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The notion of time travel marked by both possibility and loss: making the case for cultural research that is oriented toward the future. Visual Cultures as Time Travel makes a case for cultural, aesthetic, and historical research that is oriented toward the future, not the past, actively constructing new categories of assembly that don't yet exist. Ayesha Hameed considers the relationship between climate change and plantation economies, proposing a watery plantationocene that revolves around two islands: a former plantation in St. George's Parish in Barbados, and the port city of Port of Spain in Trinidad. It visits a marine research institute on a third island, Seili in Finland, to consider how notions of temporality and adaptation are produced in the climate emergency we face. Henriette Gunkel introduces the idea of time travel through notions of dizziness, freefall, and of being in vertigo as set out in Octavia Butler's novel Kindred and Kitso Lynn Lelliott's multimedia installation South Atlantic Hauntings, exploring what counts as technology, how it operates in relation to time, including deep space time, and how it interacts with the different types of bodies—human, machine, planetary, spectral, ancestral—that inhabit the terrestrial and extraterrestrial worlds. In conversation, Hameed and Gunkel propose a notion of time travel marked by possibility and loss—in the aftermath of transatlantic slavery and in the moment of mass illegalized migration, of blackness and time, of wildfires and floods, of lost and co-opted futures, of deep geological time, and of falling. Copublished with Goldsmiths, University of London
Charlie's the kind of boy that no one notices. Hell, his own mother can't remember his name. So when a mysterious clockwork man tries to kill him in modern day Philadelphia, and they tumble through a hole into 1725 London, Charlie realizes even the laws of time don't take him seriously. Still, this isn't all bad. Who needs school when you can learn about history first hand, like from Ben Franklin himself. And there's this girl... Yvaine... another time traveler. All good. Except for the rules: boys only travel into the past and girls only into the future. And the baggage: Yvaine's got a baby boy and more than her share of ex-boyfriends. Still, even if they screw up history - like accidentally let the founding father be killed - they can just time travel and fix it, right? But the future they return to is nothing like Charlie remembers. To set things right, he and his scrappy new girlfriend will have to race across the centuries, battling murderous machines from the future, jealous lovers, reluctant parents, and time itself.
Ella Fitzgerald was the queen of jazz. Mary Shelley created a monster. Claude Monet captured moments time with his paintbrush. William Shakespeare used language like no author before him. But what if their great works of art never existed? In the Art Of Time Travel, readers follow modern young people back in time and encounter each of these artists at a defining point in their lives. The artist is on the verge of making a choice that would deprive the world of his or her great art. Can our time travelers influence the past so the art will exist in the future? Aligned to Common Core Standards and correlated to state standards. Calico is an imprint of Magic Wagon, a division of ABDO.
From H.G. Wells to Isaac Asimov to Ursula K. Le Guin, time travel has long been a favorite topic and plot device in tales of science fiction and fantasy. But as any true SF fan knows, astounding stories about traversing alternate universes and swimming the tides of time demand plausible science. That’s just what Paul J. Nahin’s guide provides. An engineer, physicist, and published science fiction writer, Nahin is uniquely qualified to explain the ins and outs of how to spin such complex theories as worm holes, singularity, and relativity into scientifically sound fiction. First published in 1997, this fast-paced book discusses the common and not-so-common time-travel devices science fiction writers have used over the years, assesses which would theoretically work and which would not, and provides scientific insight inventive authors can use to find their own way forward or backward in time. From hyperspace and faster-than-light travel to causal loops and the uncertainty principle and beyond, Nahin’s equation-free romp across time will help writers send their characters to the past or future in an entertaining, logical, and scientific way. If you ever wanted to set up the latest and greatest grandfather paradox—or just wanted to know if the time-bending events in the latest pulp you read could ever happen—then this book is for you.
A wise and utterly original book of travel essays from an international bestselling author that will “give one an expansive sense of wonder” (The Baltimore Sun). Any Baedeker will tell us where we ought to travel, but only Alain de Botton will tell us how and why. With the same intelligence and insouciant charm he brought to How Proust Can Save Your Life, de Botton considers the pleasures of anticipation; the allure of the exotic, and the value of noticing everything from a seascape in Barbados to the takeoffs at Heathrow. Even as de Botton takes the reader along on his own peregrinations, he also cites such distinguished fellow-travelers as Baudelaire, Wordsworth, Van Gogh, the biologist Alexander von Humboldt, and the 18th-century eccentric Xavier de Maistre, who catalogued the wonders of his bedroom. The Art of Travel is a “refreshing and profoundly readable" book (The Philadelphia Inquirer). Don’t leave home without it.
A beautifully inventive collection from multi award-winning author Nina Allan. These stories will enthral fans of China Mieville, Aliya Whiteley and Carmen Maria Machado. A stunningly inventive collection from multi award-winning author, Nina Allan. Unsettling, dark and brilliantly astute, these weird and wonderful tales take us on journeys through time and space to explore enduring questions of memory and loss. Her worlds are recognisably our own but always closer to the edge, on the slant – and sharply unexpected. These stories are an unmissable insight into a writer at the top of her game.
This book dissects the Buly 1803 universe from A to Z, revealing the stories, tricks and (almost) all its secrets.
There are various arguments for the metaphysical impossibility of time travel. Is it impossible because objects could then be in two places at once? Or is it impossible because some objects could bring about their own existence? In this book, Nikk Effingham contends that no such argument is sound and that time travel is metaphysically possible. His main focus is on the Grandfather Paradox: the position that time travel is impossible because someone could not go back in time and kill their own grandfather before he met their grandmother. In such a case, Effingham argues that the time traveller would have the ability to do the impossible (so they could kill their grandfather) even though those impossibilities will never come about (so they won't kill their grandfather). He then explores the ramifications of this view, discussing issues in probability and decision theory. The book ends by laying out the dangers of time travel and why, even though no time machines currently exist, we should pay extra special care ensuring that nothing, no matter how small or microscopic, ever travels in time.
This thought-provoking collection not only takes us into the past and the future, but also explores what might happen if we attempt to manipulate time to our own advantage. These stories show what happen once you start to meddle with time and the paradoxes that might arise. It also raises questions about whether we understand time, and how we perceive it. Once we move outside the present day, can we ever return or do we move into an alternate world? What happens if our meddling with Nature leads to time flowing backwards, or slowing down or stopping all together? Or if we get trapped in a constant loop from which we can never escape. Is the past and future immutable or will we ever be able to escape the inevitable? These are just some of the questions that are raised in these challenging, exciting and sometimes amusing stories by Kage Baker, Simon Clark, Fritz Leiber, Christopher Priest, Kristine Kathryn Rusch, Robert Silverberg, Michael Swanwick, John Varley and many others.
Something is terribly wrong with Connor's mom—she keeps slipping into bizarre trances. Connor suspects that the key to his mom's strange behavior is an old art book filled with paintings of a woman who looks exactly like her. But the artist who created those paintings died before his mom was evenborn. Connor gets his chance to break the evil link between the past and the present when he is mysteriously whisked back in time to the 1920s. But can he save his mom—and himself—before it's too late?