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When Eddy Hall receives five cards for his stereoscope, he and his sister, Eleanor, can't wait to see what exotic places they reveal maybe Stonehenge, or a centuries-old European cathedral. But instead, when they look through the stereoscope, Eddy and Eleanor see some very strange things. An odd-looking rope hangs from the sky down into every picture. A marmalade coloured cat that looks suspiciously like Herm, the family cat, also appears. And one picture looks like the front hall of their very own house! The images seem to be almost real, not just three-dimensional illusions. All it will take is one little tug on that rope to find out for sure ....
If there's one thing Georgie Hall has always been, it's determined. So when her stepcousins Eleanor and Eddy tell her that she can't fly, Georgie doesn't get discouraged -- she just tries harder She feels a peculiar lightness when she leaps from the top of the staircase, and is even more certain of her seemingly impossible ability when she jumps from the porch and soars to the rooftop before landing safely on the ground. And now that a mysterious Canada goose is visiting Georgie's window on a nightly basis, the Hall family begins to wonder just what Georgie is capable of....
Eddy and Eleanor discover a secret attic room in their extraordinary house.
Life in the Halls' house in Concord is many things, but it is never boring. Even something as simple as having a family friend come for a visit can lead to the unexpected, the enchanted, the mysterious -- in this case, the most amazing, most mysterious circus ever. From Uncle Krishna's garbled phone message to the fantastic ending, the latest Hall Family Chronicle has all of the earmarks of a Jane Langton novel: fantasy, humor, and magic! Join Eleanor, Eddie, Georgie, their new friend Andy, and his twelve very large friends -- more about them later -- in Jane Langton's The Mysterious Circus.
The strangest things seem to happen to the Hall family--like the time Eddy and Eleanor had an adventure and found an enchanted diamond, or the summer their cousin Georgie flew with geese. Now their adventure is with time itself. It starts when Eddy receives an unusually large packing crate from his mysterious uncle, Prince Krishna, containing an old-fashioned bicycle, complete with a wicker basket--the kind of bike no self-respecting boy like Eddy would be caught dead riding. The bike possesses more than just a basket, however: It possesses the ability to travel through time, and soon Eddy is on the ride of his life! But trips through time can have unpredictable results, and they're not without danger.... Newbery Honor author Jane Langton's sixth book about the extraordinary Hall family is a magical account of the perils--and surprises--of travel in the fourth dimension.
One mystical tree. One dangerous neighbor. Strange and magical things continually occur at the Hall family's home at 40 Walden Street. Now there's a terrible sound throughout the town of Concord—the buzzing of a chain saw. Only one thing is worse for Eddy and Georgie Hall than that noise: the man who causes it, Mortimer Moon. When all the trees in town are falling to his hand and he threatens the mysterious tree sprouting in the Halls' backyard, Georgie and Eddy will do anything to stop him. In the eighth installment of the Hall Family Chronicles, secrets—all caused by the growth of a miraculous tree—will be unlocked.
The swing in the summer house sweeps four children and two adults into frightening and mystifying journeys that help them all towards their hearts' desires.
The drama, expansion, mansions and wealth of New York City's transformative Gilded Age era, from 1870 to 1910, captured in a magnificently illustrated hardcover. In forty short years, New York City suddenly became a city of skyscrapers, subways, streetlights, and Central Park, as well as sprawling bridges that connected the once-distant boroughs. In Manhattan, more than a million poor immigrants crammed into tenements, while the half of the millionaires in the entire country lined Fifth Avenue with their opulent mansions. The Gilded Age in New York captures what is was like to live in Gotham then, to be a daily witness to the city's rapid evolution. Newspapers, autobiographies, and personal diaries offer fascinating glimpses into daily life among the rich, the poor, and the surprisingly large middle class. The use of photography and illustrated periodicals provides astonishing images that document the bigness of New York: the construction of the Statue of Liberty; the opening of the Brooklyn Bridge; the shimmering lights of Luna Park in Coney Island; the mansions of Millionaire's Row. Sidebars detail smaller, fleeting moments: Alice Vanderbilt posing proudly in her "Electric Light" ball gown at a society-changing masquerade ball; immigrants stepping off the boat at Ellis Island; a young Theodore Roosevelt witnessing Abraham Lincoln's funeral. The Gilded Age in New York is a rare illustrated look at this amazing time in both the city and the country as a whole. Author Esther Crain, the go-to authority on the era, weaves first-hand accounts and fascinating details into a vivid tapestry of American society at the turn of the century. Praise for New-York Historical Society New York City in 3D In The Gilded Age, also by Esther Crain: "Vividly captures the transformation from cityscape of horse carriages and gas lamps 'bursting with beauty, power and possibilities' as it staggered into a skyscraping Imperial City." -- Sam Roberts, The New York Times "Get a glimpse of Edith Wharton's world." -- Entertainment Weekly Must List "What better way to revisit this rich period . . ?" -- Library Journal
"A bravura performance."—The New York Times Histories and personalities collide in this literary tour-de-force about the Philippines’ present and America’s past by the PEN Open Book Award–winning author of Gun Dealers’ Daughter. Two women, a Filipino translator and an American filmmaker, go on a road trip in Duterte’s Philippines, collaborating and clashing in the writing of a film script about a massacre during the Philippine-American War. Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation American soldiers created “a howling wilderness” of the surrounding countryside. Magsalin reads Chiara’s film script and writes her own version. Insurrecto contains within its dramatic action two rival scripts from the filmmaker and the translator—one about a white photographer, the other about a Filipino schoolteacher. Within the spiraling voices and narrative layers of Insurrecto are stories of women—artists, lovers, revolutionaries, daughters—finding their way to their own truths and histories. Using interlocking voices and a kaleidoscopic structure, the novel is startlingly innovative, meditative, and playful. Insurrecto masterfully questions and twists narrative in the manner of Italo Calvino’s If on a Winter’s Night a Traveler, Julio Cortázar’s Hopscotch, and Nabokov’s Pale Fire. Apostol pushes up against the limits of fiction in order to recover the atrocity in Balangiga, and in so doing, she shows us the dark heart of an untold and forgotten war that would shape the next century of Philippine and American history.