Download Free The Aunt Lute Anthology Of Us Women Writers The 20th Century Ella Wheeler Wilcox 1850 1919 Book in PDF and EPUB Free Download. You can read online The Aunt Lute Anthology Of Us Women Writers The 20th Century Ella Wheeler Wilcox 1850 1919 and write the review.

Volume One: 17th through 19th Centuries -- Volume Two: The 20th Century.
Cultural Writing. Poetry. Fiction. Drama. Essay. A comprehensive collection of twentieth-century US women's writing, this volume contains works by over two hundred women writing in a variety of genres. Works include not only fiction, drama, and poetry, but various nonfiction forms (auto-biography, movement writing, journalism, essay) as well as other creative forms (operal libretto, spoken word, song lyric). Edited by Lisa Maria Hogeland and Shay Brawn.The volume includes a preface, headnotes, annotations, and author/title index.
In this pioneering critical study of Jack Kerouac’s book-length poem, Mexico City Blues—apoetic parallel to the writer’s fictional saga, the Duluoz Legend—James T. Jones uses a rich and flexible neoformalist approach to argue his case for the importance of Kerouac’s rarely studied poem. After a brief summary of Kerouac’s poetic career, Jones embarks on a thorough reading of Mexico City Blues from several different perspectives: he first focuses on Kerouac’s use of autobiography in the poem and then discusses how Kerouac’s various trips to Mexico, his conversion to Buddhism, his theory of spontaneous poetics, and his attraction to blues and jazz influenced the theme, structure, and sound of Mexico City Blues. Jones’s multidimensional explication suggests the formal and thematic complexity of Kerouac’s long poem and demonstrates the major contribution Mexico City Blues makes to post–World War II American poetry and poetics.
How do social movements die? Some explanations highlight internal factors like factionalization, whereas others stress external factors like repression. Christian Davenport offers an alternative explanation where both factors interact. Drawing on organizational, as well as individual-level, explanations, Davenport argues that social movement death is the outgrowth of a coevolutionary dynamic whereby challengers, influenced by their understanding of what states will do to oppose them, attempt to recruit, motivate, calm, and prepare constituents while governments attempt to hinder all of these processes at the same time. Davenport employs a previously unavailable database that contains information on a black nationalist/secessionist organization, the Republic of New Africa, and the activities of authorities in the US city of Detroit and state and federal authorities.
"I am particularly impressed with Bloomberg's insights about the ways in which women writers' urge to harness the power of women's myths has to some extent been aroused by historical forces. . . . She explains that women's desire to reinvent their identities requires that women writers take over the narrative tools (such as mythic allusions) provided them by male writers and use those tools to build their own textual 'house.'"--Mary Lowe-Evans, University of West Florida Tracing Arachne's Web examines the use of myth in works by American women novelists of the late 19th and early 20th centuries, showing how both classical allusions and ethnic folk myth liberated these writers and enabled them to understand and experience their social and economic worlds. Using the metaphor of Demeter and Persephone as her framework, Kristin Mapel Bloomberg identifies a cycle in women's fiction that moves from the utopian world of Demeter's garden in the late 19th century to the experience of isolated women in the patriarchal underworld of literary modernism. Examining the works of Sarah Orne Jewett, Emma D. Kelley-Hawkins, Onoto Watanna (aka Winnifred Eaton), Alice Dunbar-Nelson, Edith Wharton, and Djuna Barnes, she develops a model of women's writing that ties these writers' fascination with the occult and Greek mythology to T. S. Eliot's notion of the "mythical method." Drawing from history and popular culture, she demonstrates how women of color responded to many of the same cultural currents as white writers. She does this, moreover, by analyzing the coded strategies followed by women of color to get their books into print, without collapsing race into gender issues. Invariably provocative, Bloomberg's writing creates a picture of female power in turn-of-the-century American fiction in which women writers turned to alternative spiritual ideologies and occult philosophies to investigate tensions between racism, sexism, and classicism. This book will appeal to scholars in American studies, literary criticism, women's studies, and cultural studies. Kristin M. Mapel Bloomberg, associate professor of English and women's studies at Hamline University in St. Paul, Minnesota, holds the Hamline University Chair in the Humanities and is also Director of the Women's Studies Program.