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Gottfried "Götz" von Berlichingen, the Knight of the Iron Hand, was one of the last great medieval knights of history. Born in the year 1480, Götz came of age in an era of great change, both in his native German lands and the wider world. The Reformation would fundamentally change the landscape of political power in Europe, and the ensuing wars would tear the continent apart. Yet, for a time, Götz' world remained true to its feudal history, and Götz himself participated in many feuds and conflicts. A good friend and a terrible enemy, Götz recalls how he fought and struggled in the internal politics of Germany, which pitted princes and lords against one another over land, titles, and wealth. He crosses paths (and sometimes swords) with other famous knights, esteemed princes, and, on more than one occasion, with the Holy Roman Emperor himself. Campaigning with the Imperial army abroad in France, Switzerland, and Hungary, he often survived on nothing more than his wits and his prowess in battle. His legacy as a folk hero lived on long after his death, inspiring Johann Wolfgang von Goethe to write a play based on his life, and becoming the namesake of the 17th SS-Panzergrenadier-Division "Götz von Berlichingen" in the Second World War. Before his death Götz von Berlichingen wrote down his unique story in an autobiographical account of one of Europe's most notable medieval knights. Translated from the original 1567 manuscript, Antelope Hill is proud to present The Autobiography of Sir Götz von Berlichingen, available for the first time ever to the English reader. Although politics and military technology may have changed since the time of this famous knight, one thing remains the same, that honor, bravery, and loyalty count for much, even for a man of humble beginnings.
Gotz von Berlichingen's autobiography is the first autobiography of a German knight. It was originally published between 1556 and 1562. Gotz was known for the fact that he lost his right hand in battle and had it replaced by an iron prosthesis which was so cleverly crafted that he could still use his sword with it. He is also well-known for his famous quote made to one of his enemies, "Lick (kiss) my ass." This work discusses his many feuds and battles, his participation in the peasant's war, and an invasion of France. This is the only English translation of this work.
"Volume 11 in the sixteen-volume Dietrich Bonhoeffer Works English Edition, Ecumenical, Academic, and Pastoral Work: 1931-1932, provides a comprehensive translation of Bonhoeffer's important writings from 1931 to 1932, with extensive commentary about their historical context and theological significance. This volume covers the significant period of Bonhoeffer's entry into the international ecumenical world and the final months before the beginning of the National Socialist dictatorship. It begins with Bonhoeffer's return to Berlin in June 1931 after his year of study in the United States. In the crucial period that followed, Bonhoeffer continued his preparations for the ministry, began teaching at Berlin University, and became active at international ecumenical meetings. His letters and lectures, however, also document the economic and political turbulence on the European and world stage, and Bonhoeffer directly addresses the growing threat of the Nazi movement and what it portends not only for Germany, but for the world. Several of the documents in this volume, particularly the student notes of his university lecture on "The Nature of the Church" and his lectures on Christian ethics, give important insights into his theology at this point. His ecumenical lectures and reports are significant documents for understanding the ecumenical debates of this period"--Publisher description.
An examination of written and other responses to conflict in a variety of forms and genres, from the thirteenth to the seventeenth century. War and violence took many forms in medieval and early modern Europe, from political and territorial conflict to judicial and social spectacle; from religious persecution and crusade to self-mortification and martyrdom; from comedic brutality to civil and domestic aggression. Various cultural frameworks conditioned both the acceptance of these forms of violence, and the protest that they met with: the elusive concept of chivalry, Christianity and just wartheory, political ambition and the machinery of propaganda, literary genres and the expectations they generated and challenged. The essays here, from the disciplines of history, art history and literature, explore how violence and conflict were documented, depicted, narrated and debated during this period. They consider manuals created for and addressed directly to kings and aristocratic patrons; romances whose affective treatments of violence invitedprofoundly empathetic, even troublingly pleasurable, responses; diaries and "autobiographies" compiled on the field and redacted for publication and self-promotion. The ethics and aesthetics of representation, as much as the violence being represented, emerge as a profound and constant theme for writers and artists grappling with this most fundamental and difficult topic of human experience. JOANNA BELLIS is the Fitzjames Research Fellow in Oldand Middle English at Merton College, Oxford; LAURA SLATER holds a Postdoctoral Fellowship from The Paul Mellon Centre for Studies in British Art in London. Contributors: Anne Baden-Daintree, Anne Curry, David Grummitt, Richard W. Kaeuper, Andrew Lynch, Christina Normore, Laura Slater, Sara V. Torres, Matthew Woodcock,