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Francis Place's autobiography presents a vivid and readable account of the early life of one of the best-known radical reformers of the early 19th century. The publication of Place's manuscript for the first time in book form is a landmark in the expanding field of studies in artisan self-consciousness of the pre-Victorian era. The book will be of obvious value to those interested in the origins of the Reform Movement and especially of the controversial reform group, the London Corresponding society. In his description of the rise and fall of the LCS and of the men who composed it and other reform groups. Place brings to life the human feelings and failings of the working-class democratic movement, and his own lifelong attempts to 'promote the welfare of the working class'.
This highly acclaimed study draws on information from spy reports and contemporary literature to look at English popular radicalism during the period between the anti-Jacobin government "Terror" of the 1790s and the beginnings of Chartism. The book traces for the first time the history of theunderground revolutionary-republican grouping founded by the agrarian reformer, Thomas Spence. Challenging conventional distinctions between "high" and "low" culture, McCalman illuminates the darker, more populist sides of Romanticism. Radical Underworld broadens the conventional boundaries ofpopular politics and culture by exploring a political underworld connected with poverty, crime, prophetic religion, and literary culture.
This book, the first full-length study of metropolitan Chartism, provides extensive new material for the 1840s and establishes the regional and national importance of the London movement throughout this decade. After an opening section which considers the economic and social structure of early-Victorian London, and provides an occupational breakdown of Chartists, Dr Goodway turns to the three main components of the metropolitan movement: its organized form; the crowd; and the trades. The development of London Chartism is correlated to economic fluctuations, and, after the nationally significant failure of London to respond in 1838-9, 1842 is seen as a peak in terms of conventional organization, and 1848 as the high point of turbulence and revolutionary potential. The section concludes with an exposition of the insurrectionary plans of 1848.
Rev. Francis Frederick was an African American slave born in Fauquier County, Virginia, "about the year 1809." He escaped to Canada and then to England. He returned to America after the end of the Civil War and was employed by the New York American Association as a colporter in Baltimore. His narrative, Autobiography of Rev. Francis Frederick, of Virginia, was published in 1869.
This is a unique account of working-class childhood during the British industrial revolution, first published in 2010. Using more than 600 autobiographies written by working men of the eighteenth and nineteenth centuries Jane Humphries illuminates working-class childhood in contexts untouched by conventional sources and facilitates estimates of age at starting work, social mobility, the extent of apprenticeship and the duration of schooling. The classic era of industrialisation, 1790–1850, apparently saw an upsurge in child labour. While the memoirs implicate mechanisation and the division of labour in this increase, they also show that fatherlessness and large subsets, common in these turbulent, high-mortality and high-fertility times, often cast children as partners and supports for mothers struggling to hold families together. The book offers unprecedented insights into child labour, family life, careers and schooling. Its images of suffering, stoicism and occasional childish pleasures put the humanity back into economic history and the trauma back into the industrial revolution.
A major statement by senior US scholar on the development and transmission of liberal thought.
Solitude has always had an ambivalent status: the capacity to enjoy being alone can make sociability bearable, but those predisposed to solitude are often viewed with suspicion or pity. Drawing on a wide array of literary and historical sources, David Vincent explores how people have conducted themselves in the absence of company over the last three centuries. He argues that the ambivalent nature of solitude became a prominent concern in the modern era. For intellectuals in the romantic age, solitude gave respite to citizens living in ever more complex modern societies. But while the search for solitude was seen as a symptom of modern life, it was also viewed as a dangerous pathology: a perceived renunciation of the world, which could lead to psychological disorder and anti-social behaviour. Vincent explores the successive attempts of religious authorities and political institutions to manage solitude, taking readers from the monastery to the prisoner’s cell, and explains how western society’s increasing secularism, urbanization and prosperity led to the development of new solitary pastimes at the same time as it made traditional forms of solitary communion, with God and with a pristine nature, impossible. At the dawn of the digital age, solitude has taken on new meanings, as physical isolation and intense sociability have become possible as never before. With the advent of a so-called loneliness epidemic, a proper historical understanding of the natural human desire to disengage from the world is more important than ever. The first full-length account of its subject, A History of Solitude will appeal to a wide general readership.
Volume II surveys the history of fashion from the nineteenth-century to the present day. Covering the period beginning with mass industry and ending with calls for sustainability, this volume challenges the meaning of modernity and modernism from a global perspective and reflects on important scholarship that has changed our understanding of the relationship between fashion and colonialism. Empires shifted and new powers rose, with fashion marking and contending with this change. The volume concludes with a critical view of fashion and globalisation, and explores the deep connections between the fashion industry, the global economy, and the politics of production and wearing in the contemporary world.