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Over the past two decades or more, America has witnessed a healthy renewal of interest of the Underground Railroad. The Underground Railroad is a story of suffering, bravery, secret codes, heroic deeds, treachery and lofty ideas. It is a story about the best and the worst of human kind. Disconnected and daring escapees hoped that the North Star would guide them to stations on the burgeoning Underground Railroad; which by the early 1830's still did not have a name. The word spread from plantation to plantation, city to city, town to town; first in whispers and then out right talk, there was a railroad to freedom. Invisible though it may have been, the Underground Railroad had numerous agents, conductors and stations throughout the secret freedom network. Slave owners of course, looked upon the Underground Railroad as organized theft. Under the constitution of the United States slavery was lawful and slaves were property. Although assisting escapees along the freedom network meant breaking the law. Yet, people like Harriet Tubman, the most famous conductor did so eagerly. The Underground Railroad remained active until the end of the Civil war.
They’re ancient and modern. They’re lost and found. What are they? History mysteries, of course! Get ready to crack the cases and the real history info wide open. You might need your time machine for this one.
Literature-based, curriculum-wide teaching materials focusing on the history of slavery.
The African Canadian Legal Odyssey explores the history of African Canadians and the law from the era of slavery until the early twenty-first century. ;This collection demonstrates that the social history of Blacks in Canada has always been inextricably bound to questi52.99ons of law, and that the role of the law in shaping Black life was often ambiguous and shifted over time. Comprised of eleven engaging chapters, organized both thematically and chronologically, it includes a substantive introduction that provides a synthesis and overview of this complex history. This outstanding collection will appeal to both advanced specialists and undergraduate students and makes an important contribution to an emerging field of scholarly inquiry.
"They were often running with nothing to call their own and a price on their heads to a place in the North known only as the "promised land"; they were dependent upon the kindness and trust of strangers known only for a fleeting moment - strangers who might warm them, feed them, clothe and shelter them for a night then shuttle the fugitive slaves on to the next "station."" "Though many slaves were American born, African-Americans were denied the right to freedom. Their struggle to gain that freedom has been traced back to 1786 and a fugitive slave owned by George Washington. The Underground Railroad could only save few from shackles until the end of the Civil War in 1865." "Pursuit began in the south, but few people know that slave hunters, after the passage of the Fugitive Slave Law of 1850, were allowed to capture their bounty in northern "free" states, where slaves were still considered property that would be forcibly returned to southern owners. This book chronicles not only the paths that were taken by fugitive slaves, but the land and the people that were the answers to many prayers for deliverance. Within the homes of Underground Railroad conductors there were false walls, cellars and attics, tunnels and stairways to confuse fugitive slave hunters. Often barns or even the heavy brush of a swamp could conceal a fugitive. Due to the very nature of the covert operation that was the Underground Railroad, the names of the people who hid fugitives, and many of these hiding places, have been kept a precious secret. While a few American communities were tolerant of the Underground Railroad, many more were less so. For some conductors who were caught, the penalty for aiding a fugitive slave included hanging; for others it meant the ruin of their livelihood or their community standing."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
In 1983, Ronald Reagan signed into law a federal holiday to honor Martin Luther King, Jr. Three years later, the holiday was first formally observed by the federal government. In response to the growing number of musical celebrations surrounding the holiday, Anthony McDonald published in 1996 the first edition of The Catalog of Music Written in Honor of Martin Luther King, Jr. Now, more than a decade since its second edition in 1999, McDonald presents his definitive third edition of the catalog. McDonald organizes information on music suitable for concert performances by symphony orchestras, school music departments, church choirs, or solo performers, including works that celebrate not only Martin Luther King Day, but Black History Month as well. His selections comprise musical work written to honor King, as well as other Americans engaged in the struggle for equality and freedom such as Abraham Lincoln, Malcolm X, Harriet Tubman, Frederick Douglass, and John F. Kennedy. McDonald also incorporates works that more broadly address African American history and culture, such as William Grant Still's Afro-American Symphony. This third edition contains a considerable number of revisions, updates, and new work and includes entirely new sections devoted to jazz and blues songs, sample programs of Martin Luther King, Jr. Day concerts, and a discography, along with appendixes of works listed by orchestration, subject, and a list of publishers and sources. A Catalog of Music Written in Honor of Martin Luther King Jr. is the ideal tool for symphony orchestras, choruses, music departments, and other performing groups and organizations seeking to present concerts that celebrate Martin Luther King Jr., his legacy, and African American history more broadly.
Pauline Elizabeth Hopkins (1859–1930), African American novelist, editor, journalist, playwright, historian, and public intellectual, used fiction to explore and intervene in the social, racial, and political challenges of her era. Her particular form of cultural activism was groundbreaking for its time and continues to influence and inspire authors and scholars today. This collection of essays constitutes a new phase in the full historical and literary recovery of her work. JoAnn Pavletich argues that considered from the broadest of perspectives, Hopkins’s life work occupies itself with the critique and creation of epistemologies that control racialized knowledge and experience. Whether in representations of a critical contemporary problem such as lynching, imperialism, or pan-African unity or in representations of African American women’s voices, Hopkins’s texts create new knowledge and new frames for understanding it. The essays in this collection engage this knowledge, articulating nuanced understandings of Hopkins’s era and her innovative writing practices, opening new doors for the next generation of Hopkins scholarship. With contributions from well-established Hopkins scholars such as John Gruesser (editor of The Unruly Voice) and Hanna Wallinger (author of Pauline E. Hopkins: A Literary Biography), the collection also includes important new scholars on Hopkins such as Elizabeth Cali, Edlie Wong, and others.
Beginning with the arrival of the first Africans in the English colonies, Eileen Southern weaves a fascinating narrative of intense musical activity. As singers, players, and composers, black American musicians are fully chronicled in this landmark book. Now in the third edition, the author has brought the entire text up to date and has added a wealth of new material covering the latest developments in gospel, blues, jazz, classical, crossover, Broadway, and rap as they relate to African American music.
Find customized playlists, sample lessons, and anecdotes from teachers across all subjects and grades who use music to manage mood, energy, and learning in this handbook.