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Characters: 4 male, 3 female Scenery: Interior One of the Tonight at 8:30 series produced in London and New York. In psychiatrist Christian Faber's drawing room sits his weeping wife and his sad assistants, waiting for the siren Leonora. In four flashbacks the story emerges: Leonora, a girlhood chum, visited Christian's wife and was introduced to him. She set out to capture her friend's husband but was captured herself. She threw him over because of his jealousy. He jumped out of the window. Leonora has come because Christian calls for her on his death bed. She returns slowly from his room to announce he has died and that his last words were tender ones to his wife, for whom he mistook Leonora. Also published in Tonight at 8:30.
Capon shows how the church has lost its astonishment over the Good News and has made Christianity into a religion that focuses on requirements and restrictions rather than on gospel. Recovery of astonishment is his saving remedy.
“A narrative composed of brutal honesty, tenderness, and an aching love for God. I could not put it down.” —Sue Monk Kidd, author of The Secret Life of Bees In the middle of her life, acclaimed memoirist Beverly Donofrio thought she’d found a safe haven in a beautiful town in Mexico—until she was awakened in her bed by a rapist. As she writes in this fierce, unflinching account: “This was not supposed to happen. I was supposed to have escaped: I had hot flashes and liver spots and was in the final stretch.” Here Donofrio wrestles with anger toward her attacker and toward life, yet realizes her despair is not unlike that of other friends who are struggling with grave illnesses, loss of jobs, deaths of loved ones. Hoping to heal from trauma, Donofrio turns to prayer while journeying to five very different monasteries. A testimony to how anyone who is broken can move away from fear and anger toward grace, Astonished will not only be read and shared by fans of Donofrio’s previous books, but also by anyone who hopes to be inspired by Donofrio’s strength and her search for faith, healing, and identity.
A collection of Coward's ambitious series of ten one-act plays - a sparkling, fast paced and remarkably varied selection of theatrical gems.
This collection brings together three of Coward's most important screenplays – In Which We Serve (1942), Brief Encounter (1945) and The Astonished Heart (1950). The collection features the shooting scripts for each film alongside contextual notes for each play, and a general introduction, by Barry Day. In Which We Serve earned Coward an Academy Honorary Award in 1943 as well as the New York Film Critics Circle Award for Best Film. The film remains a classic of wartime British cinema. Brief Encounter, the most famous screenplay in this collection, is based on Coward's 1936 one-act play Still Life. It remains one of the greatest love stories of all time, coming second in a British Film Institute poll of the top 100 British films. The Astonished Heart tells the story of a psychiatrist's growing obsession for a good-time girl and the resulting tragedy this leads to. This collection features a foreword by Laurence Kardish, Senior Curator Emeritus, Film, at New York's MoMA, and an eight-page black and white plate section of production stills.
In her most powerful book to date, bestselling author McElroy shows how encounters with wild animals can help people reconnect with the earth and its rhythms.
Essays by former editor of Gawker.com—and the new female voice of her generation. In And the Heart Says Whatever, Emily Gould tells the truth about becoming an adult in New York City in the first decade of the twenty-first century, alongside bartenders, bounty hunters, bloggers, bohemians, socialites, and bankers. These are essays about failing at pet parenthood, suspending lust during the long moment in which a dude selects the perfect soundtrack from his iTunes library, and leaving one life behind to begin a new one (but still taking the G train back to visit the old one sometimes). For everyone who has ever had a job she wishes she didn't, felt inchoate ambition sour into resentment, ended a relationship, regretted a decision, or told a secret to exactly the wrong person, these stories will be achingly familiar. At once a road map of what not to do and a document of what's possible, this book heralds the arrival of a writer who decodes the new challenges of our post-private lives, and the age-old intricacies of the human heart.
In Astonished, Pastor Mike Erre calls Christians away from simplistic formulas to honest and rugged faith in the mysterious and unpredictable God. God is more about deepening the mystery of faith, not removing it. Jesus should get bigger the longer we walk with him. Life and faith should grow to be more profound and wondrous, not less. In Astonished, you will see how we are far more comfortable with tips, steps and techniques for living, than we are with ruthlessly trusting the mysterious God of the Bible. God asks us to follow him into tension, frustration, and difficulty because he wants our trust, not just our intellectual agreement. He calls us to seek Him even as we live in awe of all that is yet to be known about Him. Astonished is an invitation to question in a culture that wants answers, to wonder in a world with little mystery left, and to believe in what is unseen and find it beautiful.
"The poems in Fanatic Heart, Deborah Pope's remarkably accomplished first collection of verse, are distinguished by their sensuous language, assured voice, and surpassing intelligence. "These are poems with a definite edge to them," notes the poet Betty Adcock. Memory and identity, family and place, lives that encompass both "the wingsweep of joy" and "the fierce hug of grief" - these are Pope's concerns. Hers are poems of pain and loss, but they are also, and more tellingly, poems of wonder, of love and passion in their various guises, of the ambiguity in every human relation - an ambiguity skillfully evoked in "Signs": In these woods we have chosen / with scarcely more knowing / than we chose each other, / prospects will always promise / more than they come to. / The solidity of this house is surface, / the permanence of anything is myth. / We take our visions edged, / at home in a light that curves. / Still, as the gypsies say, / good road." "The poems are set in a carefully articulated natural world, whose sensual beauty Pope captures in such lines as these from "Peaches": They will be all over the ground, / gold-dusted, giving softly / under the balls of our feet, / size of apricots, no good for eating, / but the smell will be / delicious." "Deborah Pope's poems give voice to a life deeply felt and fully realized, whose very personal visions yield universal claims. At the heart of this poetry's fanaticism is the search for the ground of intimacy and the configurations of identity. It is a measure of Pope's skill that each recognition seems powerfully right, not sought but given."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Can an Irish Lass with a Dream for America Find True Love? Maggie Montgomery's long-held wish to see America is finally coming true. She'll visit her beloved brother Rylan and his wife, Colleen, and at the same time, escape Neill Fitzgerald's unwanted attention. In addition, Maggie has a secret! She plans to remain in America to seek her fortune and to hopefully find love. While visiting Irish Meadows, she meets an intriguing man whom she thinks is a stable hand. Only when Rylan demands she stay away from Adam O'Leary does she realize he's Colleen's brother, recently released from prison. Nonetheless, Maggie can't seem to make her heart conform to her brother's request. Adam O'Leary has never felt worthy of his place in the family. Spending time in jail only reinforces his belief. Now that he's free, Adam hopes to make amends and earn back his family's trust. Falling in love with Maggie Montgomery, however, was never in his plans. Despite everyone's effort to keep them apart, the two develop a bond nothing can break--but has Adam truly changed, or will the sins of his past prove too much for Maggie to overcome?