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Drawing on many years of African experience, John Reader has written a book of startling grandeur and scope that recreates the great panorama of African history, from the primeval cataclysms that formed the continent to the political upheavals facing much of the continent today. Reader tells the extraordinary story of humankind's adaptation to the ferocious obstacles of forest, river and desert, and to the threat of debilitating parasites, bacteria and viruses unmatched elsewhere in the world. He also shows how the world's richest assortment of animals and plants has helped - or hindered - human progress in Africa.
This History explores innovations in African American autobiography since its inception, examining the literary and cultural history of Black self-representation amid life writing studies. By analyzing the different forms of autobiography, including pictorial and personal essays, editorials, oral histories, testimonials, diaries, personal and open letters, and even poetry performance media of autobiographies, this book extends the definition of African American autobiography, revealing how people of African descent have created and defined the Black self in diverse print cultures and literary genres since their arrival in the Americas. It illustrates ways African Americans use life writing and autobiography to address personal and collective Black experiences of identity, family, memory, fulfillment, racism and white supremacy. Individual chapters examine scrapbooks as a source of self-documentation, African American autobiography for children, readings of African American persona poems, mixed-race life writing after the Civil Rights Movement, and autobiographies by African American LGBTQ writers.
African Rhythms is the autobiography of the important jazz pianist, composer and band leader Randy Weston. He tells of his childhood in Brooklyn, his six decades long musical career, his time living in Morocco, and his lifelong quest to learn about the musical and cultural traditions of Africa.
In 1968, as Carla on "One Life to Live", Ellen Holly exploded onto the soap opera scene, playing a mysterious black woman who had tried to pass for white. Now, in a memoir as frank and honest as it is romantic and glittering, the acclaimed actress recounts her star-crossed life and paints an affecting portrait of a talented, ambitious woman who struggled with being black--and sometimes, not being black enough. of photos.
This critical edition of Princess Fatima Massaquoi's memoirs begins with her birth in southern Sierra Leone, continues through her childhood in Liberia, moves on to Hamburg, Germany, where she lived and experienced the rise of the Nazi movement, and ends with her life in the United States.
". . . this gem of a book deserves a wide audience. Appropriate for African and women's studies courses and a must for college and university libraries." —Choice ". . . Mpho relates the story of her life with an integrity that makes for utterly compelling reading. . . . The fortitude of this woman, now in her late 60s, is a lesson to us all." —The Bookseller, United Kingdom "This is a fascinating autobiography . . ." —KLIATT ". . . a powerful autobiography of a Lesotho elder who tells her life as an African woman in South Africa. The focus on black culture and concerns as much as racism allows for an unusual depth of understanding of black concerns and lifestyles in Africa." —Reviewer's Bookwatch "An African woman's poignant and beautifully crafted memoir lyrically portrays the brutal poverty and reliance on ritual that shape the lives of her people, the Basotho. . . . A commanding and important work that will captivate readers with its unique voice, narrative power, and unforgettable scenes of life in Southern Africa." —Kirkus Reviews " . . . a stunning autobiography of a remarkable woman . . . Nthunya's telling is eloquent. Although her voice is generally one of dignified emotional distance, it is punctuated by her very human humor and pain." —Publishers Weekly ". . . recommended for collections in African folklore." —Library Journal "I am telling my stories in English for many months now, and it is a time for me to see my whole life. I see that things are always changing. I was born in 1930, so I remember many things which were happening in the old days in Lesotho and which happen no more. I lived in Benoni Location for more than ten years, and I saw the Boer policemen taking black people and beating them like dogs. They even took me once, and kept me in one of their jails for a while." —Mpho 'M'atsepo Nthunya A compelling and unique autobiography by an African woman with little formal education, less privilege, and almost no experience of books or writing. Mpho's is a voice almost never heard in literature or history, a voice from within the struggle of "ordinary" African women to negotiate a world which incorporates ancient pastoral ways and the congestion, brutality, and racist violence of city life. It is also the voice of a born storyteller who has a subject worthy of her gifts—a story for all the world to hear.
This definitive biography tells the story of the former slave Olaudah Equiano (1745?–1797), who in his day was the English-speaking world’s most renowned person of African descent. Equiano’s greatest legacy is his classic 1789 autobiography, The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, Written by Himself. A key document of the early movement to ban the slave trade, as well as the fundamental text in the genre of the African American slave narrative, it includes the earliest known purported firsthand description by an enslaved victim of the horrific Middle Passage from Africa to the Americas. Equiano, the African is filled with fresh revelations about this many-sided figure.
"African Lives, a pioneering anthology of memoirs and autobiographical writings, lets the people of Africa speak for themselves -- telling stories of struggle and achievement that have the authenticity of lived experience. The anthology presents selections from the work of many of Africa's finest writers and most significant personalities from across the continent and spanning several centuries. Enhancing the material, Geoff Wisner's introduction and biographical notes provide important context for the selections and also highlight the challenges that African memoirs pose to the preconceptions of Western readers. The result is a book that is both an absorbing read and a valuable resource for courses on Africa." -- Publisher's description.
What Is Africa to Me? traces the late 1950s to 1968, chronicling Condé’s life in Sékou Touré’s Guinea to her time in Kwame N’Krumah’s Ghana, where she rubbed shoulders with Malcolm X, Che Guevara, Julius Nyerere, and Maya Angelou. Accusations of subversive activity resulted in Condé’s deportation from Ghana. Settling down in Sénégal, Condé ended her African years with close friends in Dakar, including filmmakers, activists, and Haitian exiles, before putting down more permanent roots in Paris. --Front flap.