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“The tropic foliage of Anna Journey’s book is so lushly ashimmer with invitation andthreat that it’s difficult to tell the two apart. Which is just what this poet intends: the world seduces us to enter, and to enter again, and to do so is both to find pleasure and to perish into a field of ghosts.”— Mark Doty, author of Fire to Fire: New and Selected Poems "Anna Journey has talent to burn: gothic, elegiac, and celebratory by turns, her poems possess a giddy imaginative dexterity that is exceedingly rare in a debut collection. More important, there is a gravity and heft to her poems; they are willing to confront the Big Issues and militantly resist the easy tour de force. Jarrell says somewhere that a certain helplessness before her material is one of the poet’s principal tools. I hear that haunted helplessness in lines such as these: 'I can’t stop— / the story // going like the tongue goes: // lit and loosed, moving, / like Lucifer, / down.' Anna Journey is on the threshold of a significant career."—David Wojahn, author of Interrogation Palace: New and Selected Poems 1982-2004
In her third collection of poems, The Atheist Wore Goat Silk, Anna Journey once again celebrates the profusion of sensuality erupting from the material world. As she weaves dark fables, luminous family memories, and hard-edged personal tales into a singular fabric, Journey charts the boundaries of absence and departure, delineating the separations that we often hope to stitch back together at the intersections of the body and the imagination. Rhythmically charged and lyrically narrative, these poems are rich with verbal cascades and currents of mordant reflections. Throughout this collection, both readers and the poet are linked by a delicate and elegantly spun web of verse.
"Anna Journey's poetry is really magical." -- David Lynch, director of Blue Velvet and creator of Twin Peaks "Anna Journey's second collection of poems is wonderful and brings something precise and wild out of a vivid night, an imagery that finds its own necessary music, like sudden isolated birdsongs at dawn. The multiplying shadows of the mind are made exterior here, surprisingly illustrated with anecdotal thought. And Dante no longer concludes that all lovers are martyrs. I'm so happy to have this work in my life." -- Norman Dubie, author of The Volcano "Anna Journey, in her new book of poems, Vulgar Remedies, creates an alchemical self whose shimmering limbic/alembic lyrics distill the mysterious terrors of childhood, the dangerous passions of adults, into her own honey-dusk 'voodun': protective, purified to gold. Poetry is always a time machine: here we are invisible travelers to a bewitched past, a beautifully occluded future. These poems are erotic, vertiginous, revelatory, their dazzling lyric force reflecting profound hermetic life." -- Carol Muske-Dukes, author of Twin Cities
In this debut collection, Anna Journey invites the reader into her peculiar, noir universe nourished with sex and mortality. Her poems are haunted by demons, ghosts, and even the living who wander exotic landscapes that appear at once threatening and seductive. In these poems, her sly speaker renames a pink hibiscus on display at Lowe's, "Lucifer's Panties"; another character chants, "I'd fall devil / over heels over edge over oleander"; and one woman writes a letter to the underworld: Dear black bayou, once, by a river I bit a man's neck. His scent: the raw teak air husked inside stomachs of six Russian nesting dolls--the ones in the attic I pulled apart and open. The ones I pulled apart and open like Styrofoam cups.
Anna Journey’s The Judas Ear resurrects a host of vanished people and places, often through marvelous Ovidian metamorphoses that seem as natural in the gritty tableaux of Richmond, Virginia, as in the luminous shape-shifting vistas of folktale or myth. Journey’s music is lush and visceral, her humor warm and sly, and her sensibility metes out tenderness and grotesquerie in equal parts. Like the ear-shaped mushroom named for a biblical betrayer, the poems in The Judas Ear can shift suddenly from wit to pathos, from seductiveness to danger, with a generosity of vision that is at once wise and revelatory.
This award-winning debut book of poetry examines race, masculinity, religion, class, and the African American experience in the American Midwest. A book of elegiac ambivalence, Testify’s speaker often finds himself trapped between received binaries: black and white, ghetto and suburban, atheism and Catholicism. In many ways, this work is a Bildungsroman detailing the maturation of a black man raised in the crack-laden 1980s, with hip-hop, jazz, and blues as its soundtrack. Rendered with keen attention to the economic decline of the Midwest due to the departure of the automotive industry, this book portrays the speaker wrestling with his city’s demise, family relationships, interracial love, and notions of black masculinity. Never letting anyone, including the speaker, off the hook, Testify refuses sentimentality and didacticism and dwells in a space of uncertainty, where meaning and identity are messy, complicated, and multivalent. “Manuel charts the raw emotional complexities and the impossible daily reckonings that confront a young black man coming of age today in America. . . . Each powerful testimony in this collection stands as evidence of an eloquent and dramatic new voice in American poetry.” ―David St. John, author of The Auroras and Study for the World’s Body “These potent poems testify to those ambivalent moments that might rend or right us, as when an interracial couple drive past a truck with a Confederate flag painted on its back windshield and from which a little boy turns to smile and wave: his ‘blond hair // split down the middle like a Bible / left open to the Book of Psalms.’” ―Anna Journey, author of The Atheist Wore Goat Silk
An anthology of brand-new poems inspired by Taylor Swift songs, from a powerhouse group of contemporary poets, including Kate Baer, Maggie Smith, and Joy Harjo. Let the decoding begin! With a record-breaking four Grammy awards for Album of the Year, Taylor Swift stands alone in the world of pop music. One of the most talented lyricists of all time, her music captivates millions of fans throughout the globe with the narrative depth and emotional resonance of her songwriting. In Invisible Strings, poet, professor, and dedicated Swiftie Kristie Frederick Daugherty has brought together 113 contemporary poets, each contributing an original poem that responds to a specific Taylor Swift song. In a spirit of celebration and collaboration, poets have taken a cue from Swift’s love of dropping clues and puzzles for her fandom to decode, as each poem alludes to a song without using direct lyrics. Swifties will enjoy closely reading each of the poems to discover which song each poet responded to; each poem responds to only one song. The collection showcases a diverse and accomplished array of writers including the 23rd US Poet Laureate Joy Harjo, Pulitzer Prize winners Diane Seuss, Yusef Komunyakaa, Carl Phillips, Rae Armantrout, Paul Muldoon, and Gregory Pardlo, National Book Critics Circle Award winners Mary Jo Bang and Laura Kasischke, and bestselling poets Maggie Smith, Aimee Nezhukumatathil, Kate Baer, amanda lovelace, Tyler Knott Gregson, and Jane Hirshfield. Swifties will experience the profundity and nuance of Swift’s lyrics through these poems, while having fun matching the poems to songs from all of her eras—vault tracks included! For poetry lovers, this one-of-a-kind anthology is an unparalleled collection of new work from today’s most lauded and revered poets.
In Vanishing Acts, Brian Barker cements his reputation as one of contemporary poetry’s great surrealists. These prose poems read like dreams and nightmares, fables and myths. With a dark whimsicality, Barker explores such topics as extinction, power, class, the consequences of tyranny and war, and the ongoing destruction of the environment in the name of progress. A linked sequence of poems forms the book’s backbone, with an oracular voice from the future heralding the return—or hoped for return—of common animals. Part lyrical odes, part creation myths, part excerpts from a bizarre guide for naturalists, these poems mix fact and fiction, science and fable to create an unsettling vision of a dystopian world stricken by extinction, one where the world’s last catfish sleeps “in the shadow of a hydroelectric dam.” The imaginative language and bizarre stories of these poems are perfectly suited to capture a world that no longer makes sense: a man who wears a toupee to hide an injury inflicted by secret police, a group of villagers who make a bad bargain with a land agent. The poems in Vanishing Acts straddle the comic and the tragic. They are by turns funny and haunting and ripe with scathing satire. They draw on the genres of speculative and science fiction as much as poetic traditions, and speak to the precarious state of man and the natural world in the twenty-first century.
Whether on a picnic blanket or a porch swing, the fiction, nonfiction, and poetry in Tin House will help you while away the hours. Tin House is your literary companion for the dog days of Summer. Whether on a picnic blanket or a porch swing, the fiction, nonfiction, and poetry in Tin House will help you while away the hours. Featuring new work from Miller Oberman, Michael Dickman, and Malerie Willens.
A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.