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Veteran author Thomas J. Craughwell reveals the fascinating tales of how the barbarian rampages across Europe, North Africa, and Asia -- killing, plundering, and destroying whole kingdoms and empires -- actually created the modern nations of England, France, Russia, and China.
This is a major survey of the barbarian migrations and their role in the fall of the Roman Empire and the creation of early medieval Europe, one of the key events in European history. Unlike previous studies it integrates historical and archaeological evidence and discusses Britain, Ireland, mainland Europe and North Africa, demonstrating that the Roman Empire and its neighbours were inextricably linked. A narrative account of the turbulent fifth and early sixth centuries is followed by a description of society and politics during the migration period and an analysis of the mechanisms of settlement and the changes of identity. Guy Halsall reveals that the creation and maintenance of kingdoms and empires was impossible without the active involvement of people in the communities of Europe and North Africa. He concludes that, contrary to most opinions, the fall of the Roman Empire produced the barbarian migrations, not vice versa.
Translation of: Geschichte der Kriegskunst im Rahmen der politischen Geschichte.
Barbarians are back. These small, highly mobile, and stateless groups are no longer confined to the pages of history; they are a contemporary reality in groups such as the Taliban, Al-Qaeda, and ISIL. Return of the Barbarians re-examines the threat of violent non-state actors throughout history, revealing key lessons that are applicable today. From the Roman Empire and its barbarian challenge on the Danube and Rhine, Russia and the steppes to the nineteenth-century Comanches, Jakub J. Grygiel shows how these groups have presented peculiar, long-term problems that could rarely be solved with a finite war or clearly demarcated diplomacy. To succeed and survive, states were often forced to alter their own internal structure, giving greater power and responsibility to the communities most directly affected by the barbarian menace. Understanding the barbarian challenge, and strategies employed to confront it, offers new insights into the contemporary security threats facing the Western world.
Translation of: Geschichte der Kriegskunst im Rahmen der politischen Geschichte.
The release of Denys Arcand's Le Déclin de l'empire américain (The Decline of the American Empire) in 1986 marked a major turning point in Quebec cinema. It was the first Québécois film that enjoyed huge critical and commercial success at home and abroad. Arcand's tragicomedy about eight intellectuals gathered around a dinner table relating sexy anecdotes became the top-grossing film of all time in Quebec and was the first Canadian feature to be nominated for an Oscar in the foreign-language category. Seventeen years later, Arcand won an Academy Award for the sequel, Les Invasions barbares (The Barbarian Invasions), where the amusing insouciance of the thirty-somethings talking dirty in Le Déclin is replaced by a sense of moral responsibility and serene resignation. In this engrossing study, André Loiselle presents the first in-depth analysis of both films within the context of Quebec culture. Through close readings and concise cultural analysis of two of the most important films in the history of Quebec cinema, Loiselle demonstrates the ways in which Arcand's work represents a snapshot of the evolution of the French Canadian film industry since 1980. The companion films trace the decline of Quebec's national dream and the Québécois' attempts to cling to their identity against the forces of barbaric globalization. The second title in the new Canadian Cinema series, Denys Arcand's "Le Déclin de l'empire américain" and "Les Invasions barbares" is essential reading for cinephiles, film critics, and anyone with an interest in cultural studies and Canadian and Quebec history.
Empires and Barbarians presents a fresh, provocative look at how a recognizable Europe came into being in the first millennium AD. With sharp analytic insight, Peter Heather explores the dynamics of migration and social and economic interaction that changed two vastly different worlds--the undeveloped barbarian world and the sophisticated Roman Empire--into remarkably similar societies and states. The book's vivid narrative begins at the time of Christ, when the Mediterranean circle, newly united under the Romans, hosted a politically sophisticated, economically advanced, and culturally developed civilization--one with philosophy, banking, professional armies, literature, stunning architecture, even garbage collection. The rest of Europe, meanwhile, was home to subsistence farmers living in small groups, dominated largely by Germanic speakers. Although having some iron tools and weapons, these mostly illiterate peoples worked mainly in wood and never built in stone. The farther east one went, the simpler it became: fewer iron tools and ever less productive economies. And yet ten centuries later, from the Atlantic to the Urals, the European world had turned. Slavic speakers had largely superseded Germanic speakers in central and Eastern Europe, literacy was growing, Christianity had spread, and most fundamentally, Mediterranean supremacy was broken. Bringing the whole of first millennium European history together, and challenging current arguments that migration played but a tiny role in this unfolding narrative, Empires and Barbarians views the destruction of the ancient world order in light of modern migration and globalization patterns.