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"The Assegai Program" unfolds as four military soldiers undergo a transformative experiment, merging their DNA with that of extraterrestrial beings to create meta-human capabilities. Among then is Vandar, a soldier from Demorizia, propelled by a solemn vow of vengeance against the American Government. His motivation stems from the loss of his friend Kandel, whose DNA became a pivotal element in the ambitious project. The narrative weaves together themes of science fiction, military intrigue, and personal vendettas, exploring the moral and ethical implications of manipulating human genetics. As the soldiers grapple with their newfound powers, the tension builds, promising a gripping tale of revenge, loyalty, and the consequences of tampering with the very essence of humanity. "The Assegai Program" delves into a world where the boundaries of morality blur against the backdrop of intergalactic experimentation.
A Courtney series adventure - Book 1 in the Assegai sequence For King and Country. No matter the cost. With the backing of his uncle, General Penrod Ballantyne, young Leon Courtney joins the King's Rifles of Nairobi. When he becomes discouraged by the dishonesty of army life, his uncle recruits him for a special mission - spying on the Germans in East Africa, whom the General suspects are preparing for the Kaiser's war. Posing as a professional game hunter Leon is tasked with gathering information on one is his clients, a wealthy industrialist Otto Von Meerbach. Leon finds himself falling for von Meerbach's beautiful mistress but never forgets that his real mission is to destroy the enemy. But how easy will he find his task when his true enemy is closer to home than Leon ever expected?
African American Theater is a vibrant and unique entity enriched by ancient Egyptian rituals, West African folklore, and European theatrical practices. A continuum of African folk traditions, it combines storytelling, mythology, rituals, music, song, and dance with ancestor worship from ancient times to the present. It afforded black artists a cultural gold mine to celebrate what it was like to be an African American in The New World. The A to Z of African American Theater celebrates nearly 200 years of black theater in the United States, identifying representative African American theater-producing organizations and chronicling their contributions to the field from its birth in 1816 to the present. This is done through a chronology, an introductory essay, a bibliography, and over 500 cross-referenced dictionary entries on actors, directors, playwrights, plays, theater producing organizations, themes, locations, and theater movements and awards.
This second edition of Historical Dictionary of African American Theater reflects the rich history and representation of the black aesthetic and the significance of African American theater’s history, fleeting present, and promise to the future. It celebrates nearly 200 years of black theater in the United States and the thousands of black theater artists across the country—identifying representative black theaters, playwrights, plays, actors, directors, and designers and chronicling their contributions to the field from the birth of black theater in 1816 to the present. This second edition of Historical Dictionary of African American Theater, Second Edition contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on actors, playwrights, plays, musicals, theatres, -directors, and designers. This book is an excellent resource for students, researchers, and anyone wanting to know and more about African American Theater.
This timely book reflects on discourses of identity that pervade local talk and texts in Zimbabwe, a nation beset by political and economic crisis. As she explores questions of culture that play out in broadly accessible local and foreign film and television, Katrina Daly Thompson shows how viewers interpret these media and how they impact everyday life, language use, and thinking about community. She offers a unique understanding of how media reflect and contribute to Zimbabwean culture, language, and ethnicity.
Examines the phenomenon of human exhibitions in nineteenth-century Britain and considers how this legacy informs understandings of race and empire today.