altered if necessary, to reflect on significant episodes of the main narrative and act as guides to its interpretation. The second section offers a general reading of the Iliad arising out of Phoenix's advice to Achilles in Book 9. The allegory of the Prayers illustrates the dire consequences of rejecting prayers, and the paradigm of Meleager presents us with an instance of an angry hero to whom prayers and entreaties are addressed, whilst the primary narrative confines this motif of prayers and entreaties in ascending scale of affection to Achilles and Hector and contrasts their responses. Both heroes suffer terribly for their rejection of entreaties.
John of the Hawks was a proud, young man, proud of his people, proud of his heritage, and proud of his ability to count coup on his clann's traditional enemies. He knew what was right and what was wrong - the four great books had laid down the way things had to be. Which is why the uncouth ways of the clannless drifters from space outraged him so. Not only did these peddlers know nothing of the finesse of proper combat, they knew nothing of the respect due to such things as the coup stick, the right way to capture a wife, and the sanctity of the clann's elders. Worse still, they had some idiotic notion that that cheap silvery metal so commonly used for plumbing and horse-bits, known as platinum, was somehow of special merit. Well, one could excuse an outrage or two on the grounds of ignorance, but there came a time when any good clannsman, such as John certainly was, must decide to teach these barbarians from space a lesson!
At the time of his death in 2004, Jacques Derrida was arguably the most influential and the most controversial thinker in contemporary philosophy. But how does one respond to the death of Jacques Derrida? How does one mourn for Derrida, who spent thirty years warning of the dangers of mourning, while insisting that mourning is both unavoidable and impossible? In this original and engaging response to Derrida's death, Sean Gaston re-examines his own relationship with this great thinker and traces his own mourning, while examining the very nature of mourning in Derrida's work. Written in the immediate aftermath of Derrida's death, this insightful and touching account offers a fresh analysis of a vital element of Derrida's thought and a genuine reflection on the implications of Derrida's death for how we will now address his work.
A valuable reference work for the social history of China in the period 960-1279 from leading Chinese scholars.
Miguel de Cervantes conceived his final work, The Labours of Persiles and Sigismunda: A Northern Story (1617), as a great prose epic that would accomplish for its age what Homer and Virgil had done for theirs. And yet, by the eighteenth century Don Quixote had eclipsed Persiles in the favour of readers and writers alike and the later novel is now virtually forgotten except by specialists. This study sets out to help restore Persiles to pride of place within Cervantes's corpus by reading it as the author's summa, as a boldly new kind of prose epic that casts an original light on the major political, religious, social, and literary debates of its era. At the same time it seeks to illuminate how such a lofty and solemn ambition could coexist with Cervantes evident urge to delight. Grounded in the novel's multiple contexts - literature, history and politics, philosophy and theology - and in close reading of the text, Michael Armstrong-Roche aims to reshape our understanding of Persiles within the history of prose fiction and to take part in the ongoing conversation about the relationship between literary and non-literary cultural forms. Ultimately he reveals how Cervantes recast the prose epic, expanding it in new directions to accommodate the great epic themes - politics, love, and religion - to the most urgent concerns of his day.
Reproduction of the original: The Scarlet Banner by Felix Dahn