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This extraordinary seven-part book covers the processes of creating 13 projects -- from pencils to vases to bicycles -- for all personalities, skill levels and interests. It is specifically designed for students, beginning welders, hobbyists, and do-it-yourselfers. Many of the plans have been built multiple times by students and others. The plans are easy to read and the projects are meant to motivate the reader to want to learn the welding and fabrication processes. All plans include a list of materials, dimensions, special notes as needed., plus any commentaries about special equipment that might be necessary to compete the projects.
Using my unique experiences as I went from being on welfare to becoming a world renowned metal sculptor I share with you step by step how I designed my perfect life by creating a picture, an Inspiration Blueprint, and how you too can create yours and live your most inspired life!
Ryan Friedlinghaus, the celebrated guru of automotive customization and host of West Coast Customs on Fox Sports, adds practical knowledge to William Galvery's acclaimed welding insight and everyday tips and tricks developed over his long professional career as an educator. Provides in-depth coverage of the equipment and techniques used in the most popular welding processes: oxyacetylene, stick welding, MIG welding and TIG welding. Presents information in a lively, easy-to-follow design. Each chapter contains the pros and cons of each process and information on equipment, setup, materials, safety and welding techniques. To provide a solid footing for the novice welder, there is a chapter that provides an overview of welding and another on tools and materials. The bulk of the book is devoted to the more popular welding techniques. The authors also provide a chapter on soldering and brazing and another on plasma cutting.
With simple techniques targeted to a wide and general audience, this guide eliminates the intimidation from an all-too-often technical craft.
The metal artist offers tips on tools, the creative process, and life as an artist and includes color photographs of selected works from his thirty-plus years of sculpting.5NjBwBT
This book offers the first comprehensive survey of the art of Richard Stankiewicz (1922-1983) and reassesses its place in the art of his time. Stankiewicz's welded sculpture of rusted iron and cast-off steel played an important role in the redefinition of art in New York during the 1950s. Yet, as is the case of several artists who figured significantly in that heady decade when the New York School came to international prominence, the full range of Stankiewicz's art has not been fully appreciated. sculpture of the 1950s within the context of the artist's 30 year career. Although Stankiewicz has been included in important group exhibitions of Assemblage, Neo-Dada, and Abstract Expressionist sculpture, his art has eluded conclusive critical identification. This elusiveness may be attributed to the artist's persistently and subtly subversive stance toward the dominant artistic vocabularies of a partisan era in which the character of art and its audience changed radically. sculpture in relation to the aesthetic attitudes and critical concerns of post-World War II American art. Following an Introduction by Addison Gallery Director Adam D. Weinberg, is an extended critical look at Stankiewicz, his life, and his achievement by Emmie Donadio. The artist is placed within the 20th-century European avant-garde tradition in an essay by Jon Wood. Martin Friedman's Putting It All Together positions Stankiewicz's work in relation to that of his contemporaries in 1950s New York. The book also includes a narrative chronology, a bibliography, and generous illustrations of key sculptures by the artist. illustrated with his own art and that of his Euro-American contemporaries and predecessors. It is must reading for collectors, scholars, and anyone wishing to enlarge their conception of a pivotal period in modern art - and the unique achievement of a sculptor who can be classic, iconoclastic, and witty all at the same time.
In this generously illustrated guide, newly revised and updated, a well-known American sculptor shares his forty years of experience working with welded sculpture techniques. Nathan Cabot Hale begins with the basic assumption that it is necessary for a sculptor-welder to have the same professional skills as a good job-welder. To help readers gain those skills, he demonstrates both traditional and comparatively new welding methods step by step, including the oxyacetylene technique in modeling small-scale figurative sculpture. Mr. Hale first discusses the basic tools and techniques of welded sculpture, then addresses the construction of abstract and organic shapes and modeling solid figures. This is followed by detailed coverage of finishing techniques, arc welding, and welding large-scale commissioned works. He even dispenses helpful practical advice on the economics of fine art — exhibiting work, staying alive, searching out public and private support, and more. Over 80 helpful diagrams and more than 100 photographs accompany the text, demonstrating techniques and procedures and depicting works in progress as well as finished works. In a new chapter written specially for this edition, Mr. Hale shares the heartening artistic philosophy he has developed over his long and distinguished career. Sculptors at many levels of accomplishment will find his book instructive and inspiring.
Transforming unlikely pieces of scrap metal into significant works of art - giving new life to things we throw away - is an accessible, creative and fulfilling activity. This book describes and illustrates the concerns and techniques involved in making this kind of sculpture, looking behind the work at the richness and diversity of an area of sculpture that deserves to be far better known. Topics covered include the role and purpose of sculpture, the particular qualities of sculpture made from scrap metal and the practical processes involved in its making. It also covers sources of scrap metal, identifying metals, reviewing metalworking techniques, creative approaches, different types of sculpture, and the making, finishing and installation of pieces of sculpture. This book will be of great interest to blacksmiths, sculptors and metalworkers and is beautifully illustrated with 108 colour photographs from work by professional sculptors and students, showcasing a range of different approaches.
John Raimondi (b. 1948) is a contemporary American artist whose more than 100 monumental works of outdoor sculpture have earned him international distinction and acclaim. During his forty-five year career, he has experimented with a wide variety of styles, ranging from the simplicity of strong, angular lines and planes to the more graceful, curvilinear renditions of the natural world and human figure, to improvisational elements in his dignified series on American jazz greats and Indian chiefs. A constant in every style and approach in Raimondi's sculpture is his classical sense of design and craftsmanship along with his keen appreciation for scale and a subject's social meaning. His sculptural works are also distinctive in how they are made not cast in bronze but formed, rolled, welded, and fabricated into shape from large sheets of bronze or Cor-Ten steel. The results are unforgettable pieces that are monumental yet elegant, solid yet ethereal. Behind most of Raimondi's sculptural pieces are his conceptual drawings, which are works of art in their own right. These drawings--based on astute observations in the field and an immersion into scholarly readings--become fundamental, singular translations of the artist's feel for and understanding of a subject. The drawings are then rendered into cardboard models that become templates for larger-scale models for the eventual work of art. Raimondi then makes new drawings of the completed sculpture in order to provide a sense of closure and complete the artistic process. John Raimondi: Drawing to Sculpture is a seminal new book that presents not only an unprecedented number of Raimondi's sculptures and drawings, but also a sense of his ever-evolving career and creative approach to making unforgettable art. The book also complements a forty-five-year retrospective of Raimondi's work at the Boca Raton Museum of Art.