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First multi-year cumulation covers six years: 1965-70.
Nose reconstructions have been common in India for centuries. South Korea, Brazil, and Israel have become international centers for procedures ranging from eyelid restructuring to buttock lifts and tummy tucks. Argentina has the highest rate of silicone implants in the world. Around the globe, aesthetic surgery has become a cultural and medical fixture. Sander Gilman seeks to explain why by presenting the first systematic world history and cultural theory of aesthetic surgery. Touching on subjects as diverse as getting a "nose job" as a sweet-sixteen birthday present and the removal of male breasts in seventh-century Alexandria, Gilman argues that aesthetic surgery has such universal appeal because it helps people to "pass," to be seen as a member of a group with which they want to or need to identify. Gilman begins by addressing basic questions about the history of aesthetic surgery. What surgical procedures have been performed? Which are considered aesthetic and why? Who are the patients? What is the place of aesthetic surgery in modern culture? He then turns his attention to that focus of countless human anxieties: the nose. Gilman discusses how people have reshaped their noses to repair the ravages of war and disease (principally syphilis), to match prevailing ideas of beauty, and to avoid association with negative images of the "Jew," the "Irish," the "Oriental," or the "Black." He examines how we have used aesthetic surgery on almost every conceivable part of the body to try to pass as younger, stronger, thinner, and more erotic. Gilman also explores some of the extremes of surgery as personal transformation, discussing transgender surgery, adult circumcision and foreskin restoration, the enhancement of dueling scars, and even a performance artist who had herself altered to resemble the Mona Lisa. The book draws on an extraordinary range of sources. Gilman is as comfortable discussing Nietzsche, Yeats, and Darwin as he is grisly medical details, Michael Jackson, and Barbra Streisand's decision to keep her own nose. The book contains dozens of arresting images of people before, during, and after surgery. This is a profound, provocative, and engaging study of how humans have sought to change their lives by transforming their bodies.
Completely revised to meet the demands of today's trainee and practicing plastic surgeon, Craniofacial, Head and Neck Surgery Pediatric Plastic Surgery, Volume 3 of Plastic Surgery, 4th Edition, features new full-color clinical photos, dynamic videos, and authoritative coverage of hot topics in the field. Editor-narrated PowerPoint presentations offer a step-by-step audio-visual walkthrough of techniques and procedures in plastic surgery. - Offers evidence-based advice from a diverse collection of experts to help you apply the very latest advances in craniofacial, head and neck, and pediatric plastic surgery and ensure optimal outcomes. - Provides updated coverage of: Aesthetic reconstruction of the nose; Orbito-maxillary reconstruction; Cheek and lip reconstruction; Facial paralysis; Facial transplant; and Surgical management of migraine headaches. - Highlights the latest information on Computerised surgical planning in orthognathic surgery; Computerised surgical planning in craniofacial, head and neck surgery; and Rotation advancement. - Includes brand-new color clinical photos, videos, and lectures. - Expert Consult eBook version included with purchase. This enhanced eBook experience allows you to search all of the text, figures, images, videos, and references from the book on a variety of devices.
First multi-year cumulation covers six years: 1965-70.
The human face has fascinated photographers and their audiences ever since the medium's inception in the 19th century. And just as photography has changed since its invention, so has the way in which the human face is portrayed. Using the work of photography's great pioneers to its contemporary innovators, this book traces the stunning technical possibilities of camera and film. As subject matter, the human face is continually manipulated through amazingly diverse aesthetic strategies -- playful, imaginative, provocative and even subversive. Here nine brilliant essays focus on the many techniques of rendering the photographic portrait such as photocollage, multiple exposures, digitalization, and animation. The book includes nearly 150 images ranging from Francis Galton's composite pictures from the 1880s, pictorialism at the turn of the century, experiments by the avant-garde and subjective photography of the post-war years to today's synthesized photographs and interactive sculptures. The book arranges the photographs into five thematic sections, revealing how the act of reinventing the classic image of the human face compels us to reexamine our relationships with others and with life itself.