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How Far Would You Go Just To Nurture Your Obsession? “That was originally what I had loved him for: that at a period when our native land was nude and crude and provincial, when the famous 'atmosphere' it is supposed to lack was not even missed, when literature was lonely there and art and form almost impossible, he had found the means to live and write like one of the first; to be free and general and not at all afraid; to feel, understand, and express everything.” - Henry James, The Aspern Papers An anonymous narrator arrives in Venice to retrieve Jeffrey Aspern’s - an American poet and his idol - love letters. There he finds Juliana Bordereau and his aging niece who may or may not have the letters in question. To convince Juliana, the narrator tries to seduce the niece, Miss Tita but is he willing to pay the price? Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes
It seems like mutual good luck for Abigail and Dara when they meet at university and, despite their differences, become fast friends. Years later, they remain an unlikely pair: Abigail, an actress who confidently uses her charms both on and off stage, is reluctant to commit; Dara, a therapist, throws herself into every relationship with frightening intensity. Yet each seems—another stroke of luck?—to have found “true love”—Abigail with her academic boyfriend, and Dara with a tall, dark violinist. Soon, however, trouble threatens both relationships and the women’s friendship. Through four ingeniously interlocking narratives, Margot Livesey skillfully reveals how luck—good and bad—plays a vital role in our lives, and how our childhood legacies may be harder to leave behind than we hope. “Vibrant, evocative, irresistible” (Los Angeles Times), The House on Fortune Street offers a surprisingly provocative detective story of the heart, one that will keep you in its thrall.
Tells the story of the literary treachery that took place at No 43 via Romana, Florence, where Claire Clairmont, once lover of Lord Byron and mother of his daughter Allegra, lived until her death in 1879. This is also the story on Henry Jame's novel The Aspern Papers, which is based on that household and the nefarious doings of the lodger there.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
As an American author who chose to live in Europe, Henry James frequentlywrote about cultural differences between the Old and New World. Theplight of bewildered Americans adrift on a sea of European sophisticationbecame a regular theme in his fiction.This collection of twenty-four papers from some of the world's leadingJames scholars offers a comprehensive picture of the author's crossculturalaesthetics. It provides detailed analyses of James's perception ofEurope - of its people and places, its history and culture, its artists andthinkers, its aesthetics and its ethics - which ultimately lead to a profoundreevaluation of his writing.With in-depth analysis of his works of fiction, his autobiographical andpersonal writings, and his critical works, the collection is a major contribution to current thinking about James, transtextuality and cultural appropriation.
Henry James’s Daisy Miller was an immediate sensation when it was first published in 1878 and has remained popular ever since. In this novella, the charming but inscrutable young American of the title shocks European society with her casual indifference to its social mores. The novella was popular in part because of the debates it sparked about foreign travel, the behaviour of women, and cultural clashes between people of different nationalities and social classes. This Broadview edition presents an early version of James’s best-known novella within the cultural contexts of its day. In addition to primary materials about nineteenth-century womanhood, foreign travel, medicine, philosophy, theatre, and art—some of the topics that interested James as he was writing the story—this volume includes James’s ruminations on fiction, theatre, and writing, and presents excerpts of Daisy Miller as he rewrote it for the theatre and for a much later and heavily revised edition.
"The Aspern Papers" by Henry James. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Anthony Lane on Con Air— “Advance word on Con Air said that it was all about an airplane with an unusually dangerous and potentially lethal load. Big deal. You should try the lunches they serve out of Newark. Compared with the chicken napalm I ate on my last flight, the men in Con Air are about as dangerous as balloons.” Anthony Lane on The Bridges of Madison County— “I got my copy at the airport, behind a guy who was buying Playboy’s Book of Lingerie, and I think he had the better deal. He certainly looked happy with his purchase, whereas I had to ask for a paper bag.” Anthony Lane on Martha Stewart— “Super-skilled, free of fear, the last word in human efficiency, Martha Stewart is the woman who convinced a million Americans that they have the time, the means, the right, and—damn it—the duty to pipe a little squirt of soft cheese into the middle of a snow pea, and to continue piping until there are ‘fifty to sixty’ stuffed peas raring to go.” For ten years, Anthony Lane has delighted New Yorker readers with his film reviews, book reviews, and profiles that range from Buster Keaton to Vladimir Nabokov to Ernest Shackleton. Nobody’s Perfect is an unforgettable collection of Lane’s trademark wit, satire, and insight that will satisfy both the long addicted and the not so familiar.
This collection of prefaces, originally written for the 1909 multi-volume New York Edition of Henry James’s fiction, first appeared in book form in 1934 with an introduction by poet and critic R. P. Blackmur. In his prefaces, James tackles the great problems of fiction writing—character, plot, point of view, inspiration—and explains how he came to write novels such as The Portrait of a Lady and The American. As Blackmur puts it, “criticism has never been more ambitious, nor more useful.” The latest edition of this influential work includes a foreword by bestselling author Colm Tóibín, whose critically acclaimed novel The Master is told from the point of view of Henry James. As a guide not only to James’s inspiration and execution, but also to his frustrations and triumphs, this volume will be valuable both to students of James’s fiction and to aspiring writers.