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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
The Art of War has been very simply defined as 'the art which enables any commander to worst the forces opposed to him.' It is therefore conversant with an enormous variety of subjects: Strategy and Tactics are but two of the more important of its branches. Besides dealing with discipline, organization, and armament, it is bound to investigate every means which can be adapted to increase the physical or moral efficiency of an army. Contents: The Transition from Roman to Mediæval Forms in War - A.D. 378–582. The Early Middle Ages - A.D. 476–1066–81. The Byzantines and their Enemies - A.D. 582–1071. The Supremacy of Feudal Cavalry - A.D. 1066–1346. The Swiss - A.D. 1315–1515. The English and their Enemies - A.D. 1272–1485.
This history of medieval warfare, originally written in 1885 when its author—later one of the great medievalists—was still an undergraduate at Oxford, remains for students and general readers one of the best accounts of military art in the Middle Ages between Adrianople in 378 A.D. (the most fearful defeat suffered by a Roman army since Cannae in 216 B.C.) and Marignano (1515 A.D.), the last of the triumphs of the medieval horseman. It was extensively revised and edited by John H. Beeler in 1953 to incorporate many new facts uncovered since the late nineteenth century.