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This book, "Tabla- A Quest A Theoretical & Practical Guide" Part-1 will be beneficial for the budding talents and students of Classical Instrument, Tabla. It will be helpful for Prathama and Madhyama of Bhatkhande Sangeet Vidyapith, First Year, Second Year and Third Year of Prayag Sangit Samiti, Prayagraj and equivalent examinations of Akhil Bharatiya Gandharva Mahavidyalaya, Pune, Pracheen Kala Kendra, Chandigarh and 9th and 10th Board Examinations. This is the only book describing the Lucknow Gharana of Tabla in detail along with the life sketches and founders and artists of all the Gharanas.
An Introduction to Hindustani Classical Music: A Guidebook for Beginners is Vijay Singha's comprehensive guide to savour and appreciate classical music. Written in a simple and easy-to-comprehend style, this book delves into the understanding of raga sangeet, semi-classical and fusion music, raga sangeet in Hindi films, as well as the future of classical music in India.
Here at last is a book in English on the Tabla, which the world has been waitingfor. Due to continuation of insulated traditions in Indian Musical Practicesas well as a veil of secrecy in the closeted legacy of the Guru-Shishya Parampara,most Tabla students were prevented from learning the subject in a freeand unrestricted manner.This book has two sections viz. Theory and Practic. It is lucidly written andis both systematic and understandable. It starts from the very basics to theadvanced levels of Tabla in all its multi-dimensions and will prove to be anasset for any Individual, Institution, Teacher or Student who would like toteach/learn or appreciate and enjoy the Tabla in a systematic way.
On Tabla, Indian percussion instrument; also includes musical notations of different beats played on the instrument; a study.
Includes rhythm notations on Tabla.
The Encyclopedia of Percussion is an extensive guide to percussion instruments, organized for research as well as general knowledge. Focusing on idiophones and membranophones, it covers in detail both Western and non-Western percussive instruments. These include not only instruments whose usual sound is produced percussively (like snare drums and triangles), but those whose usual sound is produced concussively (like castanets and claves) or by friction (like the cuíca and the lion’s roar). The expertise of contributors have been used to produce a wide-ranging list of percussion topics. The volume includes: (1) an alphabetical listing of percussion instruments and terms from around the world; (2) an extensive section of illustrations of percussion instruments; (3) thirty-five articles covering topics from Basel drumming to the xylophone; (4) a list of percussion symbols; (5) a table of percussion instruments and terms in English, French, German, and Italian; and (6) an updated section of published writings on methods for percussion.
This book provides a socio-cultural analysis of khayal bandishes composed by Ne’mat Khan ‘Sadarang’ and Feroze Khan ‘Adarang’. It argues that deciphering khayal bandishes as cultural symbols provides an understanding of the constitution of medieval Indian society and shows how society gets represented via such symbols. The author examines the cultural forces that nurtured the context of compositions by Sadarang and Adarang. She touches upon the cultural exchanges between Hindu and Muslim communities through scholarly and philosophical discourses to create a rationale for khayal as a syncretic form of art. A unique contribution to the study of Indian culture and music, the book will be an indispensable resource for students, teachers, and researcher scholars of South Asian studies, Hindustani music, cultural studies, history, and medieval Indian society.