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Character Design Quarterly is a creative, bright, and engaging magazine for artists, animators, illustrators, and character designers of all levels.
With nostalgic glances to the past and visionary gazes into the future, Lynne Perrella and the contributing artists follow inspiration rather than tradition to present dolls that are charismatic, colorful and full of surprises. Technique related details are provided in each chapter's details dossier, where we are invited to go behind the scenes, into the artists studios. Take an up close and personal look to get the inside story on how the artists used paper and other exciting mediums to create their dolls. Artists include Nina Bagley, Lesley Riley, Judi Riesch, Lynn Whipple, Teesha Moore, Karen Michel, Jane Cather, Akira Blount, Laurel Hall and Maria Moya who expolore the human form to create paper personas that are expressive, innovative and insightful.
The satirical saga of three artists seeking recognition. But there can be only one Artist. A novelist, single, forty-four years old. A painter, divorced, forty-six years old. A musician, single, forty-two years old. On the outer limits of relevancy in an arts culture that celebrates youth, these three men make up the artist group Arcade. Caught in circular arguments about what makes real art and concerned about the vapid interests of their younger contemporaries, none of them are reaping the benefits of success. But there’s always another chance to make it. When it comes time, out of the three, who will emerge as an acclaimed artist? More important, when one artist’s star rises, will he leave the rest behind? Following Yeong-shin Ma’s hit manhwa, Moms, this plunge into artistic friendships is as hilarious and infuriating as it is real. With absurdist style and off-beat humor, Artist simultaneously caricatures and complicates the figure of the artist. The friendships between the three are impassioned and mercurial, resulting in conflicts about fashion choices, squabbles with foreign children, and changes in one another's artistic fortunes for better and worse. As the story progresses we see the ways that recognition—or lack thereof—molds each character’s outlook, whether they will be changed by the scene or end up changing it to fit their ideals.
New life and opportunities arise from the wreckage of a north american city urban renewal at what cost? A new mother takes us on a tour of Hamilton, a Rust Belt city born of the Industrial Revolution and dying a slow death due to globalization. This mother represents the city’s next wave of inhabitants—the artists and young parents who swarm a run-down area for its affordability, inevitably reshaping the neighborhoods they take over. Creation looks at gentrification from the inside out—an artist mother making a home and neighborhood for her family, struggling to find her place amid the existing and emerging communities. While pushing her child’s stroller around Hamilton, Sylvia Nickerson shows us the warehouse filled with open barrels of toxic sludge, the parking lot where the city’s homeless population sleeps, and the refurbished Victorian house (complete with elegant chandeliers) that is now a state-of-the-art yoga studio. Creation presents the city as a living thing—a place where many small lives intersect and where death, motherhood, pollution, poverty, and violence are all interconnected. Drawn in evocative watercolor, Creation is unafraid to leave questions open-ended as Nickerson wanders the city and ponders just where the personal and the political intersect, and where they ought to intersect.New life and opportunities arise from the wreckage of a north american city urban renewal at what cost?
Matthew Thurber’s Art Comic is a blunt and hilarious assault on the swirling hot mess that is the art world. From sycophantic fans to duplicitous gallerists, fatuous patrons to self-aggrandizing art stars, he lampoons each and every facet of the eminently ridiculous industry of truth and beauty. Follow Cupcake, the Matthew Barney obsessive; Epiphany née Tiffany Clydesdale, the divinely inspired performance artist; Ivanhoe, a modern knight in search of artistic vengeance, and his squire, Turnbuckle. Each artist is more ridiculous than the last, yet they are tested and transformed by the even more absurd machinations of Thurber’s fantastical art world. Can the Free Little Pigs destroy this blighted system? Will “The Group” continue its indirect assassination of promising young artists? Can artistic integrity exist in this world amid the capitalist co-opting, petty rivalries, otherworldly portals, heavenly interventions, and murders at sea? Art Comic is brimming with references and cameos, outsize personalities and shuddering nonsense—Robert Rauschenberg smashes a beer bottle, Francesca Woodman, a wineglass. In the center of it all, Thurber’s twisted drawings and laugh-out-loud dialogue convey a complicated picture of an industry at the intersection of fantasy and reality. Part scathing condemnation, part irreverent appreciation, Thurber’s comics skewer the art world in a way only an art lover can.
An outrageously funny book about middle-aged women that reexamines romance, lust, and gender norms Lee Soyeon, Myeong-ok, and Yeonjeong are all mothers in their mid-fifties. And they’ve had it. They can no longer bear the dead weight of their partners or the endless grind of menial jobs where their bosses control everything, down to how much water they can drink. Although Lee Soyeon divorced her husband years ago after his gambling drove their family into bankruptcy, she finds herself in another tired and dishonest decade-long relationship with Jongseok, a slimy waiter at a nightclub. Meanwhile, Myeong-ok is having an illicit affair with a younger man, and Yeonjeong, whose husband suffers from erectile dysfunction, has her eye on an acquaintance from the gym. Bored with conventional romantic dalliances, these women embrace outrageous sexual adventures and mishaps, ending up in nightclubs, motels, and even the occasional back-alley brawl. With this boisterous and darkly funny manhwa, Yeong-shin Ma defies the norms of the traditional Korean family narrative, offering instead the refreshingly honest and unfiltered story of a group of middle-aged moms who yearn for something more than what the mediocre men in their lives can provide. Despite their less-than-desirable jobs, salaries, husbands, and boyfriends, these women brazenly bulldoze their way through life with the sexual vulnerability and lust typically attributed to twenty-somethings.
One of the great photographers of the human form turns his camera lens toward athletes from a variety of sports fields, capturing spectacular images of Alonzo Mourning, Alan Houston, Stephon Marbury, and many others.
What exactly is a book? This wildly inventive and thought-provoking volume asks that question of more than 30 of today's top creative visionaries, from Ed Ruscha to Miranda July, John Baldessari to Jonathan Lethem. Each traditional element of a book—from endpapers to footnotes—is assigned to a different artist or writer invited to use the space as a creative playground. The result is a collaborative group art project like no other. A ribbon bookmark by David Shrigley, page numbers by Tauba Auerbach, endnotes by Rick Moody—each contribution surprising and brilliant. This one-of-a-kind book will entrance anyone who appreciates art, literature, and the surprising possibilities that emerge when the two collide.