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An epic of Mexican life in the early 19th century follows Juan Robre, an illegitimate child of nobility, as he searches for the truth of his birth, and becomes associated with a notorious bandit.
This inspirational novel is based upon the theme, "He leads me beside the still waters and restores my soul." Psalm 23 Oliver and Jessica Tate are devastated by the news that she has "Lou Gehrig" disease (ALS) after being married for ten years. From that point on they, and their two small daughters are forced to face the reality of death. Oliver turns to God, as he struggles with depression. his company sends him and Jessica to a beautiful spot on the St. John's river in Florida. There they see the river as a parable of life. It provides peace and direction until she dies. Then, through a set of strange circumstances he meets a beautiful Mexican woman named Dr. Margarita Ramirez, who becomes the new inspirer in his life. While visiting her in Mexico with his girls, the couple is kidnapped and held for ransom. From there the story takes a turn and has a surprising and happy ending.
This collection of essays presents a key idea or event in the making of modern Mexico through the lenses of art and history--Provided by publisher.
From the Preface by Bradford Burns:If this essay succeeds, it will open an interpretive window providing a different perspective of Latin America's recent past. At first glance, the view might seem to be of the conventional landscape of modernization, but I hope a steady gaze will reveal it to be far vaster and more complex. For one thing, rather than enumerating the benefits accruing to Latin America as modernization became a dominant feature of the social, economic, and political life of the region, this essay regards the imposition of modernization as the catalyst of a devastating cultural struggle and as a barrier to Latin America's development. Clearly if a window to the past is opened by this essay, then so too is a new door to controversy. After most of the nations of Latin America gained political independence, their leaders rapidly accelerated trends more leisurely under way since the closing decades of the eighteenth century: the importation of technology and ideas with their accompanying values from Western Europe north of the Pyrenees and the full entrance into the world's capitalistic marketplace. Such trends shaped those new nations more profoundly than their advocates probably had realized possible. Their promoters moved forward steadfastly within the legacy of some basic institutions bequeathed by centuries of Iberian rule. That combination of hoary institutions with newer, non-Iberian technology, values, and ideas forged contemporary Latin America with its enigma of overwhelming poverty amid potential plenty. This essay emphasizes that the victory of the European oriented ruling elites over the Latin American folk with their community values resulted only after a long and violent struggle, which characterized most of the nineteenth century. Whatever advantages might have resulted from the success of the elites, the victory also fastened two dominant and interrelated characteristics on contemporary Latin America: a deepening dependency and the declining quality of life for the majority.
This collection of essays studies the depiction of contemporary urban space in twenty-first century Latin American fiction. The contributors to this volume seek to understand the characteristics that make the representation of the postmodern city in a Latin American context unique. The chapters focus on cities from a wide variety of countries in the region, highlighting the cultural and political effects of neoliberalism and globalization in the contemporary urban scene. Twenty-first century authors share an interest for images of ruins and dystopian landscapes and their view of the damaging effects of the global market in Latin America tends to be pessimistic. As the book demonstrates, however, utopian elements or “spaces of hope” can also be found in these narrations, which suggest the possibility of transforming a capitalist-dominated living space.
This book forges new ground in the relationship between cities and World Literature. Through a series of essays spanning a variety of metropolises, it shows how cities have given rise to key aesthetic dispositions, acts of linguistic and cultural translation, topographic conceptualizations, global imaginaries, and narratives of self-fashioning that are central to understanding World Literature and its debates. Alongside an introduction and three theoretical chapters, each chapter focuses on a particular city in the Global North or Global South, and brings World Literary debates—on translation, literary networks, imperial and migrant imaginaries, centers and peripheries—into conversation with the urban literary histories of Beijing, Bombay/Mumbai, Dublin, Cairo, Istanbul, Johannesburg, Lagos, London, Mexico City, Moscow and St Petersburg, New York, Paris, Singapore, and Sydney.
The Historical Dictionary of Latin American Literature and Theater provides users with an accessible single-volume reference tool covering Portuguese-speaking Brazil and the 16 Spanish-speaking countries of continental Latin America (Argentina, Bolivia, Chile, Colombia, Costa Rica, Ecuador, El Salvador, Guatemala, Honduras, Mexico, Nicaragua, Panama, Paraguay, Peru, Uruguay, and Venezuela). Entries for authors, ranging from the early colonial period to the present, give succinct biographical data and an account of the author's literary production, with particular attention to their most prominent works and where they belong in literary history. The introduction provides a review of Latin American literature and theater as a whole while separate dictionary entries for each country offer insight into the history of national literatures. Entries for literary terms, movements, and genres serve to complement these commentaries, and an extensive bibliography points the way for further reading. The comprehensive view and detailed information obtained from all these elements will make this book of use to the general-interest reader, Latin American studies students, and the academic specialist.
José Tomas de Cuéllar (1830-1894) was a Mexican writer noted for his sharp sense of humor and gift for caricature. Having a Ball and Christmas Eve are two novellas written in the costumbrista style, made popular in the mid-nineteenth century by the periodical press in which these sketches of contemporary manners were first published. The stories are a sensitive reflection of the effects of modernization brought by an authoritarian regime dedicated to order and progress. Christmas Eve describes a volatile middle class in which people pursue pleasure and entertainment without regard to morality. Having a Ball depicts women and their dedication to fashion. It is through them that Cuellar examines a society susceptible to foreign values, the importation of which radically altered the face of Mexico and its traditional customs.
Now available in paperback for the first time, Jewish Writers of the Twentieth Century is both a comprehensive reference resource and a springboard for further study. This volume: examines canonical Jewish writers, less well-known authors of Yiddish and Hebrew, and emerging Israeli writers includes entries on figures as diverse as Marcel Proust, Franz Kafka, Tristan Tzara, Eugene Ionesco, Harold Pinter, Tom Stoppard, Arthur Miller, Saul Bellow, Nadine Gordimer, and Woody Allen contains introductory essays on Jewish-American writing, Holocaust literature and memoirs, Yiddish writing, and Anglo-Jewish literature provides a chronology of twentieth-century Jewish writers. Compiled by expert contributors, this book contains over 330 entries on individual authors, each consisting of a biography, a list of selected publications, a scholarly essay on their work and suggestions for further reading.