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"Braverman spins images that pull that perfect trick of making the familiar feel fresh... It's a thrill to see that language can still be made to help us feel the rush of life anew." ---Lynn Steger Strong, New York Times Book Review The woman lives on a cul-de-sac with her lover and her dog. She is smart and sensible. She buys groceries and goes to work. And she finds herself reliving her childhood memories while she waits--for what, she is not sure. In the tradition of Rachel Cusk and Sheila Heti, The Ballad of Big Feeling reveals the mind of a woman perched before middle age and confronting the hidden contradictions and intricacies of everyday life. In the hands of an exciting new writer, Ari Braverman, it's a tale both spare and spacious, textured and poetic, frustrating and funny -- a delicately crafted volume that will linger in the mind of the reader long after they've put it down. It is, in short, a startling and assured debut.
"Braverman spins images that pull that perfect trick of making the familiar feel fresh... It's a thrill to see that language can still be made to help us feel the rush of life anew." ---Lynn Steger Strong, New York Times Book Review The woman lives on a cul-de-sac with her lover and her dog. She is smart and sensible. She buys groceries and goes to work. And she finds herself reliving her childhood memories while she waits--for what, she is not sure. In the tradition of Rachel Cusk and Sheila Heti, The Ballad of Big Feeling reveals the mind of a woman perched before middle age and confronting the hidden contradictions and intricacies of everyday life. In the hands of an exciting new writer, Ari Braverman, it's a tale both spare and spacious, textured and poetic, frustrating and funny -- a delicately crafted volume that will linger in the mind of the reader long after they've put it down. It is, in short, a startling and assured debut.
James Morgan’s gift for music has attracted Nuala, a soul-snatching faerie who feeds on the creative energies of exceptional humans until they die. While collaborating on a musical composition, James and Nuala unexpectedly fall in love. When James realizes that Nuala is being hunted, he plunges into a soul-scorching battle with the Faerie Queen.
A teen girl on a quest to find her long-lost mother finds herself on a journey of self-discovery in Kristy Dallas Alley's moving YA debut, The Ballad of Ami Miles. Raised in isolation at Heavenly Shepherd, her family’s trailer-dealership-turned-survival compound, Ami Miles knows that she was lucky to be born into a place of safety after the old world ended and the chaos began. But when her grandfather brings home a cold-eyed stranger, she realizes that her “destiny” as one of the few females capable of still bearing children isn’t something she’s ready to face. With the help of one of her aunts, she flees the only life she’s ever known and sets off on a quest to find her long-lost mother (and hopefully a mate of her own choosing). But as she journeys, Ami discovers many new things about the world...and about herself.
Ambition will fuel him. Competition will drive him. But power has its price. It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capitol, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to outcharm, outwit, and outmaneuver his fellow students to mentor the winning tribute. The odds are against him. He's been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined - every choice Coriolanus makes could lead to favor or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute . . . and must weigh his need to follow the rules against his desire to survive no matter what it takes.
"Funny, wild, witty, and profound.”―Victor LaValle "A wild and wonderful debut, teeming with music, family and art."—New York Times "Magical, lyrical, gritty, otherworldly…hype like Bayou Classic in the 90s."—P. Djèlí Clark One of the Best Fantasy Books of 2022: New York Times; Oprah Daily; Vulture; Gizmodo; Boston Public Library A fun and fantastical love letter to New Orleans unfolds when a battle for the city's soul brews between two young mages, a vengeful wraith, and one powerful song in this wildly imaginative debut. Nola is a city full of wonders. A place of sky trolleys and dead cabs, where haints dance the night away and Wise Women help keep the order. To those from Away, Nola might seem strange. To Perilous Graves, it’s simply home. Perry knows Nola’s rhythm as intimately as his own heartbeat. So when the city’s Great Magician starts appearing in odd places and essential songs are forgotten, Perry knows trouble is afoot. Nine songs of power have escaped from the piano that maintains the city’s beat, and without them, Nola will fail. Unwilling to watch his home be destroyed, Perry will sacrifice everything to save it. But a storm is brewing, and the Haint of All Haints is awake. Nola’s time might be coming to an end.
While television has always played a role in recording and curating history, shaping cultural memory, and influencing public sentiment, the changing nature of the medium in the post-network era finds viewers experiencing and participating in this process in new ways. They skim through commercials, live tweet press conferences and award shows, and tune into reality shows to escape reality. This new era, defined by the heightened anxiety and fear ushered in by 9/11, has been documented by our media consumption, production, and reaction. In Small Screen, Big Feels, Melissa Ames asserts that TV has been instrumental in cultivating a shared memory of emotionally charged events unfolding in the United States since September 11, 2001. She analyzes specific shows and genres to illustrate the ways in which cultural fears are embedded into our entertainment in series such as The Walking Dead and Lost or critiqued through programs like The Daily Show. In the final section of the book, Ames provides three audience studies that showcase how viewers consume and circulate emotions in the post-network era: analyses of live tweets from Shonda Rhimes's drama, How to Get Away with Murder (2010–2020), ABC's reality franchises, The Bachelor (2002–present) and The Bachelorette (2003–present), and political coverage of the 2016 Presidential Debates. Though film has been closely studied through the lens of affect theory, little research has been done to apply the same methods to television. Engaging an impressively wide range of texts, genres, media, and formats, Ames offers a trenchant analysis of how televisual programming in the United States responded to and reinforced a cultural climate grounded in fear and anxiety.
"Braverman spins images that pull that perfect trick of making the familiar feel fresh... It's a thrill to see that language can still be made to help us feel the rush of life anew." ---Lynn Steger Strong, New York Times Book Review The woman lives on a cul-de-sac with her lover and her dog. She is smart and sensible. She buys groceries and goes to work. And she finds herself reliving her childhood memories while she waits--for what, she is not sure. In the tradition of Rachel Cusk and Sheila Heti, The Ballad of Big Feeling reveals the mind of a woman perched before middle age and confronting the hidden contradictions and intricacies of everyday life. In the hands of an exciting new writer, Ari Braverman, it's a tale both spare and spacious, textured and poetic, frustrating and funny -- a delicately crafted volume that will linger in the mind of the reader long after they've put it down. It is, in short, a startling and assured debut.