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Cover -- Half Title -- Title -- Copyright -- Contents -- Figures -- Preface -- Abbreviations -- Acknowledgments to the Second Edition -- Acknowledgments -- 1. Introduction -- 2. The Atomic Bomb Presented to the World -- 3. Ideals and Goals of U.S. Occupation Planning and Censorship -- 4. SCAP Takes Charge of the Japanese Press -- 5. The Allies and the Occupation -- 6. Censorship in Practice -- 7. Punishment for Violations -- 8. Censorship of the Atomic Bomb -- 9. Reasons for Censoring the Atomic Bomb -- 10. Results of U.S. Censorship Operations in Japan -- Notes -- Bibliography -- Index
Swedish journalist and author Braw draws on declassified documents and interviews in Japan and the US to reveal how the US occupation authorities established elaborate systems of censorship and disinformation among the Japanese press, scientists, and even novelists and poets, about the bombing of Hi
Swedish journalist and author Braw draws on declassified documents and interviews in Japan and the US to reveal how the US occupation authorities established elaborate systems of censorship and disinformation among the Japanese press, scientists, and even novelists and poets, about the bombing of Hi
This collection of factual reports, short stories, poems and drawings expresses in a deeply personal voice the devastating effects of the bombings of Hiroshima and Nagasaki.
Hiroshima is the story of six people—a clerk, a widowed seamstress, a physician, a Methodist minister, a young surgeon, and a German Catholic priest—who lived through the greatest single manmade disaster in history. In vivid and indelible prose, Pulitzer Prize–winner John Hersey traces the stories of these half-dozen individuals from 8:15 a.m. on August 6, 1945, when Hiroshima was destroyed by the first atomic bomb ever dropped on a city, through the hours and days that followed. Almost four decades after the original publication of this celebrated book, Hersey went back to Hiroshima in search of the people whose stories he had told, and his account of what he discovered is now the eloquent and moving final chapter of Hiroshima.
What spooked the Allies in the closing months of the war? Why they were in such a panic to win quickly? Because they knew the Nazis were developing supermetals, electric guns, lasers, and ray weapons. Here are official, previously-suppressed reports of cold bombs, the red mercury bomb, oxygen bombs, fuel-air bombs, atomic bombs and rumors of the mysterious molecular bomb. The SS black alchemists delivered large mystery rockets with technology far beyond the V-2. They also invented the computer, magnetic tape and computer programs, refined crude oil using sound waves or produced gasoline for 11 cents per gallon as well as the synthetic penicillin substitute, 3065. Includes German experiments in time, sustained fusion reactions, zero point energy and travel in deep space.
Children of the Atomic Bomb is Dr. Yamazaki's account of a lifelong effort to understand and document the impact of nuclear explosions on children, particularly the children conceived but not yet born at the time of the explosions. Assigned in 1949 as Physician in Charge of the United States Atomic Bomb Casualty Commission in Nagasaki, Yamazaki had served as a combat surgeon at the Battle of the Bulge where he had been captured and held as a prisoner of war by the Germans. In Japan he was confronted with violence of another dimension - the devastating impact of a nuclear blast and the particularly insidious effects of radiation on children. Yamazaki's story is also one of striking juxtapositions, an account of a Japanese-American's encounter with racism, the story of a man who fought for his country while his parents were interned in a concentration camp in Arkansas.
"David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, by exploring how Japanese films responded to and were transformed by the atomic bombings of Hiroshima and Nagasaki. From the early days of American occupation political censorship through to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the event permeate post-war Japanese cinema. Each chapter begins by focusing upon one of three key themes: taxonomy, history or thought, before going on to explore a broad selection of films from 1945 to the present day, including respected masterpieces (Akira Kurosawa's Rashomon, 1951); popular and cult cinema (Godzilla, 1954; world renowned anime, Akira, 1988); the new wave (Nagisa Oshima's Night and Fog in Japan, 1960); and modern classics (Hideo Nakata's Ring, 1998). The author provides a series of monochrome diagrams to clarify and illustrate the concepts and conceptual components explored within the text, establishing a unique addition to Deleuze and cinema studies"--
Within a few months after the attack on Pearl Harbor, the United States government began to plan a policy for a defeated Japan. In order to avoid any future attacks on the United States, Japanese society had to be changed. Politicians, Japan specialists, historians, political scientists, and anthropologists debated the future of Japan. Topics ranged from the future role of the Emperor and politics, to Japanese economy, to re-education of the Japanese people. Eventually an overall policy for postwar Japan was formulated, which was to a high degree executed by General Douglas MacArthur during the Occupation of Japan. This study is based on research in the records of the government policy planners, both private papers and official records. It is the first book-length study of the American planning for the occupation of Japan, including the drafting of policy, not only in the State Department but also in the War Department, Office of Strategic Services, and the Office of War Information. The analysis focuses on the development of strategies for remodeling postwar Japan as well as on the meaning of Japan constructed by various planners and decision makers and the impact of their constructions on American Occupation policy.