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Deida explores the most important issues in men's lives--from career and family to women and intimacy to love and spirituality--to offer a practical guidebook for living a masculine life of integrity, authenticity, and freedom.
"Lyrical and emotionally gutting." —O, THE OPRAH MAGAZINE “Intellectually satisfying [and] artistically profound.” —KIRKUS REVIEWS (STARRED REVIEW) “Mesmeric.”—THE PARIS REVIEW “Vividly awesome and truly great." —EILEEN MYLES “Gorgeous, gutting, unforgettable." —LENI ZUMAS “Brilliant.” —MICHELLE TEA An arresting memoir equal parts refugee-coming-of-age story, feminist manifesto, and meditation on motherhood, displacement, gender politics, and art that follows award-winning writer Sophia Shalmiyev’s flight from the Soviet Union, where she was forced to abandon her estranged mother, and her subsequent quest to find her. Russian sentences begin backward, Sophia Shalmiyev tells us on the first page of her striking lyrical memoir. To understand the end of her story, we must go back to the beginning. Born to a Russian mother and an Azerbaijani father, Shalmiyev was raised in the stark oppressiveness of 1980s Leningrad (now St. Petersburg), where anti-Semitism and an imbalance of power were omnipresent in her home. At just eleven years old, Shalmiyev’s father stole her away to America, forever abandoning her estranged alcoholic mother, Elena. Motherless on a tumultuous voyage to the states, terrified in a strange new land, Shalmiyev depicts in urgent, poetic vignettes her emotional journeys through an uncharted world as an immigrant, artist, and, eventually, as a mother of two. As an adult, Shalmiyev voyages back to Russia to search endlessly for the mother she never knew—in her pursuit, we witness an arresting, impassioned meditation on art-making, gender politics, displacement, and most potently, motherhood.
Published in 1998, Adolescent Gangs is a valuable contribution to the field of Counseling and School Therapy.
At eighteen, I became my nephew's guardian, and my once carefree life ceased to exist. The next fourteen years passed in a blur of unconventional parenting and more wine than I'm sure most good mothers consume.My dating life? Yeah, that basically became non-existent. So when my boy's best friend, Weston, tells me has romantic feelings for me, I'm too stunned to process the "right way" to react. There are so many reasons I shouldn't do this, and yet my heart seems to be saying full steam ahead.With a ten-year age gap, I know a relationship with Weston has the potential to be disastrous. And I'm not wrong. Because things just got hella complicated...
Ivy is straight-laced, orderly and responsible. She's also in love with her boss, Gabe. When Ivy started working for him at his private investigation firm three years ago, she was instantly drawn to him. He's everything she's not and everything she wants- rough, gritty, sexy, impulsive... Ivy decides to make some changes in order to gain Gabe's attention, but in doing so she inadvertently draws the eye of an unwanted admirer. Gabe is forced to take her, and her rambunctious cousin, Tessa, into his home for their protection. But with Ivy in such close quarters, Gabe's resolve to stay away from the once shy beauty begins to dissolve at a rapid pace.
In 2011, Doing Autoethnography—the first conference to focus solely on autoethnographic principles and practices—was held in chilly Detroit, Michigan on the campus of Wayne State University. The conference has since occurred four additional times (2013, 2014, 2015, 2016). Across the five conferences, thousands of attendees from more than ten countries have participated in hundreds of presentations, more than a dozen workshops, and multiple keynote addresses. The chapters in this collection represent outstanding work from the five conferences. Together, authors interrogate autoethnography ethically, theoretically, relationally, and methodologically. Readers will encounter many overlapping themes: identity norms and negotiations; experiences tied to race, gender, sexuality, size, citizenship, and dis/ability; exclusion and belonging; oppression, injustice, and assault; barriers to learning/education; and living with/in complicated relationships. Some chapters provide clear resolutions; others seemingly provide none. Some authors highlight conventionally positive aspects of experience; others dwell in what might be understood as relational darkness. Some experiences will likely resonate with many readers; others will feel unique, unusual, exceptional. In its entirety, the collection will take readers on an evocative, reflexive, and insightful journey.
"In Story screenwriting guru Robert McKee presents his powerful and much sought-after knowledge in a comprehensive guide to the essentials of screenwriting and storytelling." -- Methuen.
Cyberspace, the cyborg and cyberpunk have given feminists new imaginative possibilities for thinking about embodiment and identity in relation to technology. This is the first anthology of the key essays on these potent metaphors. Divided into three sections (Technology, Embodiment and Cyberspace; Cybersubjects: Cyborgs and Cyberpunks; Cyborg Futures), the book addresses different aspects of the human-technology interface. The extensive introduction surveys the ways cyborg and cyberspace metaphors have been used in relation to current critical theory and indicates the context for the specific essays. This is an invaluable guide for students studying any aspects of contemporary theory and culture.* Brings together in a unique collection the work of key authors in feminist and cyber theory* Demonstrates the wide range of contemporary critical work* Challenges constructions of gender, race and class* An extensive introduction surveys the ways cyborg and cyberspace metaphors have been used in relation to current critical theory* Brief section introductions indicate the context for the specific essays
Romance writer Mona Rossi's book sales are slipping. She needs new ideas and fast! Her vampire love, Fausto Silvius is a doctor aboard the Romanza, a luxury cruise ship. Holding a "Motion on the Ocean" writer's cruise sounds like a great idea. What better way to combine a career boost with romance? But they soon discover hunters on board who give chase to Fausto and his fellow vampires. While he longs to bring Mona into his world, how can he convince her to join him with fringe lunatics on the hunt? In the prime of her life she's not sticking her neck out for a shot at eternity.