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This book represents the first attempt to analyze historical and cultural developments in late medieval and early modern southeastern Europe as a set of mutually intertwined regional histories, burdened by the strong dichotomy between the almighty center—Constantinople—and the periphery that is rarely visible in both contemporary sources and modern scholarship. This mosaic of original studies is devoted to various regions of the Byzantine Balkans and their historical, artistic, and ideological idiosyncrasies, mirroring the complex character and composite and fragmented structure of this vast region. The focal points of the book are the two captures of Constantinople in 1204 and 1453, and the contributors analyze the significance of these catastrophic events on the political destiny of medieval Balkan societies, the mechanisms of adapting to the new political order, and the ever-present interconnectedness of a lower, regional elite across southeastern Europe that had remained strong even after the Ottoman conquest.
This volume offers new perspectives on the history of the Byzantine Balkans and beyond--regions that lived for centuries under the long shadow of Constantinople--as well as unique insights into the complex world of late medieval and early modern southeastern Europe during a period of catastrophe.
This is a comprehensive comparative view of the way the phenomenon of Byzantium has been treated by the historiographies of the polities that have emerged from its remains – Bulgaria, Greece, Romania, Serbia and Turkey – from the Enlightenment to the present day. Synthesising a sprawling mass of material largely unknown to academic audiences, it highlights the important place Byzantium's representations occupy in the identity building and historical consciousness in that part of Europe. The diverse interpretations of the Byzantine phenomenon across and within these historiographic traditions are scrutinised against the backdrop of shifting geopolitical and cultural contexts, in constant dialogue and competition with each other and in communication with extra-regional, western and Russian, academic currents. The book will be of value to medieval historians, Byzantinists and historians of historiography as well as students of and specialists in modern politics, cultural and intellectual history.
In The Horoscope of Emperor Baldwin II Filip Van Tricht presents a microstudy of political, social and cultural life in Latin-Byzantine Constantinople and Romania. A ‘new’ set of sources is used to question the traditionally negative view of the Byzantine capital under Latin rule. Combined with an analysis of other underused historical materials, mid-13th century Latin-Byzantine Constantinople is redefined as a city that—in spite of the Western conquest during the Fourth Crusade—remained dynamic, with vibrant internal and international politics, and with interesting developments in the social, religious, artistic, and scientific spheres. Against the background of a shared Roman past the metropolis on the Bosporus became a fascinating laboratory of Latin-Byzantine interaction.
An accessible and engaging single-volume history of Serbia from the Early Middle Ages to the present day.
To date, very few northern Albanian archaeological sites have been surveyed and excavated. Situated beyond the reach, and allure, of the Classical Greek colonies of south-central Albania, the region has drawn less scholarly attention. But in various ways, northern Albania is just as important to the ongoing archaeological debates regarding the origins of inequality and the rise of social complexity. Some of the earliest and largest hill forts and tumuli (burial mounds) in Albania, dating to the Bronze and Iron Age, are located in Shkodër. Shkodër (Rozafa) Castle became the capital of the so-called Illyrian Kingdom, which was conquered by Rome in the early 3rd century BC. This research report, focused on the province of Shkodër, is based on five years of field and laboratory work and is the first synthetic archaeological treatment of this region. The results of the Projekti Arkeologjik i Shkodrës (or PASH) are presented here in two volumes. Volume 1 includes geological context, a literature review, historical background, and reports on the regional survey and test excavations at three settlements and three tumuli. In Volume 2, the authors describe the artifacts recovered through survey and excavation, including chipped stone, small finds, and pottery from the prehistoric, Classical, Roman, medieval, and post-medieval periods. They also present results of faunal, petrographic, chemical, carpological, and strontium isotope analyses of the artifacts. Extensive supporting data is available on the University of Michigan's Deep Blue data repository: https: //doi.org/10.7302/xnpy-0e60 These two volumes place northern Albania--and the Shkodër Province in particular--at the forefront of archaeological research in the Balkans.
Tributaries and Peripheries of the Ottoman Empire offers thirteen studies on the relationship between Ottoman tributaries with each other in the imperial framework, as well as with neighboring border provinces of the empire’s core territories from the fifteenth to eighteenth centuries.
The Principality of Epirus was a medieval Greek state established in the western part of the Balkans after the fall of Constantinople to the forces of the Fourth Crusade in 1204. The Epirote rulers from the Komnenos Doukas family claimed to be legitimate successors to the Byzantine imperial throne and, with the support of the high clergy and the aristocracy within their domain, carefully maintained their Byzantine identity under the conditions of exile. This book explores a corpus of Epirote architecture, frescoes, sculpture, and inscriptions from the early thirteenth to the early fourteenth century within a comparative and interdisciplinary framework, focusing on the nexus of art, patronage, and political ideology. Through an examination of a vast array of visual and textual sources, many of them understudied or hitherto unpublished, the book uncovers how the Epirote elite mobilised art and material culture to address the issues of succession and legitimacy, construct memory, reclaim Constantinople, and mediate encounters and exchanges with the Latin West. In doing so, this study offers a new perspective on Byzantine political and cultural history in the aftermath of the Fourth Crusade.
This volume aims to broaden and nuance knowledge about the history, art, culture, and heritage of Eastern Europe relative to Byzantium. From the thirteenth century to the decades after the fall of Constantinople in 1453, the regions of the Danube River stood at the intersection of different traditions, and the river itself has served as a marker of connection and division, as well as a site of cultural contact and negotiation. The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300–1600 brings to light the interconnectedness of this broad geographical area too often either studied in parts or neglected altogether, emphasizing its shared history and heritage of the regions of modern Greece, Croatia, Serbia, Bulgaria, Romania, Hungary, Slovakia, and Czechia. The aim is to challenge established perceptions of what constitutes ideological and historical facets of the past, as well as Byzantine and post-Byzantine cultural and artistic production in a region of the world that has yet to establish a firm footing on the map of art history. The 24 chapters offer a fresh and original approach to the history, literature, and art history of the Danube regions, thus being accessible to students thematically, chronologically, or by case study; each part can be read independently or explored as part of a whole.
Chrysovalantis Kyriacou examines how memories of the pre-Christian past, Christian militarism, power struggles, and ethnoreligious encounters have left their long-term imprint on Cypriot culture. One of the most impressive examples of this phenomenon is the preservation and transformative adaptation of Byzantine heroic themes, motifs, and symbols in Cypriot folk songs. By combining a variety of written sources and archaeological material in his interdisciplinary examination, the author reconstructs the image of the Byzantine warrior hero in the songs, recovering the mentalities of overshadowed social protagonists and stressing the role of subaltern communities as active agents in the shaping of history.