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Will Ashurst provides tangible answers as he delves deep into the music industry. With sensible goals and pitfalls to avoid, this book will guide you through the fog that stands between you, your demo and your deal! 10,000 unsigned bands are desperate for recognition from recording and publishing companies. All bands in this position, whether or not they have the requisite talent, are certainly missing one vital commodity - information. In a jargon-free, easy-to-understand, practical style, the This is the updated third edition which also covers the developments and changes that have occured in the Music Industry since the first edition was published as well as an updated list of useful contacts.
Bands structured around western wind instruments are among the most widespread instrumental ensembles in the world. Although these ensembles draw upon European military traditions that spread globally through colonialism, militarism and missionary work, local musicians have adapted the brass band prototype to their home settings, and today these ensembles are found in religious processions and funerals, military manoeuvres and parades, and popular music genres throughout the world. Based on their expertise in ethnographic and archival research, the contributors to this volume present a series of essays that examine wind band cultures from a range of disciplinary perspectives, allowing for a comparison of band cultures across geographic and historical fields. The themes addressed encompass the military heritage of band cultures; local appropriations of the military prototype; links between bands and their local communities; the spheres of local band activities and the modes of sociability within them; and the role of bands in trajectories toward professional musicianship. This book will appeal to readers with an interest in ethnomusicology, colonial and post-colonial studies, community music practices, as well as anyone who has played with or listened to their local band.
As defined by Wikipedia, beach music also known as Carolina beach musi and, to a lesser extent, beach pop is a regional genre that developed from various musical styles of the forties, fifties, and sixties. These styles ranged frombig-band swing instrumentals to the more raucous sounds of blues/ jump blues, jazz, doo-wop, boogie, rhythm and blues, reggae, rockabilly, and old-time roc k and roll. Beach music is closely associated with the style of the swing dance known as the shag or the Carolina shag, which is also the official state dance of both North Carolina and South Carolina. Recordings with a 4/4 blues shuffle rhythmic structure and moderate-to-fast tempo are the most popular music for the shag, and the vast majority of the music in this genre fit that description.
Fifteen young adult authors and one real-life rock star band together for one epic—and interconnected—take on a memorable high school rite of passage. A daughter of rock ’n’ roll royalty has a secret crush. A lonely ticket taker worries about his sister. An almost-famous songwriter nurses old wounds. A stage manager tires of being behind the scenes. A singer-songwriter struggles to untangle her feelings for her best friend and his girlfriend. In this live-out-loud anthology, the disparate protagonists of sixteen stories are thrown together for one unforgettable event: their high school’s battle of the bands. Told in a harmonic blend of first- and third-person narrative voices, roughly chronological short stories offer a kaleidoscopic view of the same transformative night. Featuring an entry from Justin Courtney Pierre, lead vocalist of Motion City Soundtrack, Battle of the Bands is a celebration of youth, music, and meeting the challenges of life head-on. With stories by Brittany Cavallaro, Preeti Chhibber, Jay Coles, Katie Cotugno, Lauren Gibaldi, Shaun David Hutchinson, Ashley Poston, Jenny Torres Sanchez, Sarah Nicole Smetana, Eric Smith, Jenn Marie Thorne, Sarvenaz Taghavian, Jasmine Warga, Ashley Woodfolk, and Jeff Zentner, and featuring Motion City Soundtrack’s Justin Courtney Pierre.
Musicians, both fictional and real, have long been subjects of cinema. From biopics of composers Beethoven and Mozart to the rise (and often fall) of imaginary bands in The Commitments and Almost Famous, music of all types has inspired hundreds of films. The Encyclopedia of Musicians and Bands on Film features the most significant productions from around the world, including straightforward biographies, rockumentaries, and even the occasional mockumentary. The wide-ranging scope of this volume allows for the inclusion of films about fictional singers and bands, with emphasis on a variety of themes: songwriter–band relationships, the rise and fall of a career, music saving the day, the promoter’s point of view, band competitions, the traveling band, and rock-based absurdity. Among the films discussed in this book are Amadeus, The Blues Brothers, The Buddy Holly Story, The Commitments, Dreamgirls, The Glenn Miller Story, A Hard Day’s Night, I’m Not There, Jailhouse Rock, A Mighty Wind, Ray, ’Round Midnight, The Runaways, School of Rock, That Thing You Do!, and Walk the Line.With entries that span the decades and highlight a variety of music genres, The Encyclopedia of Musicians and Bands on Film is a valuable resource for moviegoers and music lovers alike, as well as scholars of both film and music.
Scholars and students working in the disciplines of film studies, queer studies, history, theater, and sociology will surely find the book invaluable and a shaping influence on these fields in the coming years.
This edition contains new material covering the latest development in electronics, alternative fuels, emissions and diesel systems.