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The Atmospheric City explores how people make sense of the feelings they get in and of urban spaces. Based on ethnographic fieldwork of everyday life in Copenhagen, Oslo, and Stockholm, it focuses on the atmospheric power of people, places, and phenomena. While the predominant focus of current urban planning tends to rest on economic growth, sustainability, or offering housing, transport, and activities to an increasing number of city residents, this book offers a different take, based on recent discussions in the social sciences about how cities feel. It calls attention to the mundane ways in which urban dwellers adapt and adopt their surroundings. It argues that atmospheric cities are characterised by a fundamental porosity that affects how people relate to places. This highlights why some places are sought after while others are avoided. Through concrete examples of people being in and moving through the city, the book shows how people attune and are attuned by designed urban spaces, often at the margins of attention, when they find comfort in the familiar and seek out the unexpected. This book is aimed at researchers, postgraduates, and practitioners interested in urban design and how people make sense of the feelings it evokes. It will be of interest to those in the fields of urban studies, urban design, planning, architecture urban geography, cultural geography, cultural studies and anthropology.
Stunning satellite images of one hundred cities show our urbanizing planet in a new light to reveal the fragile relationship between humanity and Earth Seeing cities around the globe in their larger environmental contexts, we begin to understand how the world shapes urban landscapes and how urban landscapes shape the world. Authors Karen Seto and Meredith Reba provide these revealing views to enhance readers’ understanding of the shape, growth, and life of urban settlements of all sizes—from the remote town of Namche Bazaar in Nepal to the vast metropolitan prefecture of Tokyo, Japan. Using satellite data, the authors show urban landscapes in new perspectives. The book’s beautiful and surprising images pull back the veil on familiar scenes to highlight the growth of cities over time, the symbiosis between urban form and natural landscapes, and the vulnerabilities of cities to the effects of climate change. We see the growth of Las Vegas and Lagos, the importance of rivers to both connecting and dividing cities like Seoul and London, and the vulnerability of Fukushima and San Juan to floods from tsunami or hurricanes. The result is a compelling book that shows cities’ relationships with geography, food, and society.
How do urban ruins provoke their cultural revaluation? This book offers a unique sociological analysis about the social agencies of material culture and atmospheric knowledge of buildings in the making. It draws on ethnographic research in Berlin along the former Palace of the Republic, the E-Werk and the Café Moskau in order to make visible an interdisciplinary regime of design experts who have developed a professional sensorium turning the built memory of the city into an object of aesthetic inquiry.
The challenges faced by the atmospheric research community today are vast, complex, and multi-faceted. The book Urban Atmospheric Aerosols: Sources, Analysis, and Effects highlights important aspects concerning the chemical and optical properties, size distribution, sources, and potential health effects of fine urban air particles (PM2.5). The physical and chemical characterization of PM2.5, its source assignment, and the assessment of the magnitude and distribution of its emissions are crucial for establishing effective fine air particle regulations and assessing the associated risks to human health. This book brings together eight papers covering the main topics of the field and will be of interest to researchers who are interested in air quality in outdoor and indoor environments, air particle toxicity, and atmospheric chemistry, as well as global climate modelers.
Combining ideas of sustainable development, strategic marketing and branding with space design and architecture, this volume offers contemporary perspectives on the development and impact of 'atmospheric quality' in tourism and hospitality service situations. Topics discussed include: silent airports, ambient odours and, co-created atmospheres.
Provides a revealing global overview of air pollution and its startling impact through graphical and visual representation of data.
Urban Climates is the first full synthesis of modern scientific and applied research on urban climates. The book begins with an outline of what constitutes an urban ecosystem. It develops a comprehensive terminology for the subject using scale and surface classification as key constructs. It explains the physical principles governing the creation of distinct urban climates, such as airflow around buildings, the heat island, precipitation modification and air pollution, and it then illustrates how this knowledge can be applied to moderate the undesirable consequences of urban development and help create more sustainable and resilient cities. With urban climate science now a fully-fledged field, this timely book fulfills the need to bring together the disparate parts of climate research on cities into a coherent framework. It is an ideal resource for students and researchers in fields such as climatology, urban hydrology, air quality, environmental engineering and urban design.
An inspector rages against the announcement that police HQ is to relocate – the way so many of the city’s residents already have – to the mainland... An aspiring author struggles with the inexorable creep of rentalisation that has forced him to share his apartment, and life, with ‘global pilgrims’... An ageing painter rails against the liberties taken by tourists, but finds his anger undermined by his own childhood memories of the place... The Venice presented in these stories is a far cry from the ‘impossibly beautiful’, frozen-in-time city so familiar to the thousands who flock there every year – a city about which, Henry James once wrote, ‘there is nothing new to be said.’ Instead, they represent the other Venice, the one tourists rarely see: the real, everyday city that Venetians have to live and work in. Rather than a city in stasis, we see it at a crossroads, fighting to regain its radical, working-class soul, regretting the policies that have seen it turn slowly into a theme park, and taking the pandemic as an opportunity to rethink what kind of city it wants to be.