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Many books today simply widen the field of astrology by promoting newly created techniques or championing older historical methods for investigating every possible nook and cranny of a horoscope. In contrast, this award winning writer points the reader in a new direction toward deepening the way that we approach and think about astrology in these post modern times. Drawing upon the archetypal perspectives of Mircea Eliade, James Hillman, and Thomas Moore, the author presents a truly psychological astrology, an astrology of soul that can plumb the depths of our being, sounding out our centers in a manner that enriches our struggle to fully engage what it means to be human.
Many books today simply widen the field of astrology by promoting newly created techniques or championing older historical methods for investigating every possible nook and cranny of a horoscope. In contrast, this award winning writer points the reader in a new direction toward deepening the way that we approach and think about astrology in these post modern times. Drawing upon the archetypal perspectives of Mircea Eliade, James Hillman, and Thomas Moore, the author presents a truly psychological astrology, an astrology of soul that can plumb the depths of our being, sounding out our centers in a manner that enriches our struggle to fully engage what it means to be human.
Astrology is so much more than a predictive and prescriptive typology. It is a soulful and evocative tradition that engages us in both rational and imaginal ways of knowing. Each horoscope is an invitation to consider the gods that live through us and the archetypal powers that pave our path through life. In Soul, Symbol and Imagination, Brian Clark shares his experiences of astrology as a profoundly therapeutic, divinatory and spiritual modality that has shaped his life.
Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination, by Mohammad H. Tamdgidi, is a twelve-book series of which this book is the seventh volume, subtitled Khayyami Art: The Art of Poetic Secrecy for a Lasting Existence: Tracing the Robaiyat in Nowrooznameh, Isfahan’s North Dome, and Other Poems of Omar Khayyam, and Solving the Riddle of His Robaiyat Attributability. Each book, independently readable, can be best understood as a part of the whole series. In Book 7, Tamdgidi shares his updated edition of Khayyam’s Persian book Nowrooznameh (The Book on Nowrooz), and for the first time his new English translation of it, followed by his analysis of its text. He then visits recent findings about the possible contribution of Khayyam to the design of Isfahan’s North Dome. Next, he shares the texts, and his new Persian (where needed) and English translations and analyses of Khayyam’s other Arabic and Persian poems. Finally he studies the debates about the attributability of the Robaiyat to Omar Khayyam. Tamdgidi verifiably shows that Nowrooznameh is a book written by Khayyam, arguing that its unreasonable and unjustifiable neglect has prevented Khayyami studies from answering important questions about Khayyam’s life, works, and his times. Nowrooznameh is primarily a work in literary art, rather than in science, tasked not with reporting on past truths but with creating new truths in the spirit of Khayyam’s conceptualist view of reality. Iran in fact owes the continuity of its ancient calendar month names to the way Khayyam artfully recast their meanings in the book in order to prevent their being dismissed (given their Zoroastrian roots) during the Islamic solar calendar reform underway under his invited direction. The book also sheds light on the mysterious function of Isfahan’s North Dome as a space, revealing it as having been to serve, as part of an observatory complex, for the annual Nowrooz celebrations and leap-year declarations of the new calendar. The North Dome, to whose design Khayyam verifiably contributed and in fact bears symbols of his unitary view of a world created for happiness by God, marks where the world's most accurate solar calendar of the time was calculated. It deserves to be named after Omar Khayyam (not Taj ol-Molk) and declared as a cultural world heritage site. Nowrooznameh is also a pioneer in the prince-guidance books genre that anticipated the likes of Machiavelli’s The Prince by centuries, the difference being that Khayyam’s purpose was to inculcate his Iranian and Islamic love for justice and the pursuit of happiness in the young successors of Soltan Malekshah. Iran is famed for its ways of converting its invaders into its own culture, and Nowrooznameh offers a textbook example for how it was done by Khayyam. Most significantly, however, Nowrooznameh offers by way of its intricately multilayered meanings the mediating link between Khayyam’s philosophical, theological, and scientific works, and his Robaiyat, showing through metaphorical clues of his beautiful prose how his poetry collection could bring lasting spiritual existence to its poet posthumously. Khayyam’s other Arabic and Persian poems also provide significant clues about the origins, the nature, and the purpose of the Robaiyat as his lifelong project and magnum opus. Tamdgidi argues that the thesis of Khayyam’s Robaiyat as a secretive artwork of quatrains organized in an intended reasoning order as a ‘book of life’ serving to bring about his lasting spiritual existence can solve the manifold puzzles contributing to the riddle of his Robaiyat attributability. He posits, and in the forthcoming volumes of this series will demonstrate, that the lost quatrains comprising the original collection of Robaiyat have become extant over the centuries, such that we can now reconstruct, by way of solving their 1000-piece jigsaw puzzle, the collection as it was meant to be read as an ode of interrelated quatrains by Omar Khayyam. Table of Contents: About OKCIR--i Published to Date in the Series--ii About this Book--iv About the Author--viii Notes on Transliteration--xix Acknowledgments--xxi Preface to Book 7: Recap from Prior Books of the Series-1 Introduction to Book 7: Tracing the Robaiyat in Omar Khayyam’s Artwork--11 CHAPTER I--Omar Khayyam’s Literary Work “Nowrooznameh”: An Updated Persian Text and Its New English Translation for the First Time--21 CHAPTER II-- Omar Khayyam’s Literary Work “Nowrooznameh”: A Clause-by-Clause Textual Analysis--147 CHAPTER III--Unveiling the Open and Hidden Functions of the Mysterious North Dome of Isfahan: How Omar Khayyam Designed, for His Commissioned Projects of Solar Calendar Reform and Building Its Astronomical Observatory, Iran’s Most Beautiful Dual-Use Structure for the Annual Celebration of Nowrooz--367 CHAPTER IV--Omar Khayyam’s Arabic and Persian Poems Other than His Robaiyat: Translated into Persian (from Arabic) and English and Textually Analyzed--497 CHAPTER V--Did Omar Khayyam Secretively Author A Robaiyat Collection He Called “Book of Life”?: Solving the Manifold Riddles of His Robaiyat Attributability--573 Conclusion to Book 7: Summary of Findings--677 Appendix: Transliteration System and Glossary--731 Cumulative Glossary of Transliterations (Books 1-5)--744 Book 7 References--753 Book 7 Index--767
Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination is a twelve-book series of which this book is the third volume, subtitled Khayyami Astronomy: How Omar Khayyam’s Newly Discovered True Birth Date Horoscope Reveals the Origins of His Pen Name and Independently Confirms His Authorship of the Robaiyat. Each book is independently readable, although it will be best understood as a part of the whole series. In the overall series, the transdisciplinary sociologist Mohammad H. Tamdgidi shares the results of his decades-long research on Omar Khayyam, the enigmatic 11th/12th centuries Persian Muslim sage, philosopher, astronomer, mathematician, physician, writer, and poet from Neyshabour, Iran, whose life and works still remain behind a veil of deep mystery. Tamdgidi’s purpose has been to find definitive answers to the many puzzles still surrounding Khayyam, especially regarding the existence, nature, and purpose of the Robaiyat in his life and works. To explore the questions posed, he advances a new hermeneutic method of textual analysis, informed by what he calls the quantum sociological imagination, to gather and study all the attributed philosophical, religious, scientific, and literary writings of Khayyam. Omar Khayyam’s true birth date horoscope, as newly discovered in this series, is comprised of a dazzling number of Air Triplicities sharing a vertex on a Sun-Mercury Cazimi point on the same Ascendant degree 18 of Gemini. Among other features, his Venus, Sextile with Moon, also plays a lifelong, secretively creative role to intentionally balance his chart. These features would not have escaped the attention of Omar Khayyam, a master astronomer and expert in matters astrological, no matter how much he embraced, doubted, or rejected astrological interpretations. In this third book of the series, conducting an in-depth hermeneutic analysis of Khayyam’s horoscope, Tamdgidi reports having discovered the origins of Khayyam’s pen name in his horoscope. The long-held myth that “Khayyam” was a parental name, even if true, in no way takes away from the new finding; it only adds to its intrigue. Tamdgidi’s hermeneutic analysis of Khayyam’s horoscope in intersection with extant Khayyami Robaiyat also leads him to discover an entirely neglected signature quatrain that he proves could not be from anyone but Khayyam, one that provides a reliably independent confirmation of his authorship of the Robaiyat. He also shows how another neglected quatrain reporting its poet to have aged to a hundred is from Khayyam. This means all the extant Khayyami quatrains are now in need of hermeneutic reevaluation. Tamdgidi’s further study of a sample of fifty Khayyami Robaiyat leads him to conclude that their poet definitively intended the poems to remain in veil, that they were considered to be a collection of interrelated quatrains and not sporadic separate quatrains written marginally in pastime, that they were meant to offer a life’s intellectual journey as in a “book of life,” that the poems’ critically nuanced engagement with astrology was not incidental but essential throughout the collection, and that, judging from the signature quatrain discovered, 1000 quatrains were intended to comprise the collection. Oddly it appears that, after all, “The Khayyam who stitched his tents of wisdom” was a trope that had its origins in Omar Khayyam’s horoscope heavens. CONTENTS About OKCIR—i Published to Date in the Series—ii About this Book—iv About the Author—viii Notes on Transliteration—xvii Acknowledgments—xix Preface to Book 3: Recap from Prior Books of the Series—1 Introduction to Book 3: The Hermeneutic Significance of Omar Khayyam’s Newly Discovered True Birth Date Horoscope—21 CHAPTER I—Was Omar Khayyam’s Birth Horoscope Intended Just to Offer a Birth Date or Was It an Astrological Bread Crumb?—31 CHAPTER II—Considering Both the Stated and the Silent Features of Omar Khayyam’s True Birth Date Horoscope—53 CHAPTER III—Features of Omar Khayyam’s Horoscope as a Whole Based on Astrological House and Other Definitions Traditionally Held in His Own Time—89 CHAPTER IV— Hermeneutically Interpreting Omar Khayyam’s Horoscope as a Whole: Discovering the Origins of His Pen Name—131 CHAPTER V—Discovering the Signature Robai of Omar Khayyam, Leading to An Independent and Final Confirmation of His Authorship of the Robaiyat—177 CHAPTER VI—The Case of A Second Signature Robai of Omar Khayyam, Reporting Its Author to Have Turned A Centenarian—215 CHAPTER VII—Tentatively Intersecting the Findings with a Few More Khayyami Quatrains—251 CHAPTER VIII— Khayyami Astronomy and the ‘Khayyami Code’: Hermeneutically Understanding Omar Khayyam’s Attitude Toward Astrology and His Own Horoscope—297 Conclusion to Book 3: Summary of Findings—317 Appendix: Transliteration System and Book 3 Glossary—337 Book 3 Cumulative Glossary of Transliterations—350 Book 3 References—357 Book 3 Index—361
The Planets Within asks us to return to antiquity with new eyes. It centers on one of the most psychological movements of the prescientific age -- Renaissance Italy, where a group of 'inner Columbuses' charted territories that still give us today a much- needed sense of who we are and where we have come from, and the right routes to take toward fertile and unexplored places.Chief among these masters of the interior life was Marsilio Ficino, presiding genius of the Florentine Academy, who taught that all things exist in soul and must be lived in its light. This study of Ficino broadens and deepens our understanding of psyche, for Ficino was a doctor of soul, and his insights teach us the care and nurture of soul.Moore takes as his guide Ficino's own fundamental tool -- imagination. Respecting the integrity and autonomy of images, The Planets Within unfolds a poetics of soul in a kind of dialogue between the laconic remarks of Ficino and the need to give these remarks a life and context for our day.
Enhance your storytelling with the cosmic drama of the stars The nighttime sky has inspired writers and astrologers alike to spin stories on the strands of starlight. Discover that inspiration for your own creative writing in Astrology for Writers, the essential guide to understanding the core concepts of astrology--the planets, signs, and houses--and discovering how they correspond to the elements of fiction. Unleash your creativity with a wide range of ideas that help you add astrology to your writing practice. Learn how to use the planets for characters, the signs of the zodiac for plot and themes, and the houses of the horoscope for settings. Develop unique characters based on mythic archetypes, use astrological imagery and symbolism for your descriptions and dialogue, and put theory into practice with writing prompts and examples. Invite the gods and goddesses of astrology to enter your writing and share their stories through you.
Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination, authored by Mohammad H. Tamdgidi, is a 12-book series of which this is the 4th volume, subtitled Khayyami Philosophy: The Ontological Structures of the Robaiyat in Omar Khayyam’s Last Written Keepsake Treatise on the Science of the Universals of Existence. Each book, independently readable, can be best understood as a part of the whole series. Having confirmed in the prior three books of the series the true dates of birth and passing of Omar Khayyam, his pen name origins, and his authorship of a robaiyat collection, Tamdgidi explores in this fourth book the origins, nature, and purpose of such a collection by applying the series’ quantum sociological imagination method to hermeneutically explore the ontological structures of the Robaiyat in Khayyam’s last written treatise. Khayyam’s treatise, found in the early 20th century and still largely ignored or misread, radically challenges the mythical narratives built over the centuries about him as one who thought existence is unknowable, having died not solving its riddles. Strangely, his treatise instead offers a logically coherent and brilliant worldview of someone who has found his answers as far as human existence is concerned. Khayyam even goes so far as confidently saying he hopes his peers would agree that his brief treatise is more useful than volumes. Offering the Persian text and his new English translation of the treatise, Tamdgidi undertakes in this book a detailed clause-based hermeneutic study of the treatise. He also explores its broader intellectual and historical contexts by examining its relation to the book “Savior from Error” by Khayyam’s junior (by more than three decades) contemporary foe, Muhammad Ghazali, while questioning the long-held belief that the treatise was requested by and addressed to Fakhr ol-Molk, a son of the famous vizier Nezam ol-Molk. Tamdgidi finds instead that the treatise was written in AD 1095-96, a few years earlier than thought, for another son of Nezam ol-Molk, Moayyed ol-Molk, who served at the time Soltan Muhammad, Malekshah’s son. The treatise was intended as a philosophical foundation to move the post-Malekshah Iran in a more independent direction by way of influencing his son, Muhammad. Ghazali in his book, likely written to please Ahmad Sanjar (Malekshah’s younger son who disliked Khayyam) and his vizier at the time, Fakhr ol-Molk, anonymously chastised Khayyam as a philosopher, duplicitously feeding the cynical metaphors that some theologians and Sufis hurled at Khayyam down the centuries. Khayyam’s treatise unveils his vision of existence as a participatory universe where the subject has objective status, shedding a new light on the ontological structures of the Robaiyat. His “succession order” thesis of existence is an alternative Islamic creationist-evolutionary worldview that offers a prescient quantum conceptualist vision of the universe as a unitary, relatively self-reliant, self-knowing, and self-creative, substance lovingly created by an absolutely good God in His own image. Existence is essentially good but, due to its good volitionally self-creative nature, can be potentially subject to incidental defects that are nevertheless knowable and curable to build both a spiritually fulfilling and a joyful life in this world. Other than God’s Necessary Existence there is no “another world”; judgment days, heavens, and hells are definitely real this-worldly, not after-worldly, existents. In Khayyam’s view, human existence can be what good we artfully make of it, starting here-and-now from our own personal selves in our this-worldly lifetimes. It is to creatively realize such an existence that the Robaiyat must have been intended. CONTENTS About OKCIR—i Published to Date in the Series—ii About this Book—iv About the Author—viii Notes on Transliteration—xvii Acknowledgments—xix Preface to Book 4: Recap from Prior Books of the Series—1 Introduction to Book 4: The Unique Significance of Omar Khayyam’s Treatise on the Science of the Universals of Existence, His Last Written in Persian for Keepsake—7 CHAPTER I—The Persian Text and A New English Translation of Omar Khayyam’s “Treatise on the Science of the Universals of Existence” (Resaleh dar Elm-e Kolliyat-e Vojood)—17 CHAPTER II—Hermeneutic Analysis of Clauses 1-19 of Omar Khayyam’s Treatise on the Science of the Universals of Existence: Descending the Succession Order—45 CHAPTER III—Hermeneutic Analysis of Clauses 20-50 of Omar Khayyam’s Treatise on the Science of the Universals of Existence: Ascending the Succession Order—121 CHAPTER IV—Understanding the Succession Order and Its Active Intellect: Comparative Notes on Omar Khayyam’s Treatise on the Science of the Universals of Existence—179 CHAPTER V—The Foe Who Wrongly Spoke: How Omar Khayyam’s Treatise on the Science of the Universals of Existence Compares to Muhammad Ghazali’s Book “Savior from Error”—207 CHAPTER VI—Moayyed ol-Molk or Fakhr ol-Molk?: Who Requested Omar Khayyam’s Treatise on the Science of the Universals of Existence and When Was It Written?—249 CHAPTER VII—Interpreting Omar Khayyam’s Treatise on the Science of the Universals of Existence in Light of Its Intellectual and Historical Contexts As a Whole—279 CHAPTER VIII—The Ontological Structures of the Robaiyat in Omar Khayyam’s Treatise on the Science of the Universals of Existence—321 Conclusion to Book 4: Summary of Findings—347 Appendix: Transliteration System and Book 4 Glossary—375 Book 4 Cumulative Glossary of Transliterations—388 Book 4 References—397 Book 4 Index—401
For over half a century, scholars have laboured to show that C. S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery. Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation". Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaître knowledge of the spiritual character which the tale was created to embody. Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance.
Omar Khayyam's Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination, by Mohammad H. Tamdgidi, is a 12-book series of which this book is the 8th volume, subtitled Khayyami Robaiyat: Part 1 of 3: Quatrains 1-338: Songs of Doubt Addressing the Question "Does Happiness Exist?": Explained with New English Verse Translations and Organized Logically Following Omar Khayyam's Own Three-Phased Method of Inquiry. Each book, independently readable, can be best understood as a part of the whole series. In Book 8, Tamdgidi offers the first of a 3-part set of 1000 quatrains he has chosen to include in this series from a wider set that have been over the centuries attributed to Khayyam. Part 1 includes quatrains 1-338 for each of which the Persian original along with Tamdgidi's new English verse translation and a transliteration for the same are shared. Each quatrain is indexed according to the frequency of its inclusion in manuscripts, the earliest known date of its appearance in them, the extent to which it has "wandered" into other poets' works, and its rhyming scheme. Brief comments about the meaning of each quatrain in relation to other quatrains and works attributed to Khayyam are then offered along with any notes regarding its new translation as shared. Tamdgidi shows that the quatrains 1-338, in the beginning 30 of which Khayyam offers an opening to his book of poetry as a secretive work of art, address the question "Does Happiness Exist?" The latter question is the first of a set of three methodically phased questions Khayyam has identified in his philosophical works as being required for investigating any subject. The order in which the quatrains are presented shows that the quatrains included in Part 1 follow a logically inductive reasoning process through which Khayyam delves from the surface portraits of unhappiness to their deeper chain of causes in order to answer his question. The thematic topics of the quatrains of Part 1 as shared in Book 8 are: I. Secret Book of Life; II. Alas!; III-Times; IV-Spheres; V. Chance and Fate; VI. Puzzle; VII. O God!; VIII. Tavern Voice; and IX. O Wine-Tender! After the opening quatrains where Khayyam explains why he was composing a secretive book of poetry and what it aims to do, his inquiry starts with doubtful existential self-reflections on his life, leading him to first blame his times, then the spheres, then matters of chance and fate, soon realizing that he really does not have an explanation for the enigmas of existence, concluding that the answer only lies with God. So, he appeals to God directly for an answer. It is then that he hears the voice of the Saqi or Wine-Tender from his inner "tavern," to whom he replies in a series of quatrains closing Part 1. It is in the course of the inquiry in Part 1 that the idea of using Wine as a poetic trope is discovered by him, a matter that is separate from his interest in drinking wine, which he never denies but is secondary to the spiritual Wine discovered and advanced in his book of poetry that in fact represents his poetry, the Robaiyat, itself and its promise in answering his questions. The logical order of Khayyam's inquiry shows how seemingly contradictory views that have been attributed to him can in fact be explained as logical moments in the successively deeper inquiries he makes inductively when addressing the question whether happiness exists in the created world. We should, therefore, judge each quatrain as a logical moment in Part 1's inquiry as a whole, in anticipation of the two remaining parts of his book of poetry to be shared in Books 9 and 10 of the series, respectively addressing the two follow-up questions: "What Is Happiness?" and "Why Does (or Can) Happiness Exist?"