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Tells the extraordinary story of a feudal fiefdom in southern Morocco in the early twentieth century.
This guidebook to trekking in the Atlas mountains of North Africa includes comprehensive coverage of the culture, history and architecture of the Berber people, as well as such practical matters as food, accommodation and travel.
First published in 1895, this book recounts the author's 1893 expedition to the Tafilet oasis in Morocco, one of the largest oases in the world. Previously largely inaccessible (before the invention of the motor car it was at least 10 days' journey south of Fez across the Atlas mountains and the Sahara), Harris took advantage of the Sultan of Morocco Mulai el Hassen's decision to pay a visit to the oasis during the autumn of that year. Throughout the book the author describes in great detail the places he visited and the people he met along the way. There are detailed descriptions of Marrakesh and the villages of the Atlas Mountains, as well as ruminations on the differences between the Arabs and the Berber tribes, and the situation of the Jews. Crossing the desert, Harris reached the Sultan's camp at the edge of the oasis, and there follows a detailed description of the activities of the Sultan and his retinue, their dealings with the troublesome tribes of the area, and accounts of the history, geography and people of Tafilet. The book concludes with the author's return journey to the north, and an account of the events following the Sultan's own return from the oasis and his subsequent death. Painting as it does a vivid picture of the state of Morocco at the very end of the 19th century, Walter B. Harris's Tafilet is sure to be of great interest to all those fascinated by the history of this unique and diverse North African country.
Throughout the longue dureé of Western culture, how have people represented mountains as landscapes of the imagination and as places of real experience? In what ways has human understanding of mountains changed – or stayed the same? Mountain Dialogues from Antiquity to Modernity opens up a new conversation between ancient and modern engagements with mountains. It highlights the ongoing relevance of ancient understandings of mountain environments to the postclassical and present-day world, while also suggesting ways in which modern approaches to landscape can generate new questions about premodern responses. It brings together experts from across many different disciplines and periods, offering case studies on topics ranging from classical Greek drama to Renaissance art, and from early modern natural philosophy to nineteenth-century travel writing. Throughout, essays engage with key themes of temporality, knowledge, identity, and experience in the mountain landscape. As a whole, the volume suggests that modern responses to mountains participate in rhetorical and experiential patterns that stretch right back to the ancient Mediterranean. It also makes the case for collaborative, cross-period research as a route both for understanding human relations with the natural world in the past, and informing them in the present.
Guidebook to 41 graded walks and scrambles in the Anti-Atlas mountains of southern Morocco. Routes from 3 to 25km, including a summary of a 1 week long-distance trail from the north to the south of the Anti-Atlas. Covers 6 main areas, including Tafraout, Jebel El Kest, Ait Mansour, Ameln Valley, Taskra and Tanalt.
"In introducing this book to the reader, little need be said. It is nothing more than what it pretends to be - a Personal Narrative of Exploration. It does not claim to be a book on Morocco, and consequently may appear in many respects to be very defective. To write such a book was originally my ambition when I turned my attention to that remarkable country, but the abrupt and premature conclusion of my travels has made me perforce alter my intention, and devote myself to recording only something of what we saw and experienced in the parts in which we travelled. It has, moreover, been as much my object to sketch pictures as to chronicle facts. For the same reason this book has been made a personal narrative, with its inevitable frequent use of the first person singular or plural"--Preface.