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The book is concerned with a so called ethical midrash, Seder Eliyahu (also known as Tanna debe Eliyahu), a post-talmudic work probably composed in the ninth century. It provides a survey of the research on this late midrash followed by five studies of different aspects related to what is designated as the work’s narratology. These include a discussion of the problem of the apparent pseudo-epigraphy of the work and of the multiple voices of the text; a description of the various narrative types which the work, itself as a whole of non-narrative character, makes use of; a detailed treatment of Seder Eliyahu’s parables and most characteristic first person narratives (an extremely unusual form of narrative discourse in rabbinic literature); as well as a final chapter dedicated to selected women stories in this late midrash. As it emerges from the survey in chapter 1 such a narratologically informed study of Seder Eliyahu represents a new approach in the research on a work that is clearly the product of a time of transition in Jewish literature.
Preliminary material -- INTRODUCTION -- THE EGYPTIAN BENU AND THE CLASSICAL PHOENIX -- A COPTIC TEXT ON THE PHOENIX -- THE NAME PHOENIX -- LIFESPAN AND APPEARANCES -- THE DEATH AND REBIRTH OF THE PHOENIX -- THE PHOENIX AS BIRD OF THE SUN -- THE ABODE -- THE FOOD -- THE SEX -- THE DEVELOPMENT OF THE MYTH OF THE PHOENIX SOME CONCLUSIONS -- THE PHOENIX IN CLASSICAL AND EARLY CHRISTIAN ART -- BIBLICAL AND JEWISH TEXTS -- CORRIGENDA ET ADDENDA -- Maps I and II.
David Weiss Halivni's The Formation of the Babylonian Talmud, originally published in Hebrew and here translated by Jeffrey L. Rubenstein, is widely regarded as the most comprehensive scholarly examination of the processes of composition and editing of the Babylonian Talmud. Halivni presents the summation of a lifetime of scholarship and the conclusions of his multivolume Talmudic commentary, Sources and Traditions (Meqorot umesorot). Arguing against the traditional view that the Talmud was composed c. 450 CE by the last of the named sages in the Talmud, the Amoraim, Halivni proposes that its formation took place over a much longer period of time, not reaching its final form until about 750 CE. The Talmud consists of many literary strata or layers, with later layers commenting upon and reinterpreting earlier layers. The later layers differ qualitatively from the earlier layers, and were composed by anonymous sages whom Halivni calls Stammaim. These sages were the true author-editors of the Talmud. They reconstructed the reasons underpinning earlier rulings, created the dialectical argumentation characteristic of the Talmud, and formulated the literary units that make up the Talmudic text. Halivni also discusses the history and development of rabbinic tradition from the Mishnah through the post-Talmudic legal codes, the types of dialectical analysis found in the different rabbinic works, and the roles of reciters, transmitters, compilers, and editors in the composition of the Talmud. This volume contains an introduction and annotations by Jeffrey L. Rubenstein.
Elegant and inventive, Surpassing Wonder uncovers how the ancient Hebrew scriptures, the Christian New Testament, and the Talmuds of the Rabbis are related and how, collectively, they make up the core of Western consciousness. Donald Harman Akenson provides an incisive critique of how religious scholars have distorted the holy books and argues that it was actually the inventor of the Hebrew scriptures who shaped our concept of narrative history—thereby founding Western culture.