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All my old affection for her, all my old respect for her sincerity, came back in a flood on my heart. The bitterness of the past was swept away; only its tenderness in the ideal remained. I forgot her high religious contempt for my lower moral nature, her doubt and disbelief, her reproach and opposition; and I saw her only in her own best form--faithful, enduring, real--one worthy of respect, and by her sex to be surrounded with that kind of protection which means honour and includes love.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Critical edition of Eliza Lynn Linton's semi-autobiographical novel in which she adopts a male persona in order to recount her relationships with other women. The edition includes an introduction, explanatory footnotes and extracts from other relevant works.
Excerpt from The Autobiography of Christoper Kirkland, Vol. 3 of 3 The sensational part of the matter was, the story of that man in the Marshalsea prison who took his suckling babe from his wife and handed it over to his mistress - a possibility of action on all fours with the vilest features of slavery. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Autobiography of Christoper Kirkland, Vol. 3 of 3 Society was beginning to busy itself with the question of woman's rights when I was young. Now it is an established cause, aggressive where it was then only a protest. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1885 edition. Excerpt: ...--to damp down the glad fever in my veins. I could only breathe out in the open. I should have been stifled within the four walls of that house in Montague Place. Since then I have watched with breathless emotion the opalescent skies of Venice; the westering light which streams like visible prayer through the windows of St. Peter's as you stand on the Pincio; the gorgeous sunsets of Naples, with that burning bar drawn all across the horizon, stretching from Vesuvius to infinitude; but I have never seen one to match the splendour of that sunset in London, on the evening of the day when I first achieved success. For the moment I was as a god among gods. My veins Avere filled with celestial ichor, not human blood; and my mind saw what it brought--the infinity of glory because of that intensity of joy. I turned into the Park and sat down on a bench, looking at this resplendence which was to me like a message--a symbol of my own strength and future lustre. Suddenly, as distinctly as if she had been there in the body, I felt the presence of Adeline Dalrymple. It seemed to me as if she stood before me, enveloping me in her personality as in the old days. I seemed to feel her arms about me--as if she drew me gently to her bosom; and I felt again her lips on my forehead and my eyes. Then she seemed to sit down on the seat beside me, and I heard the murmur of that marvellous voice, saying softly: 'By the power of Love you have come to the possession of Fame!' The full chord of divinest harmony was now complete. All my life and being were swept away as by one great rush and flood of rapture, unfathomable, irresistible. It was as if I heard the primal harmony whence all other music flows--as if I saw the archetype of all beauty, and felt the essence...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from The Autobiography of Christoper Kirkland, Vol. 2 of 3 I will go on with my general reminiscences of persons, not keeping strictly to chronology. I became a child of the house in the family of Captain Maconochie, that great and good inventor of the Mark System. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.