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It is the summer of 1883 and Professor Langdon St. Ives - brilliant but eccentric scientist and explorer - is at home in Aylesford with his family. However, a few miles to the north a steam launch has been taken by pirates above Egypt Bay; the crew murdered and pitched overboard. In Aylesford itself a grave is opened and possibly robbed of the skull. The suspected grave robber, the infamous Dr. Ignacio Narbondo, is an old nemesis of Langdon St. Ives. When Dr. Narbondo returns to kidnap his four-year-old son Eddie and then vanishes into the night, St. Ives and his factotum Hasbro race to London in pursuit... The first new steampunk novel in over twenty years from one of the genre's founding fathers!
Fans of Sarah MacLean, Vanessa Riley, and Julia London will adore this modern take on the Regency, filled with tough, empowered women meeting their matches in a sexy story from rising star Anabelle Bryant. “Delightful.” —Lenora Bell, USA Today bestselling author From the glittering ballrooms of the ton to the city’s grittiest corners, London has no shortage of wrongs in need of righting—and the Maidens of Mayhem are prepared for the challenge. United by secrecy and sisterhood, these daring woman from all walks of life aim to fight injustice wherever it takes them—even into the arms of unexpected love... Scarlett Wynn’s tragic childhood taught her that life can be cruel to women with little power. So when a local seamstress disappears, Scarlett vows to find out why. Armed with a weapon and her courage, Scarlett scours London for clues—and crosses the unlikely path of Ambrose Cross, the Duke of Aylesford, at an unlikely place: an upscale brothel. The Duke is trying to solve a mystery of his own, and Scarlett is sure they can help each other—if she can resist the attraction that draws them together . . . As Duke of Aylesford, Ambrose is duty-bound to protect his family name from scandal no matter the cost. But Scarlett’s fearless spirit forces him to look beyond his world of privilege. Scarlett is as intoxicating as she is dangerous, igniting a fire in him like no other. But when the pair learn both mysteries they’re trying to solve are tied to a string of missing women, the tangled scheme they uncover may put their lives, and their growing love, in mortal danger—and lead them to search their hearts like never before . . . “A delightful historical romance with a liberal dash of adventure, plenty of sizzling heat, and a heart of pure gold. A superb start to Bryant’s new Maidens of Mayhem series” —Lenora Bell, USA Today bestselling author “Duchess if You Dare is a fantastic read that kept me up late and has me anxiously awaiting the next book in the series.”—USA Today Bestselling Author Renee Ann Miller “Brilliant.” —Publishers Weekly
A journal of historic and pre-historic antiquities.
Queer books, like LGBTQ+ people, adapt heteronormative structures and institutions to introduce space for discourses of queer desire. Queer Books of Late-Victorian Print Culture explores print culture adaptations of the material book, examining the works of Aubrey Beardsley, Michael Field, John Gray, Charles Ricketts, Charles Shannon and Oscar Wilde. It closely analyses the material book, including the elements of binding, typography, paper, ink and illustration, and brings textual studies and queer theory into conversation with literary experiments in free verse, fairy tales and symbolist drama. King argues that queer authors and artists revised the Revival of Printing's ideals for their own diverse and unique desires, adapting new technological innovations in print culture. Their books created a community of like-minded aesthetes who challenged legal and representational discourses of same-sex desire with one of aesthetic sensuality.
AN INSTANT NEW YORK TIMES BESTSELLER! Another thrilling domestic suspense novel from the New York Times bestselling author of The Couple Next Door “Lapena is a master of manipulation. With her latest page-turning thriller… she is once again at the top of her game.” —USA Today “In this fast-paced, twisted family saga, Shari Lapena keeps you guessing until the very last page...” —Paula Hawkins In this family, everyone is keeping secrets—even the dead. Brecken Hill in upstate New York is an expensive place to live. You have to be rich to have a house there, and Fred and Sheila Merton certainly are rich. But even all their money can't protect them when a killer comes to call. The Mertons are brutally murdered after a fraught Easter dinner with their three adult kids. Who, of course, are devastated. Or are they? They each stand to inherit millions. They were never a happy family, thanks to their vindictive father and neglectful mother, but perhaps one of the siblings is more disturbed than anyone knew. Did someone snap after that dreadful evening? Or did another person appear later that night with the worst of intentions? That must be what happened. After all, if one of the family were capable of something as gruesome as this, you'd know. Wouldn't you?
The arrangement of the material, indicated by the chapter headings, draws attention to a variety of areas not normally associated with dominant perceptions of Angela Carter. These encompass food, fashion, art, poetry, music, performance and translation, which will be discussed in a number of historical, literary and cultural contexts.
First Published in 1959, The Life of John Middleton Murry is the first biography of one of the most controversial figures in English letters. Many people know Middleton Murry in one or other of his capacities: as editor (of the avant-grade magazine Rhythm, while he was still an undergraduate, of The Athenaeum in its last, most brilliant phase, The Adelphi in the 1920s, Peace News in the ‘40s); as the foremost critique of his day; as author of some forty books on literary, religious and social questions; as the husband of Katherine Mansfield and intimate of D.H. Lawrence; as prophet, politician or farmer.... Few, even of his most vigorous champions or opponents, discerned the consistent purpose uniting all his multifarious activities. To trace that is the principal aim of this book. Believing that the duty of the ‘official biographer’ is rather to present than interpret, the author makes no attempt to evaluate Murry’s theories objectively, confining himself to showing how intimately they grew out of his strange, tragic (and occasionally comic) experience. At the same time, he makes no secret of his own view of Murry’s significance both as a thinker and as ‘the representative figure of an age of breakneck social transition’. The Life of John Middleton Murry will be of interest to scholars and researchers of historical biographies, British history, and literature.
In the early sixties at the Royal College of Art in London, three extraordinary personalities collided to reshape contemporary art and literature. Barrie Bates (who would become Billy Apple in November 1962) was an ambitious young graphic designer from New Zealand, who transformed himself into one of pop art's pioneers. At the same time, his friend and fellow student David Hockney—young, Northern, and openly gay—was making his own waves in the London art world. Bates and Hockney travelled together, bleached their hair together, and, despite being two of London's rising art stars, almost failed art school together. And in the middle of it all was the secretary of the Royal College's Painting School—an aspiring young novelist called Ann Quin. Quin ghost-wrote her lover Bates's dissertation and collaborated with him on a manifesto, all the while writing Berg: the experimental novel that would establish her as one of the British literary scene's most exciting new voices. Taking us back to London's art scene in the late fifties and early sixties, award-winning writer Anthony Byrt illuminates a key moment in cultural history and tackles big questions: Where did Pop and conceptual art come from? How did these three remarkable young outsiders change British culture? And what was the relationship between revolutions in personal and sexual identities and these major shifts in contemporary art? From the Royal College to Coney Island and Madison Avenue, encountering R. D. Laing and Norman Mailer, Shirley Clarke, and Larry Rivers, The Mirror Steamed Over is a remarkable journey through a pivotal moment in contemporary culture.
Established at Old Oscott in Birmingham, England, in 1980, the Maryvale Institute provides a variety of part-time and distance learning courses to the lay faithful, and consecrated religious and ministers of the Roman Catholic Church. Maryvale’s doctoral research programme in Catholic Studies is conducted in collaboration with, and accredited by, Liverpool Hope University. Successful students receive an award of a Doctor of Philosophy (PhD) degree from the University. This book is the second in a series of volumes concerned with the outcomes of that doctoral research programme. It provides an overview of the breadth of work by its students in the UK, Europe, the USA and Africa and their contribution to new knowledge in the area of Catholic studies, a wide field including history, literature, philosophy, spirituality, and theology.
Abstraction in Post-War British Literature explores the ways in which writers and thinkers responded to non-representational art in the decades following the Second World War. By offering a chronological overview of the period in Britain, it questions how abstraction came to be discovered, absorbed and reimagined in literature.