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When the smiling King of Carnival is killed at Mardi Gras, policewoman Skip Langdon is on the case. She knows the upper-crust family of the victim and that it hides more than its share of glittering skeletons. But nothing could prepare her for the tangled web of clues and ancient secrets that would mean danger for her--and doom for the St. Amants.... "Smith is a gifted writer." THE WASHINGTON POST BOOK WORLD
New Orleans has always managed to create a mix of the mysterious and the macabre in our minds. As a city, it is different; its jazz, its location and openness to the elements, its cosmopolitan community. At the turn of the last century, the French influence was still strong. A quarter of the population spoke the Gallic language, and French newspapers were still popular. But these Northern Europeans were not the only significant immigrant group to reside there. In 1915, Atlantic storms blew into the vulnerable city, and floods threatened lives and buildings. But still the city stood, tall and firm, against all that nature could throw against it. Yet if it could withstand the onslaught of the natural world, the same was not necessarily true of the human one. Back in 1910, a particularly savage crime took place, a vicious, merciless assault with an axe There is something almost primordial about such an attack. On this occasion, the victim survived, and in a city where racial tensions were rife, where child labour still flourished, the confrontation went largely unnoticed by the wider community. Then, in the early summer of 1911, another incident took place and this time the assault proved fatal. Joe Davi was, in all probability, the first man to die at the hands of the Axeman of New Orleans.
This original anthology of noir fiction set across the Big Easy includes new stories by Ace Atkins, Laura Lippman, Maureen Tan, and more. New Orleans has always the home of the lovable rogue, the poison magnolia, the bent politico, and the heartless con artist. And in post-Katrina times, it’s the same old story—only with a new breed of carpetbagger thrown in. In other words, it’s fertile ground for noir fiction. This sparkling collection of tales, set both before and after the storm, explores the city’s gutted neighborhoods, its outwardly gleaming “sliver by the river,” its still-raunchy French Quarter, and other hoods so far from the Quarter they might as well be on another continent. It also looks back into the city’s darkly colorful, nineteenth century past. New Orleans Noir includes brand-new stories by Ace Atkins, Laura Lippman, Patty Friedmann, Barbara Hambly, Tim McLoughlin, Olympia Vernon, David Fulmer, Jervey Tervalon, James Nolan, Kalamu ya Salaam, Maureen Tan, Thomas Adcock, Jeri Cain Rossi, Christine Wiltz, Greg Herren, Julie Smith, Eric Overmyer, and Ted O’Brien. A portion of the profits from New Orleans Noir will be donated to Katrina KARES, a hurricane relief program sponsored by the New Orleans Institute that awards grants to writers affected by the hurricane.
The history of New Orleans is one of contrasts--heroes and villains, catastrophe and celebration, sinners and saints. In this New Orleans, a serial-killing axeman threatens to murder anyone not playing jazz. A fearless band of missionary nuns pushes to civilize the frontier. During World War II, Nazi U-boats lurk off the coast, while Denton Crocker's battle with local mosquitoes contributes to victory in the Pacific. From the streetcar strikers who lined the thoroughfares with IEDs to the unsung heroine of the Battle of New Orleans, Ryan Starrett and Josh Foreman offer a dose of history that would be hard to believe if it hadn't happened here. --Back cover.
The ax-man murders of 1912 in Louisiana and Texas leave a bloody trail of evidence that points to the largest, unsolved serial killing in history of the United States. It’s a tale of ritual murder, voodoo mayhem, and wholesale killings that leads the reader on a shocking train ride across two states and into the chapters of a real American horror story. The fiendish slayings of 10 sleeping families nestled in their beds is only the beginning of the terrifying account of a true crime that remains unsolved. Axes of Evil sheds light on an unwritten part of American history and uncovers the American “Jack the Ripper.”
“This is not a man. In almost a hundred years, I have seen it shot, stabbed, drowned, burned, decapitated, dismembered, and buried. And in almost a hundred years, there’s only one thing that’s ever been able to kill it…Me.” The campaign trail, 2012: A political operative of the incumbent president and a party volunteer are brutally murdered while in a compromising position. A message has been written in their blood… “IT'S GOOD TO BE BACK” A centuries-old horror has returned to taunt Nathaniel Cade, the President's Vampire. Under constant threat of exposure—and with enemies old and new at every turn—he and his handler Zach must stop the one monster Cade has never been able to completely destroy. And they must do it before the creature known as the Boogeyman adds another victim to his long and bloody list: the President of the United States.
From 1910 to 1919, New Orleans suffered at the hands of its very own Jack the Ripper–style killer. The story has been the subject of websites, short stories, novels, a graphic novel, and most recently the FX television series American Horror Story. But the full story of gruesome murders, sympathetic victims, accused innocents, public panic, the New Orleans Mafia, and a mysterious killer has never been written. Until now. The Axeman repeatedly broke into the homes of Italian grocers in the dead of night, leaving his victims in a pool of blood. Iorlando Jordano, an innocent Italian grocer, and his teenaged son Frank were wrongly accused of one of those murders; corrupt officials convicted them with coerced testimony. Miriam C. Davis here expertly tells the story of the search for the Axeman and of the eventual exoneration of the innocent Jordanos. She proves that the person mostly widely suspected of being the Axeman was not the killer. She also shows what few have suspected—that the Axeman continued killing after leaving New Orleans in 1919. Only thirty years after Jack the Ripper stalked the streets of Whitechapel, the Axeman of New Orleans held an American city hostage. This book tells that story.
Chicago, 1928. In the stifling summer heat, three disturbing events take place: A clique of city leaders is poisoned in a fancy hotel; a white gangster is found mutilated in an alleyway in the Blackbelt; and a famous heiress vanishes without a trace. Pinkerton detectives Michael Talbot and Ida Davis are hired to find the missing heiress by the girl’s troubled mother. But it soon proves harder than expected to find a face that is known across the city, and Ida must elicit the help of her friend, Louis Armstrong. While the police take little interest in the Blackbelt murder, Jacob Russo—crime scene photographer—can’t get the dead man’s image out of his head, leading him to embark on his own investigation. And Dante Sanfelippo—rum-runner and fixer—is back in Chicago on the orders of Al Capone, who suspects there’s a traitor in the ranks and wants Dante to investigate. But Dante is struggling with his own problems, as he is forced to return to the city he thought he’d never see again . . .
The truth behind the legend of New Orleans’ infamous slave owner, madwoman, and murderess, portrayed in the anthology series, American Horror Story. On April 10, 1834, firefighters smashed through a padlocked attic door in the burning Royal Street mansion of Creole society couple Delphine and Louis Lalaurie. In the billowing smoke and flames they made an appalling discovery: the remains of Madame Lalaurie’s chained, starved, and mutilated slaves. This house of horrors in the French Quarter spawned a legend that has endured for more than one-hundred-and-fifty years. But what actually happened in the Lalaurie home? Rumors about her atrocities spread as fast as the fire. But verifiable facts were scarce. Lalaurie wouldn’t answer questions. She disappeared, leaving behind one of the French Quarter’s ghastliest crime scenes, and what is considered to be one of America’s most haunted houses. In Mad Madame Lalaurie, Victoria Cosner Love and Lorelei Shannon “shed light on what is fact and what is purely fiction in a tale that’s still told nightly on the streets of New Orleans” (Deep South Magazine).
In 1946, years before the phrase "serial murder" was coined, a masked killer terrorized the town of Texarkana on the Texas-Arkansas border. Striking five times within a ten-week period, always at night, the prowler claimed six lives and left three other victims wounded. Survivors told police that their assailant was a man, but could supply little else. A local newspaper dubbed him the Phantom Killer, and it stuck. Other reporters called the faceless predator the "Moonlight Murderer," though the lunar cycle had nothing to do with the crimes. Texarkana's phantom was not America's first serial slayer; he certainly was not the worst, either in body count or sheer brutality. But he has left a crimson mark on history as one of those who got away. Like the elusive Axeman of New Orleans, Cleveland's Mad Butcher of Kingsbury Run, and San Francisco's Zodiac Killer, the Phantom Killer left a haunting mystery behind. This is the definitive story of that mystery.