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Only now, after his death, id Dr Robert Atkins being recognised for his groundbreaking work in the field of diet and nutrition. While counting carbohydrates has become an everyday practice for the adherents to his regime, Atkins faced a lifetime of adversity from the medical establishment that disregarded his radical ideas. This is a fascinating and truly revealing glimpse into the public and private life of a unique and brilliant doctor and promoter who revolutionised the way we think about food.
Reunited with her former bunkmates at the centennial of Willow Lake Camp, Ali Cohen, an Oscar-nominated filmmaker--and former camp outcast--plans to make a documentary about her former teenage tormentors at the Jewish girls' camp, but the reunion stirs up old regrets and long-stifled urges. Reprint. 30,000 first printing.
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From an award-winning journalist comes this real-life cloak-and-dagger tale of Vera Atkins, one of Britain’s premiere secret agents during World War II. As the head of the French Section of the British Special Operations Executive, Vera Atkins recruited, trained, and mentored special operatives whose job was to organize and arm the resistance in Nazi-occupied France. After the war, Atkins courageously committed herself to a dangerous search for twelve of her most cherished women spies who had gone missing in action. Drawing on previously unavailable sources, Sarah Helm chronicles Atkins’s extraordinary life and her singular journey through the chaos of post-war Europe. Brimming with intrigue, heroics, honor, and the horrors of war, A Life in Secrets is the story of a grand, elusive woman and a tour de force of investigative journalism.
Includes excerpts from the book Fred Korematsu Speaks Up and a lesson plan.
In the third gripping crime novel in Ace Atkins’s New York Times bestselling series, small town sheriff Quinn Colson takes on deadly criminals and even deadlier weather... A year after becoming sheriff of Tibbehah County, Mississippi, Quinn Colson is faced with a pardoned killer’s return to Jericho. Jamey Dixon now preaches redemption and forgiveness, but the family of the woman he was convicted of killing isn’t buying it. They warn Quinn that his sister’s relationship with Dixon could be fatal. Others don’t think the new preacher is a changed man, either—a couple of dangerous convicts who confided in Dixon about an armored car robbery believe he’s after the money they hid. So they do the only thing they can: break out and head straight to Jericho, leaving a trail of bodies in their wake. Colson and his deputy, Lillie, have their work cut out for them. But they don’t count on one more unwelcome visitor: a tornado that causes havoc just as the manhunt heats up. Communications are down, the roads are impassable—and the rule of law is just about to snap.
In Estranging the Familiar, G. Douglas Atkins addresses the often lamented state of scholarly and critical writing as he argues for a criticism that is at once theoretically informed and personal. The revitalized critical writing he advocates may entail--but is not limited to--a return to the essay, the form critical writing once took and the form that is now enjoying a resurgence of popularity and excellence. Atkins contends that to reach a general audience, criticism must move away from the impersonality of modern criticism and contemporary theory without embracing the old-fashioned essay. "The venerable familiar essay may remain the basis," Atkins writes, "but its conventional openness, receptivity, and capaciousness must extend to theory, philosophy, and the candor that seems to mark the tail-end of the twentieth century." In noting the timeliness, if not the necessity, of a return to the essay, Atkins also considers our culture's parallel "return to the personal." When the essay combines good writing with the concerns of the personal, Atkins says, it becomes a form of criticism that is readable, vital, and potentially attractive to a large readership. Atkins hopes critics will tap into the revitalized interest the essay now enjoys without ignoring the considerable insights and advances of contemporary theory. He argues that despite claims to the contrary there is no inherent incompatibility between the essay and modern theory. As Atkins considers various experiments in critical writing from Plato to the present, notably feminist interest in the personal and autobiographical, he contends that these attempts, although undeniably important, fall short of the desired goal when they emphasize the merely expressive and neglect the artful quality good writing can bring to personal criticism. The final third of the book consists of a series of experiments in critical writing that represent the author's own attempts to bridge the gap between theory and popular criticism, between an academic and a general audience. In essays that illustrate the rhetorical power of the form, Atkins describes the reciprocal relationship between his life experience and a reading of The Odyssey, explains the role that theory has played in his personal development, and chronicles his attempts to find a voice as a writer.
'Shocking, scathing, entertaining.' Guardian 'Incredibly compelling.' The Times 'Heart-breaking.' Sunday Times Where can a tin of tuna buy you clean clothes? Where is it easier to get 'spice' than paracetamol? Where does self-harm barely raise an eyebrow? Welcome to Her Majesty's Prison Service. Like most people, documentary-maker Chris Atkins didn't spend much time thinking about prisons. But after becoming embroiled in a dodgy scheme to fund his latest film, he was sent down for five years. His new home would be HMP Wandsworth, one of the largest and most dysfunctional prisons in Europe. With a cast of characters ranging from wily drug dealers to senior officials bent on endless reform, this powerful memoir uncovers the horrifying reality behind the locked gates. Filled with dark humour and shocking stories, A Bit of a Stretch reveals why our creaking prison system is sorely costing us all - and why you should care.
From Antarctica and the deserts of the US-Mexico border, to a Siberian whale-killing station and the alleyways of Taipei, these dispatches describe a world in perpetual motion (even when it is 'locked-down'). To travel, we are reminded, is to embrace the experience of being a stranger - to acknowledge that one person''s frontier is another's home. Granta 157 is guest-edited by award-winning travel writer William Atkins. It features: Jason Allen-Paisant remembers the trees of his childhood Jamaica from his home in Leeds Carlos Manuel lvarez navigates Cuba's customs system, translated by Frank Wynne Eliane Brum travels from her home in the Brazilian Amazon to Antarctica in the era of climate crisis, translated by Diane Grosklaus Whitty Francisco Cant and Javier Zamora: a former border guard travels to the US-Mexico border with a former undocumented migrant who crossed the border as a child Jennifer Croft's richly illustrated essay on postcards and graffiti, inspired by Los Angeles Bathsheba Demuth visits a whale-hunting station on the Bering Strait, Russia Sinad Gleeson visits Brazil with Clarice Lispector Kate Harris with the Tlingit people of the Taku River basin, on the border of British Columbia and Alaska Artist Roni Horn on Iceland Emmanuel Iduma returns to Lagos in his late father's footsteps, Nigeria Kapka Kassabova among the gatherers of the ancient Mesta River, Bulgaria Taran Khan with Afghan migrants in Germany and Kabul Jessica J. Lee in the alleyways of Taipei, Taiwan, in search of her mother's home Ben Mauk among the volcanoes of Duterte's Philippines Pascale Petit tracks tigers in Paris and India Photographer James Tylor on the legacy of whaling in Indigenous South Australia, introduced by Dominic Guerrera