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'Will help you not only find your path, but create it.' Jennifer Pastiloff, bestselling author of On Being Human 'A vital read if you are a leader seeking to elevate your impact' Rich Litvin, author of The Prosperous Coach 'Brené Brown made it ok to feel vulnerable. Alina Addison makes it ok to be audacious' Zena Everett, author of The Crazy Busy Cure A transformational guide to stepping up and standing out Good leadership requires authenticity, assertiveness and adaptability. It takes courage. Yet many of us are stuck playing it safe and striving to fit in. Dispelling the myth that caring is a weakness, Alina Addison shows how the things we care about most can fuel our most courageous acts. Combining deep research with her own expertise - as a pioneering corporate leader, Emotional Intelligence coach, and mother to a son on the autism spectrum - Addison presents the eight life-changing principles behind audacious leadership. These practical, proven methods will help you identify the things that set you apart, inspire others and dare to create the life and career you truly want. 'Gives ambitious leaders the tools to meld their tenacity and individuality' James Ashton, author of The Nine Types of Leader 'This is a book about finding courage. It provides the scaffolding that enables people to climb to heights beyond their reach. Both inspiring and remarkably practical - highly recommended!' Martyn Newman, PhD, author of Emotional Capitalists
At a juncture in which art and culture are saturated with the forces of commodification, this book argues that problems, forms, and positions that defined modernism are crucially relevant to the condition of contemporary art and culture. The volume is attuned to the central concerns of recent scholarship on modernism and contemporary culture: the problems of aesthetic autonomy and the specific role of art in preserving a critical standpoint for cultural production; the relationship between politics and the category of the aesthetic; the problems of temporality and contemporaneity; literary transnationalism; and the questions of medium and medium specificity. Ranging across art forms, mediums, disciplines, and geographical locations, essays address the foundational questions that fuse modernism and the contemporary moment: What is art? What is the relation between art and the economy? How do art and technology interpenetrate and transform each other? What is modernism’s logic of time and contemporaneity, and how might it speak to the problem of thinking genuine novelty, or the possibility of an alternative to the current stage of neo-liberal capitalism? What is modernism, and what is its history? The book is thus committed to revising our understanding of what modernism was in its earlier instantiations, and in accounting for the current moment, addressing the problems raised by modernism's afterlives and reverberations in the 20th and 21st centuries. The volume includes essays that consider literature, sociology, philosophy, visual art, music, architecture, digital culture, television, and other artistic media. It synthesizes the most recent thinking on modernism and contemporary culture and presents a compelling case for what happens to literature, art, and culture in the wake of the exhaustion of postmodernism. This book will be of interest to those studying literature, visual art, media studies, architecture, literary theory, modernism, and twentieth-century and contemporary culture more generally.
Sound in human–robot interaction currently encompasses a wide range of approaches and methodologies not easily classified, analyzed or compared among projects. This edited book covers the state of the art in sound and robotics, aiming to gather existing approaches in a combined volume. Collecting chapters from world-leading academic and industry authors, Sound and Robotics: Speech, Non-Verbal Audio and Robotic Musicianship explores how robots can communicate through speech, non-verbal audio and music. The first set of chapters explores how robots use verbal communication, considering the possibilities of speech for human–robot interaction. The second section shifts to roles of non-verbal communication in HRI, including consequential sound, sonification and audio cues. The third and final section describes current approaches to robotic musicianship and their evaluation. This book is primarily aimed at HRI researchers, ranging from those who have never used sound to those very experienced with sound. Alongside robotic researchers, this book will present avenues for a diverse range of musicians, composers and sound designers to become introduced to the world of HRI and learn of potential creative directions in robotics.
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In this book the tools of spectral analysis are applied via graphics to musical sounds, especially those coming from a piano, with emphasis on the visualization of musical sounds rather than the mathematics behind it. The aim is to give a different and insightful view of musical instruments.
Martin Harwit, author of the influential book Cosmic Discovery, asks key questions about the scope of observational astronomy. Humans have long sought to understand the world we inhabit. Recent realization of how our unruly Universe distorts information before it ever reaches us reveals distinct limits on how well we will ultimately understand the Cosmos. Even the best instruments we might conceive will inevitably be thwarted by ever more complex distortions and will never untangle the data completely. Observational astronomy, and the cost of pursuing it, will then have reached an inherent end. Only some totally different lines of approach, as yet unknown and potentially far more costly, might then need to emerge if we wish to learn more. This accessible book is written for all astronomers, astrophysicists, and those curious about how well we will ever understand the Universe and the potential costs of pushing those limits.
Rock dynamics has become one of the most important topics in the field of rock mechanics and rock engineering, and involves a wide variety of topics, from earthquake engineering, blasting, impacts, failure of rock engineering structures as well as the occurrence and prediction of earthquakes, induced seismicity, rock bursts to non-destructive testing and explorations. Rock dynamics has wide applications in civil and infrastructural, resources and energy, geological and environmental engineering, geothermal energy, and earthquake hazard management, and has become one of the most topical areas. 2019 Rock Dynamics Summit contains 8 keynote addresses and 128 regular full papers that were presented at the 2019 Rock Dynamics Summit (2019 RDS, Okinawa, Japan, 7-11 May 2019), a specialized conference jointly organized by the Rock Dynamics Committee of the Japanese Society of Civil Engineers (JSCE-RDC), the Japanese Society for Rock Mechanics (JSRM), and which was supported by the International Society for Rock Mechanics and Rock Engineering (ISRM) and the Turkish National Society for Rock Mechanics (TNSRM). The contributions cover a wide range of topics on the dynamic behavior of rock and rock masses and scientific and engineering applications, and include: - Laboratory tests on Dynamic Responses of Rocks and Rock Masses / Fracturing of Rocks and Associated Strong Motions - Estimation Procedures and Numerical Techniques of Strong Motions Associated with the Rupture of Earth’s Crust and Some Strong Motion - Dynamic Response and Stability of Rock Foundations, Underground Excavations in Rock, Rock Slopes Dynamic Responses and Stability of Stone Masonry Historical Structures and Monuments - Induced Seismicity - Dynamic Simulation of Loading and Excavation - Blasting and machinery induced vibrations - Rockburst, Outburst, Impacts - Nondestructive Testing Using Shock Waves - Case Histories of Failure Phenomenon in Rock Engineering 2019 Rock Dynamics Summit contains the state-of-the-art in rock dynamics, and will be invaluable to professionals and academics interested in the latest advances in new techniques for experiments, analytical and numerical modelling as well as monitoring in dynamics of rocks and rock engineering structures.
This concise book builds upon the foundational concepts of MIDI, synthesis, and sampled waveforms. It also covers key factors regarding the data footprint optimization work process, streaming versus captive digital audio new media assets, digital audio programming and publishing platforms, and why data footprint optimization is important for modern day new media content development and distribution. Digital Audio Editing Fundamentals is a new media mini-book covering concepts central to digital audio editing using the Audacity open source software package which also apply to all of the professional audio editing packages. The book gets more advanced as chapters progress, and covers key concepts for new media producers such as how to maximize audio quality and which digital audio new media formats are best for use with Kindle, Android Studio, Java, JavaFX, iOS, Blackberry, Tizen, Firefox OS, Chrome OS, Opera OS, Ubuntu Touch and HTML5. You will learn: Industry terminology involved in digital audio editing, synthesis, sampling, analysis and processing The work process which comprises a fundamental digital audio editing, analysis, and effects pipeline The foundational audio waveform sampling concepts that are behind modern digital audio publishing How to install, and utilize, the professional, open source Audacity digital audio editing software Concepts behind digital audio sample resolution and sampling frequency and how to select settings How to select the best digital audio data codec and format for your digital audio content application How to go about data footprint optimization, to ascertain which audio formats give the best results Using digital audio assets in computer programming languages and content publishing platforms
With more than 60 applied exercises to choose from in this unique manual, students will quickly acquire the scientific skills essential for a career working with mammals.