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This catalogue accompanies the exhibition The Artful Recluse: Painting, Poetry, and Politics in Seventeenth-Century China, organized by Susan S. Tai in collaboration with Peter C. Sturman and presented at the Santa Barbara Museum of Art, Santa Barbara, California, October 20, 2012-January 20, 2013, and the Asia Society, New York, March 5-June 2, 2013.
" The first publication to explore in depth the theme of reclusion in painting and calligraphy within the context of political and social changes in 17th-century China. Reclusion--the act of disengaging from worldly affairs for spiritual and moral cleansing--was a concept deeply associated with ancient Chinese civilization. The theme of reclusion was especially prevalent during the late Ming and early Qing dynasties, a period of unrivaled artistic achievement and historical drama. This beautifully illustrated exhibition catalog invites readers deep into the world of scholar-painters in 17th-century China. Nearly 60 hanging and hand scrolls, albums, and fans--many never seen before in print--reveal how the educated elite expressed their thoughts and ideals through depictions of the landscape, human figures, birds, flowers, fish, and insects. Accompanied by penetrating essays on the subject, these works celebrate the extraordinary skill with which the period's artists communicated their place in a century of crisis."--Publisher's website.
The sensational New York Times bestseller The Mill River Recluse reminds us that friendship, family, and love can come from the most unexpected places. Perfect for fans of Maeve Binchy. From the outside, Mill River looks like any sleepy little Vermont town where everyone knows everyone and people never need to lock their doors. There are newcomers for whom this appeals, from police officer Kyle Hansen and his daughter Rowen, who are starting over after heartache, to Claudia Simon, the schoolteacher who is determined to reinvent herself. But on closer inspection, there are those in Mill River—including a stealthy arsonist, a covetous nurse, and a pilfering priest—who have things they wish to hide. None more than the widow Mary McAllister, who for the past sixty years has secluded herself in her marble mansion overlooking the town. Most of the residents have never even seen the peculiar woman. Only the priest, Father O’Brien, knows the deep secrets that keep Mary isolated—and that, once revealed, will forever change the community. Praise for The Mill River Recluse “[Darcie] Chan’s sweet novel displays her talent. . . . A comforting book about the random acts of kindness that hold communities together.”—Kirkus Reviews “A heartwarming story.”—Examiner “A real page-turner.”—IndieReader
The brown recluse is a fascinating spider very well adapted to dwelling in houses and other buildings. Because of this very quality and the ghastly reputation associated with the medical consequences of its bite, it has become infamous throughout North America. Although recluse spiders can cause serious skin injuries and, in very rare cases, death, the danger posed by this spider is often exaggerated as a result of arachnophobia and the misdiagnosis of non-spider-related conditions as brown recluse bites. These misdiagnoses often occur in areas of North America where the spider does not exist, making legitimate bites improbable. One of the greatest factors that keeps the myths alive is misidentification of common (and harmless) spiders as brown recluses. With this book, Richard S. Vetter hopes to educate readers regarding the biology of the spider and medical aspects of its bites, to reduce the incidence of misdiagnoses, and to quell misplaced anxiety. In The Brown Recluse Spider, Vetter covers topics such as taxonomy, identification, misidentification, life history characteristics and biology, medical aspects of envenomations, medical conditions misdiagnosed as brown recluse bites, other spider species of medical consideration (several of which have been wrongly implicated as threats to human health), and the psychology behind the entrenched reasons why people believe so deeply in the presence of the spider in the face of strong, contradictory information. Vetter also makes recommendations for control of the spider for households in areas where the spiders are found and describes other species of recluse spiders in North America. Although The Brown Recluse Spider was written for a general audience, it is also a valuable source of information for arachnologists and medical personnel.
"In these poems Judevine Mountain is a man of contradictions: of solitude and loneliness, contentment and restlessness, generosity and envy. For Judevine Mountain - this most settled of poets - nothing is ever settled, solved, or understood."--BOOK JACKET.
A secret lies trapped in the deepest recesses of Roy Wolfe’s mind. And it’s slowly drowning him. When Charlene Waters’s boss married the new CEO of Wolfe Enterprises after a whirlwind romance, she brought her assistant along for the ride. Charlie now has a cushy new job at the billion dollar company, and she’s excited to begin her new venture. Roy Wolfe is a recluse. He’s never taken an active role in his family’s business, and he has no desire to now. He’s only in the office to deal with the fallout from his father’s murder. He, along with the rest of his siblings, have all been implicated. Meeting Charlie Waters with the gorgeous silver eyes complicates things. Their chemistry is immediate and passionate, but he can’t be what she deserves. Roy knows his father was hiding something even more sinister than his brothers and sister can imagine—something he witnessed years ago that he can’t bring to his conscious mind. But he must—for Charlie, and for his family. Or they may all pay the ultimate price.
The image is so well known it is practically iconic: The reclusive poet, feminine and fragile, weaving verse of beguiling complexity from the room in which she kept herself sequestered from the world. The Belle of Amherst, the distinctive American voice, the singer of the soul's mysteries: Emily Dickinson. Yet that image scarcely captures the fullness and vitality of Dickinson's life, most notably her many connections--to family, to friends, to correspondents, to the literary tastemakers of her day, even to the unnamed, and perhaps unknowable, "Master" to whom she addressed three of her most breathtaking works of prose. Through an exploration of a relatively small group of items from Dickinson's vast literary remains, this volume--an accompaniment to an exhibition on Dickinson mounted at The Morgan Library & Museum in New York--demonstrates the complex ways in which these often humble objects came into conversation with other people, places, and events in the poet's life. Seeing the network of connections and influences that shaped Dickinson's life presents us with a different understanding of this most enigmatic yet elegiac poet in American letters, and allows us more fully to appreciate both her uniqueness and her humanity. The materials collected here make clear that the story of Dickinson's manuscripts, her life, and her work is still unfolding. While the image of Dickinson as the reclusive poet dressed only in white remains a popular myth, details of Dickinson's life continue to emerge. Several items included both in the exhibit and in this volume were not known to exist until the present century. The scrap of biographical intelligence recorded by Sarah Tuthill in a Mount Holyoke catalogue, or the concern about Dickinson's salvation expressed by Abby Wood in a private letter to Abiah Root, were acquired by Amherst College in the last fifteen years. What additional pieces of evidence remain to be uncovered and identified in the attics and basements of New England? Published to accompany The Morgan Library & Museum's pathbreaking exhibit I'm Nobody Who are You? The Life and Poetry of Emily Dickinson--part of a series of exhibits at the Morgan celebrating and exploring the creative lives of significant women authors--The Networked Recluse offers the reader an account of the exhibit itself, together with a series of contributions by curators, scholars of Dickinson, and poets whose own work her words have influenced.
"The biography recounts Rosenberg's full story for the first time. Art critic for The New Yorker from 1962 until 1978, Rosenberg, together with Clement Greenberg, radically reshaped the interpretation of art in the post-World-War-II period by promoting and examining abstract expression. But Rosenberg was also a social and literary critic-writing about art was just one aspect of his work. Harold Rosenberg: A Critic's Life weaves together Rosenberg's life and literary production, cast against the dynamic intellectual and social ferment of his time. Rosenberg's mid-century linking of the New York School with the art establishment, together with his observations on the commodification of the artwork and the evisceration of the "self" in favor of celebrity (especially in his often-cited essay "The Herd of Independent Minds") make this book especially topical"--
Published in conjunction with a December 1999 symposium held at the Metropolitan Museum of Art, New York, and an exhibition, "The Artist as Collector: Masterpieces of Chinese Painting from the C.C. Wang Family Collection." Twelve contributions give dissenting opinions regarding a book recently published by The Museum titled Along the Riverbank, which seeks to attribute the painting called "Riverbank" to the 10th-century landscape master Dong Yuan--an attribution that would call for the rewriting of early Chinese painting history. This volume contains 239 bandw illustrations to support the contributors' efforts to explain their opinions. Annotation copyrighted by Book News, Inc., Portland, OR
She is holding out for her soul mate; he believes it's him. Hattie Green is five and twenty, unmarried, and growing tired of waiting for fate to hand her a soul mate. But when her sister-in-law arrives for a visit with the intent of helping her find a husband by any means necessary, Hattie digs in her heels-for everyone knows that fate cannot be forced. The Duke of Bentley has gone to extreme measures to ensure his privacy and seclusion far away from Society-the distance is imperative if he wants to keep his family name free of scandal. So when his lovely neighbor breaks through his carefully constructed barriers and piques his interest with their shared affection for painting, Bentley agrees to give her lessons on the condition that they keep them secret. As their clandestine meetings grow increasingly more difficult to hide, Bentley realizes that he must make a choice. Is it worth sacrificing his carefully guarded privacy for the woman of his dreams? Book four in the Ladies of Devon series, The Recluse of Wolfeton House is a clean Regency romance that continues telling the story of the four women who make up a literary society in Devon and form a lasting friendship.