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Two years into their serene marriage, Aaron and Judy Thompson’s world is once again disrupted by the unexpected arrival of Colonel Elbert Harris. But he isn’t alone; their friends Suzanne and Jonah are with him, signalling the onset of yet another thrilling escapade. This new journey plunges them into an adventure with biblical undertones, as the ancient curse of Tiamat looms ominously. Revelations about their destinies intertwine with age-old myths, proving that time is no obstacle for this formidable team. Their quest takes them across various nations, confronting perils greater than ever before. But this adventure comes with a heavy price. The team faces heart-wrenching losses, leading them to question their roles as mere pawns in a larger game. And just when they think they’ve seen it all, an even more personal and enigmatic challenge awaits.
​This book is dedicated to the memory of Professor Alessandro (Sandro) D'Atri, who passed away in April 2011. Professor D'Atri started his career as a brilliant scholar interested in theoretical computer science, databases and, more generally information processing systems. He journeyed far in various applications, such as human-computer interaction, human factors, ultimately arriving at business information systems and business organisation after more than 20 years of researc hbased on "problem solving". Professor D'Atri pursued the development of an interdisciplinary culture in which social sciences, systems design and human sciences are mutually integrated. Rather than retrospection, this book is aimed to advance in these directions and to stimulate a debate about the potential of design research in the field of information systems and organisation studies with an interdisciplinary approach. Each chapter has been selected by the Editorial Board following a double blind peer review process. The general criteria of privileging the variety of topics and the design science orientation and/or empirical works in which a design research approach is adopted to solve various field problems in the management area. In addition several chapters contribute to the meta-discourse on design science research.
This book develops a new framework for describing the structure of multimodal documents: how language, image, layout and other modes of communication work together to convey meaning. Building on recent research in multimodal analysis, functional linguistics and information design, the book examines the textual, visual, and spatial aspects of page-based multimodal documents and employs an analytical model to describe and interpret their structure using the concepts of semiotic modes, medium and genre. To demonstrate and test this approach, the study performs a systematic, longitudinal analysis of a corpus of multimodal documents within a single genre: an extensively annotated corpus of tourist brochures produced between 1967-2008. The book provides multimodal discourse analysts with methodological tools to draw empirically-based conclusions about multimodal documents, and will be a valuable resource for researchers planning to develop and study multimodal corpora.
This collection of essays explores the stories that can be told by and about objects and those who choose to collect them. Examining collecting in different historical, social and institutional contexts, the authors consider the meanings and values with which objects are imputed and the processes and implications of collecting.
This volume is an ethnographic study of material cultures. Incorporating local and global dimensions, a team of scholars explore the changing experiences of cultures in locations as disparate as the Philippines and Northern Ireland. Material culture and consumption studies have undergone something of a renaissance recently. This study provides an up-to-date analysis of a developing field in sociological and anthropological based courses.; This book is intended for undergraduate/MA courses on material culture and consumption within cultural studies and anthropology degree schemes.
This book collects revised versions of papers first delivered at the “Understanding Different Geographies Symposium” held in Puchberg am Schneeberg, Austria in 2011. The Symposium focussed on “Communicating Meaning with [Geo]Graphic Artefacts”. The general topics of the chapters cover: - Exploring geographic knowledge - Maps in exhibition spaces - Information and exhibition design with (geo)graphic artefacts - Extracting meaning from visualisations of different geographies - Deconstructing maps of information - and other spaces
This book contains even case studies, documented in UML, derived from small software projects delivered to real users.
Cutting though the exaggerated and fanciful beliefs about the new possibilities of `net life′, Hine produces a distinctive understanding of the significance of the Internet and addresses such questions as: what challenges do the new technologies of communication pose for research methods? Does the Internet force us to rethink traditional categories of `culture′ and `society′? In this compelling and thoughtful book, Hine shows that the Internet is both a site for cultural formations and a cultural artefact which is shaped by people′s understandings and expectations. The Internet requires a new form of ethnography. The author considers the shape of this new ethnography and guides readers through its application in multiple settings.
Literary artefacts—the stories people tell, the songs they sing, the scenes they enact—are neither a by-product nor a side-issue in human culture. They provide a model of everything that cognition does. They refuse to separate thought from emotion, bodily responses from ethical reflection, perception from imagination, logic from desire. Above all, they demonstrate the essential fluidity and mobility of human cognition, its adaptive inventiveness. If we are astonished by the art of Chauvet or Lascaux as an early model of human cognition, then we should be continually astonished by what literature is and does as it reaches beyond itself to reimagine the world. This book argues that literary artefacts are quasi-autonomous living entities, fashioned to animate captured environments, embodied people and other creatures, ways of being and living that remain virtual. They own a freely delegated agency that allows them to speak to listeners and readers present and distant, present and future, adapting themselves and their meanings to whatever cognitive environment they encounter. Such an approach offers a way of linking a close attention to the specific properties of literary artefacts with the insights of cognitive anthropology and archaeology, and thus of satisfying the conditions for a properly interdisciplinary understanding of literature. It aims both to defend literary study against utilitarian and reductive arguments of all kinds and to argue that literary artefacts may give us new insights into how the mind (and its indispensable substratum, the brain) functions in the human ecology.
Theorizing Archaeological Museum Studies works towards reconnecting archaeological practice, the theoretical richness of archaeology, and museum studies. The book therefore embraces both the practical aspects of archaeology and empirical studies in museums in order to rethink what happens when an artefact changes into an exhibit. This study is positioned at the intersection of both history and archaeological theory, and of the history of art and museum studies. The central focus of this book explores the relationship between museums and their dominant paradigms, on the one hand, and new approaches and theories in archaeology, on the other. It thus also illustrates the co-dependencies, relations and tensions that characterize the relationship between academia and museums. This book demonstrates how in becoming exhibits, artefacts have – and continue to – become reflections of the discipline’s prevailing paradigms while manifesting the dominant aims and methods of knowledge production pertaining at a given time and place, as well as the desired social interpretations and modes of presenting the past. Theorizing Archaeological Museum Studies offers important insights for academics and students (archaeology, heritage studies, museum studies) as well as for practitioners (museum employees, heritage practitioners). The book is also intended for scholars from across the humanities interested in museum studies, heritage studies, curatorial studies, cultural studies, cultural geography, material culture, history of archaeology, archaeological theory, and the anthropology of things.