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This is the first collection of interdisciplinary scholarship to expand on gridded modalities, with a strong affinity to the arts. It seeks to inspire new avenues of research by exploring a horizon of gridded relationships among humans, between humans and the environment, and between human and non-human actors. By bringing together philosophical themes and applied practices, the volume traces a genealogy of the "grid" as an exercise in grasping its inherent complexity and incomplete quality. A collective effort by a group of researchers, practitioners, and designers, it promotes an understanding of gridded modalities as complex networks that interact with other networks, generating new meanings and reflecting changes in thought.
A vibrant guide to the artistic, cultural, and social faces of the new media.
Agnes MartinÕs (1912Ð2004) celebrated grid paintings are widely acknowledged as a touchstone of postwar American art and have influenced many contemporary artists. MartinÕs formative years, however, have been largely overlooked. In this revelatory study of MartinÕs early artistic production, Christina Bryan Rosenberger demonstrates that the rapidly evolving creative processes and pictorial solutions Martin developed between 1940 and 1967 define all her subsequent art. Beginning with MartinÕs initiation into artistic language at the University of New Mexico and concluding with the reception of her grid paintings in New York in the early 1960s, Rosenberger offers vivid descriptions of the networks of art, artists, and information that moved between New Mexico and the creative centers of New York and California in the postwar period. She also documents MartinÕs exchanges with artists including Ellsworth Kelly, Barnett Newman, Georgia OÕKeeffe, Ad Reinhardt, and Mark Rothko, among others. Rosenberger uses original analysis of MartinÕs art, as well as a rich array of archival materials, to situate MartinÕs art within the context of a dynamic historical moment. With a lively, innovative approach informed by art history and conservation, this fluidly written book makes a substantial contribution to the history of postwar American art.
"This catalogue is published in conjunction with the exhibition Sol LeWitt: the well-tempered grid, Williams College Museum of Art, Williamstown, Massachusetts, September 15-December 9, 2012."
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Take your design work to the next level with Making and Breaking the Grid: A Graphic Design Layout Workshop (Third Edition), the essential easy-to-use guide for designers working in every medium. With over 150,000 copies in print, this new edition makes a classic text relevant to a new generation of designers. Updates include: A cross-cultural inclusive re-envisioning of design history related to the grid, including alternative approaches to layout Expanded discussion of grid use in interactive, UX/UI scenarios Greater equity in the representation of design work by women and BIPOC designers Grids are the most basic and essential forms in graphic design—and they can be the most rigid. This book shows you how to understand the rules of the grid to use them effectively, and then how to break them, resulting in phenomenal cohesive layouts. Timothy Samara explains the history of the grid and shows examples of grid basics, such as column, compound, and modular grids. He shows methods for building and using grids, and offers numerous examples of stunning design projects using a variety of imagery and typography. Pages are filled with hundreds of large, full-color layout concepts and diagrams that educate and inspire. After mastering the grid, discover how to break it using conceptual designs that deconstruct and flip the grid successfully. Split, splice, and shift; create spontaneous compositions; make narrative constructs; work on an axis; use intuitive design; and more to create unique layouts or other projects. See ideas in action with eye-catching layout examples. With this book you will: learn how grids work. be inspired to explore new concepts for using—or not using—grids. discover achievable alternatives for boring layouts. get the results you want using fresh design elements. learn designers’ processes via fascinating case studies. see numerous examples of successful layouts created with and without grids. communicate ideas effectively using visual language. This new, expanded edition presents the most comprehensive, accessible, in-depth exposition of layout concepts ever published.
'A highly original, electrifying read' The Times 'A stylish, riveting thriller' Daily Mail 'An assured page-turner ... it combines action and foreign locations with big ideas a la Dan Brown' Sunday Times The US President Thompson has been dreaming of his own death. A repeating nightmare that hounds him night after night that he can't ignore: something tells him it's not just a dream, it feels too real. Thompson's doctor, military psychiatrist Josh Cain, is summoned to a church tower near the White House. He thinks he is there to talk down another suicidal ex-Marine. But the man he finds tells him of a plot to kill Thompson, revealing secrets he can't possibly have known - just seconds before a sniper's bullet takes him out . . . Battles have been fought man to man, then machine to machine, and even in cyberspace. But now there is a different battlefield emerging: human consciousness and the fight for our minds. What readers are saying: 'A classy, intelligent and reflective investigative thriller.' 'A layered plot, engaging characters and a spine chilling ring of truth to the plot, which lured me in and kept me trapped until the final page.' 'A real page turner with plenty of surprises and twists. Great read.' 'THE BEST BOOK THAT I'VE READ ALL YEAR!'
[Grid Matrix] is the first publication in the Screen Arts and New Media Aesthetics series, a series of exhibitions and publications that explore the interpenetration of different screens of representation in contemporary culture--from the canvas to the computer terminal, the cinema to the television set, the video monitor to the museum wall, the book page to the cell phone display. This series probes the aesthetic uses and historical dimensions of contemporary screen culture and sheds light on how different artists make use of newer media and technologies, how the rise of the digital impacts dominant codes of art, culture, and experience, and how today's screens open alternate windows on the past, present, and future. [Grid Matrix] traces two different but closely related modes oforganizing the visible world and its aesthetic representations. In analog cultures, the notion of the grid empowers the production of images that claim universal authority. Most often static in nature, grid-like structures, spaces, and images approach the viewer as immediately recognizable and hence devoid of unwanted surprises. Digitally-based matrices, by way of contrast, set the modernist grid into motion. They have the ability to catalyze visual expressions and experiences that, in spite of their algorithmic foundations, aim at open-ended and often unpredictable transformation. Grid and matrix, as presented in this exhibition, form a central dialectic of modernist and postmodernist culture. Featuring two essays, one by each of the exhibition curators, the publication's aim is not to tell a story of linear historical progress, but to explore continuities and ruptures between the analog and the digital, between the organizational principles of older and newer media. [Grid Matrix] includes artwork by Theo van Doesburg, Laszlo Moholy-Nagy, Piet Mondrian, Agnes Martin, Andy Warhol, John F. Simon, Jr., Andreas Gursky, Albert Oehlen, Jeffrey Shaw, and Julius Popp, among others. Essays by co-curators Sabine Eckmann, Ph.D., director and chief curator at the Mildred Lane Kemper Art Museum, and Lutz Koepnick, Ph.D., professor of German, Film, and Media Studies at Washington University in St. Louis.
Poetry. In this exquisite third book, Bert Stern grapples with the elemental and the extraordinary, looking back on the length of his journey and finding realms of possibility, powerful proof of a life well lived. Moments of divine recognition pervade these poems--their rough terrains, their changing atmospheres and stunning grace--culminating in a profound sense of gratitude for the tactile world. Here is a poet writing at the height of his powers.