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This is a true story about the life of a bachelor who adopted an 11-year old orphan. Neal started the process knowing the odds were against him. He fought the system and won.
Who is Faith? That’s what Adam Novak wants to know. She looks just like his ex-lover, now missing and presumed dead—whose disappearance turned him from carefree bachelor into instant father to their six-year-old daughter, Megan. That’s also what Faith wants to know. Left by the side of the road, the victim of an assault, she has no memory and no identity. Whether or not she is Megan’s mom, Faith has won the hearts of the little girl and her father. But could there be another family out there waiting for her? And when her memory returns, will she have to leave Adam and Megan behind?
How easy or difficult is it to be a single father in India? How does the world react when a Bollywood celebrity becomes the first man to have a child via surrogacy? 1998 A superstar dad A successful sister A growing production empire Yet a young Tusshar Kapoor was sitting far away from the arc lights in the US, working as a financial analyst, until circumstances led him to return to India to pursue a career in entertainment. Little did he know that a totally different journey was awaiting him in the years to come; that he would make a life altering choice while on a car journey that would eventually make him India's first celebrity single dad. Written in a frank, fun, no-holds-barred and incisive first-person narrative, Tusshar reveals interesting childhood anecdotes, the process of raising a child as a single man in India, how the search for the perfect soulmate doesn't stop after having a child and finally how, his son, Laksshya, changed his life forever.
Follow the hapless writer, Jean, through his meandering life, from bachelor novelist through to the responsibilities of fatherhood, as he deals with relationships and exasperating friendships in this touching slice-of-life comedy drama. And all the while, Jean's flights of fancy help the novelist through his battles with his irascible landlady, his insecurities and his occasional insomnia.
Meet Cedric Fong... I don’t need a date. I need to focus on finding a new apartment and finally writing another novel. But as the last single Fong brother, I’m expected to participate in a bachelor auction to benefit my family’s charity. When there’s a frenzied bidding war, Brian Poon, my younger brother’s ex-best friend, puts an end to the chaos by bidding an eye-watering amount for a Valentine’s date with me. Brian used to be a notorious partier, but his life isn’t as wild now that his father has cut him off. We have a good time eating and drinking together, and when he finds out about my apartment situation, he offers me his spare room. Once I move in, Brian surprises me by baking me cookies and making it his mission to get me writing again. Soon, I’m working on a new book and getting closer to my roommate, a man who has never had a relationship and is all about casual sex—the opposite of me. He also used to be in love with my brother. I wonder if he still is… Jackie Lau writes soft and steamy romances with Asian characters, all set in Canada. KEYWORDS: rom-com, m/m romance, bisexual romance, bachelor auction, brother’s former best friend, roommates, contemporary romance, romantic comedy, playboy, Asian heroes, bisexual heroes, demisexual hero, baking, foodie romance, Canadian romance, funny grandma, happy ending, guaranteed HEA, no cliffhangers
The lives of early Japanese and Chinese settlers in British Columbia have come to define the Asian experience in Canada. Yet many men travelled beyond British Columbia to settle in small Prairie towns and cities. Chinese bachelors opened the region's first laundries and Chinese cafes. They maintained ties to the Old World and negotiated a place in the new by fostering a vibrant homosocial culture based on friendship, everyday religious practices, the example of Sun Yat-sen, and the sharing of food. This exploration of the intersection of gender and migration in rural Canada, in particular, offers new takes on the Chinese quest for identity in North America in general. With a preface by the Honourable Inky Mark, former Member of Parliament for Dauphin-Swan River-Marquette.
Everyone seems to be in love but me. Why is that? Relationship after relationship, and nothing. I’m always the bridesmaid, but never the bride. It’s getting old. Fast. And just when I start to give up, he walks into my life. Sexy, strong, older. The father of one of my students. It’s against the rules to feel the way I do about him, but I can’t help myself. A single father with a sexy demeanor and deep pockets. But that’s not what gets me about him. It’s the way he looks at me. As if he already owns me. The relationship can be our little secret. Or can it? This is book 1 in a continued series. You will need to buy the other books to continue the story.
Since the beginning of network television, many shows have been preceded by an announcement or theme song that served various purposes. In the 1950s and ’60s, it was common for announcers to declare that a program had been “brought to you by” a sponsor who paid for the privilege of introducing a show. Other programs, such as The Twilight Zone, Star Trek, and The Odd Couple,provided a brief encapsulation of the show’s subject matter, a practice that has continued for recent shows like Alias, Battlestar Galactica, Person of Interest, and the various editions of Law & Order. In Television Introductions: Narrated TV Program Openings since 1949, Vincent Terrace has assembled openings for more than nine hundred television shows from the past seven decades. The only documented history of narrated television program introductions, this volume is arranged by type of programming, such as comedy, drama, Western, game show, soap opera, and children’s show. In addition to quoting the opening material, entries provide information about each show’s network history and years of broadcast. Many entries include descriptions of the show, the names of announcers, and a list of main cast members, as well as a sponsor pitch exactly as spoken. Openings for programs with multiple introductions like The Adventures of Ozzie and Harriet and Charlie’s Angels are also included. For programs that featured new guest stars every episode—such as game shows and variety programs—Terrace has selected a representative introduction. In addition to the theme song credits found in the main text, there are also appendixes of theme songs and their composers and/or singers, as well as a listing of commercial releases (on DVD, VHS, CD, and LP) of shows and their soundtracks. A comprehensive resource for researchers and pop culture aficionados alike, Television Introductions provides a fascinating look at this neglected part of TV history.