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A comprehensive survey of the popular Arts and Crafts Movement.
This magnificent compendium is the first comprehensive exploration of the Arts and Crafts legacy in the Pacific Northwest. It traces the movement from its nineteenth-century English beginnings to its flowering in Washington and Oregon through the 1920s and beyond, weaving into a tale of idealism and devotion everything from iconic masterpieces to recent discoveries. You will meet the architects, artists, craftspeople, and entrepreneurs in Seattle, Spokane, Portland, and smaller communities throughout the region in their own words in journal entries, letters, articles, and promotional materials of the period. Included are public and private architecture, furniture, pottery and tile, metalwork, lighting, leaded and stained glass, jewelry, textiles, basketry and the influence of Native American arts, painting and printmaking, photography, graphic arts, and book design. The ideals of the Arts and Crafts movement—a celebration of craftsmanship and the creative process; an appreciation of sound construction, pleasing proportion, grace, and simplicity; and a comfortable rusticity that sees beauty in nature and honors indigenous materials—found fertile ground in Washington and Oregon. The inspired handiwork of anonymous amateurs and significant regional artists alike yielded a remarkable variety of progressive architect-designed residences, bungalows for everyone, and all manner of artistic and practical furnishings and accessories. Beautifully illustrated with nearly 400 photographs and period graphics, including rare images published here for the first time, this groundbreaking volume is an authoritative reference, a provocative story, and an irresistible treasure trove for Arts and Crafts collectors and enthusiasts everywhere.
On arts and crafts design movement.
Mary Greensted tells the story of the birth and development of the Arts and Craft movement in Britain with the help of numerous illustrations showing the buildings, furniture, metalwork, and the people who influenced it. The movement was concerned with the revival of traditional crafts, and a return to the vernacular, and it had socialist ideals at its heart. This movement, which flourished in the early twentieth century, has not only bequeathed us with a wealth of fine objects and buildings, but also a way of thinking about life and craft that continues to influence many today. Contains information on dozens of designers, artists, architects and thinkers, including: William Morris CFA Voysey Charles Rennie Mackintosh AH Mackmurdo CR Ashbee Ernest Gimson
“Have nothing in your house that you do not know to be useful, or believe to be beautiful.” This quote alone from William Morris could summarise the ideology of the Arts & Crafts movement, which triggered a veritable reform in the applied arts in England. Founded by John Ruskin, then put into practice by William Morris, the Arts & Crafts movement promoted revolutionary ideas in Victorian England. In the middle of the “soulless” Industrial Era, when objects were standardised, the Arts & Crafts movement proposed a return to the aesthetic at the core of production. The work of artisans and meticulous design thus became the heart of this new ideology, which influenced styles throughout the world, translating the essential ideas of Arts & Crafts into design, architecture and painting.
Pugin - Ruskin - William Morris - St George's Guild - C.R. Ashbee - Art Workers' Guild - Frank Lloyd Wright.
Examines the goals of the Arts and Crafts movement