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Containing artistic expression of the peoples of the Sepik River [Valley, Indonesia and Papua New Guinea] both relief sculpture and sculpture in the round, the exhibition displays both decorative elements of boat prows, masks, shields, neckrests, objects used in daily lives of these people, often painted in a variety of reds, yellows, whites, and blacks.
Papua New Guinea's mighty Sepik River has been home to many communities for over a thousand years and yet how much do we, as outsiders, as Australians with our long history of involvement with PNG, really know and understand the culture and visual arts of this region? Myth + magic: art of the Sepik River, Papua New Guinea provides a rare opportunity to encounter masterpieces from the Sepik, works of art that speak of a time and place where spirits and ancestors were integral to daily life. These works come from the rich collections of the National Gallery of Australia, other Australian museums and art galleries, and the Papua New Guinea National Museum and Art Gallery. This publication celebrates the unique cultures of a country that has been so closely linked to ours, a country that is now celebrating its fortieth anniversary of independence.
Unknown masterpieces of the traditional arts of the Sepik-Ramu Rivers region of Papua New Guinea.
Publication accompanying an exhibition held at the San Diego Museum of Art, San Diego, Jan. 31, 2009-Jan. 3, 2010.
Material culture has finally earned a central place within anthropology. Emerging from the pioneering work done at University College London, this reader brings together for the first time seminal articles that have helped shape the anthropological study of material culture. With topics ranging from the anthropology of art to architecture, landscape studies, archaeology, consumption studies and heritage management, this key text reflects the breadth of material culture studies today. The authors, who discuss field sites as distant as Vanuatu, New Ireland, Trinidad and Soviet Russia, show how material culture provides a new lens for viewing the world around us and effectively bridges the gap between theory and data. Providing the first-ever synthesis of these ground-breaking essays in an easily accessible volume, this book will serve as a comprehensive introduction to the subject and a valuable reference guide for anyone interested in material culture, anthropology, art and museum studies.
New York Times Bestseller: An “enthralling,” prize-winning novel of a love triangle among three young archaeologists in 1930s New Guinea (Vogue). Winner of the Kirkus Prize Winner of the New England Book Award for Fiction Finalist for the National Book Critics Circle Award Named a Best Book of the Year by: The New York Times Book Review, Time, NPR, Washington Post, Entertainment Weekly, Newsday, Vogue, New York Magazine, Seattle Times, San Francisco Chronicle, Wall Street Journal, Boston Globe, Kirkus Reviews, Publishers Weekly, Oprah.com, Salon From the author of Writers & Lovers and Five Tuesdays in Winter, Euphoria follows three young, gifted anthropologists caught in a passionate love triangle that threatens their bonds, their careers, and, ultimately, their lives. Inspired by events in the life of revolutionary anthropologist Margaret Mead, Euphoria is “dazzling . . . suspenseful . . . brilliant . . . an exhilarating novel” (The Boston Globe). “A thrilling read.” —Publishers Weekly (starred review) “Atmospheric and sensual.” —NPR “A taut, witty, fiercely intelligent tale of competing egos and desires in a landscape of exotic menace. . . . Exquisite.” —The New York Times Book Review
This book is the most comprehensive and authoritative survey of the traditional pottery of Papua New Guinea ever produced. The authors have made a thorough analysis of pottery-making throughout Papua New Guinea based on eight years of field work. They proffer a first-hand account of clay preparation, pottery formation, and firing techniques, interwoven with information on the functions of pottery and the various approaches to decoration.