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This study analyzes the impact of color-making technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumière brothers’ perfection of the autochrome color photography process. Focusing on Impressionist art, Laura Anne Kalba examines the importance of dyes produced in the second half of the nineteenth century to the vision of artists such as Edgar Degas, Pierre-Auguste Renoir, and Claude Monet. The proliferation of vibrant new colors in France during this time challenged popular understandings of realism, abstraction, and fantasy in the realms of fine art and popular culture. More than simply adding a touch of spectacle to everyday life, Kalba shows, these bright, varied colors came to define the development of a consumer culture increasingly based on the sensual appeal of color. Impressionism—emerging at a time when inexpensively produced color functioned as one of the principal means by and through which people understood modes of visual perception and signification—mirrored and mediated this change, shaping the ways in which people made sense of both modern life and modern art. Demonstrating the central importance of color history and technologies to the study of visuality, Color in the Age of Impressionism adds a dynamic new layer to our understanding of visual and material culture.
Album de l'exposition présentée au cours de l'été 2003 sur l'oeuvre photographique de J.-H. Lartigue (1894-1986), accompagné d'une biographie et de citations.
Includes entries for maps and atlases.
Clive James presents the "prequel" to his celebrated Cultural Amnesia, forty-nine essays that form a cultural education in one brilliant volume. Following his much-heralded publication of Cultural Amnesia, Clive James presents here his "prequel"-forty-nine essays, which he has selected as representing the best of his half-century career. Cultural Cohesion examines the twisted cultural terrain of the twentieth century in a volume that is not only erudite but also endlessly entertaining. Dividing his book into four sections-"Poetry," "Fiction and Literature," "Culture and Criticism," and ''Visual Images"-James comments on poets like W. H. Auden and Philip Larkin, novelists like D. H. Lawrence and Raymond Chandler, and filmmakers like Fellini and Bogdanovich. Book jacket.
Hilarious and trenchant, Reliable Essays collects the most memorable works of criticism and travel writing from well-loved author and broadcaster, Clive James. With an introduction by Julian Barnes. '[An] intellectual as well as a joker, a wise man as well as a wit' – Observer Whether discussing arts, politics or culture, Clive James opens up new avenues for thought whilst never being less than wonderfully entertaining. From his 'Postcard from Rome' to his observations on Margaret Thatcher, and his insights into Heaney, Larkin and Orwell, Clive is equally at home discussing the nature of celebrity and considering serious political matters. With brilliantly funny examinations of characters like Barry Humphries, Germaine Greer and Marilyn Monroe, this is a thoughtful, analytical and thoroughly enjoyable selection of Clive at his best. '[I]immensely enjoyable' – Telegraph Clive James (1939–2019) was a broadcaster, critic, poet, memoirist and novelist. His much-loved, influential and hilarious television criticism is collected in Clive James On Television. His encyclopaedic study of culture and politics in the twentieth century, Cultural Amnesia, remains perhaps the definitive embodiment of his wide-ranging talents as a critic. Praise for Clive James: 'The perfect critic' – A.O. Scott, New York Times 'There can't be many writers of my generation who haven't been heavily influenced by Clive James' – Charlie Brooker 'A wonderfully witty and intelligent writer' – Verity Lambert