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Shortlisted for the Trillium Book Award for Poetry (2013) Shortlisted for the Gerard Lampert Award (2013) Inspired largely by the poet's experiences as a young man working in the Saskatchewan oilfields, Mathew Henderson's The Lease explores masculinity and the roles morality, violence, and hard labor play in it. Equal parts character study, cultural documentary, and coming-of-age narrative, Henderson's poems make it clear that however we may try to stay apart from them, the stubborn and often unflattering realities of masculine culture persist, not just in isolated, dangerous environments like this, but in our very idea of what work is. No mark survives this place: you too will yield to unmemory. Give everything you are in three-day pieces. Watch the gypsy iron move, follow its commands. Tend the rusted steel like a shepherd. Shortlisted for the 2013 Gerald Lampert Award, presented by the League of Canadian Poets Mathew Henderson lives in Toronto, Ontario, writes about the prairies, and teaches at Humber College. The Lease is his first collection of poetry.
Poetry. "The wind in these eloquent, elegant, tensile poems is present as spirit, of course; as spirit it can manifest as the longing or fate of the body (it expires), as intellectual momentum (it inspires), as power for social justice (it aspires). In all these modes, L.R. Berger both controls the energy as form, and honors the charge of the moment,--perception by brilliant perception, breath by mortal breath."--Stephen Tapscot "In this beautiful new book, words are unusually alive and active in the poet's capable hands. A whispered finale meaning finally, a riff on up, an exploration of the letter p: these are among the linguistic players that address both personal loss and political realities, which L. R. Berger explores with searing honesty, emotional depth, and lyrical grace. No precious word is wasted here; you will read carefully and gratefully, and want to read again."--Martha Collins
NEW YORK TIMES BESTSELLER Grammy Award–nominated, platinum-selling musician Halsey is heralded as one of the most compelling voices of her generation. In I Would Leave Me If I Could, she reveals never-before-seen poetry of longing, love, and the nuances of bipolar disorder. In this debut collection, Halsey bares her soul. Bringing the same artistry found in her lyrics, Halsey’s poems delve into the highs and lows of doomed relationships, family ties, sexuality, and mental illness. More hand grenades than confessions, these autobiographical poems explore and dismantle conventional notions of what it means to be a feminist in search of power. Masterful as it is raw, passionate, and profound, I Would Leave Me If I Could signals the arrival of an essential voice. Book cover painting, American Woman, by the author.
Mimi White explores new forms with her sensitive poetic reach in language and vision, often mixing the natural world and the human condition together to express the mysteries of life as a sense of those things that cannot be seen.
"Lifetimes have passed since I left, yet no other place has left the same kind of imprint," says Matthew Davis, narrator of Tom Biel's interlinked collection of short stories set in the badlands of eastern Montana. While the Vietnam War unfurled on the edges of everyday life, even in the small badlands town of Riverside, Matthew's stories recall how he and his friends navigated the tricky, switch-backed roads of life, sometimes barely hanging on. Sometimes not at all. At the heart of Matthew's stories is his best friend, Idaho Wells, whose life is the one most etched in the violence that shapes the beauty of the badlands. Tom Biel's stories look back at a time still so much with us, but as years fade, the stories become a way to remember.
Poetry. "Years ago, I predicted that David Sloan's name would easily join those who revel in the stubbornly elusive meld of craft and lyric. Ever since I've known him, he's mastered it with enviable ease, in deftly-spun poems probing what consoles and disquiets us--inexplicable loss, love that illuminates, the quirks and quandaries of the natural world. This is the book that will do it."--Patricia Smith "David Sloan's second collection of poems astonishes and delights at every turn, literally as each line breaks upon a next elegant phrase, apt image or surprising metaphor. There are several ekphrastic poems that are among the best I've ever read, a sestina that definitely is, a supple and indelible ghazal. The scope of subject matter is breathtaking: birth, childhood, grief, marriage, relationships of all ilks, including one's relationship to Nature, and many more. A few poems are hilariously funny, others beautifully dark and sobering. More are praise songs, and every mood and tone of voice is artfully encoded. Abundance enough, but here as well, a consistent richness of texture, of the intricate workings of sound and thought that only happen when someone falls madly in love with, and remains under the spell of, language itself. This collection demonstrates, full-bore, Sloan's accomplishment: a true poet expressing with elegant restraint and consummate skill the agony and the ecstasy of human existence in North America at this time in history."--Gray Jacobik
This book offers the first in-depth examination of a distinctive and community-based tradition rich with larger-than-life heroes, vivid occupational language, humor, and unblinking encounters with birth, death, nature, and animals in the poetry.
The first book to bring together Nietzsche's poetry in English, this complete work examines thirty major poems and points out allusions and references to 220 juvenilia, songs, epigrams, dithyrambs, and verse fragments found throughout Nietzsche's writing. The first book to bring together this work in English, The Poetry of Friedrich Nietzsche examines thirty major poems and points out allusions and references to 220 juvenilia, songs, epigrams, dithyrambs, and verse fragments found throughout Nietzsche's writing. Arranged according to the various stages of Nietzsche's life and philosophical development, these poems not only bear testimony to the many changes in his environment and thinking, but form a rich background to his prose writings.
Literary Nonfiction. Literary Criticism and History. Filling a niche that has long been neglected, THE CONVERSATION addresses issues of both writing and close and considered reading. Chapters focus on specific elements of poetic language and structure and offer writing exercises—which include both poetry and personal essays—that link directly to the featured works and the accompanying discussions.
This second book of poems by Dr. C.A. Buckley has been five years in the making, but comes from a lifetime of dedicated writing of poetry. His first collection, The Last Irish Romantic was launched by Gabriel Fitzmourice, the noted Irish poet, in John B. Keane’s pub at the Listowel Literary Festival of 2015. He described the collection as a striking series of works reminiscent of T.S.Eliot and Michael Hartnett. The book was also praised by the legendary poet and publisher, Pat Boran of the Dedulous Press, as a “truly distinctive debut volume”. The prize-winning modern British poet Bernard O’Donoghue was more fulsome is describing it as “brilliant”. For those who have been patiently waiting for a sequel here is an even finer, more mature and more varied follow-up volume.