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Female characters assumed increasing prominence in the narratives of nineteenth- and early twentieth-century opera. And for contemporary audiences, many of these characters--and the celebrated women who played them--still define opera at its finest and most searingly affective, even if storylines leave them swooning and faded by the end of the drama. The presence and representation of women in opera has been addressed in a range of recent studies that offer valuable insights into the operatic stage as cultural space, focusing a critical lens at the text and the position and signification of female characters. Moving that lens onto the historical, The Arts of the Prima Donna in the Long Nineteenth Century sheds light on the singers who created and inhabited these roles, the flesh-and-blood women who embodied these fabled "doomed women" onstage before an audience. Editors Rachel Cowgill and Hilary Poriss lead a cast of renowned contributors in an impressive display of current approaches to the lives, careers, and performances of female opera singers. Essential theoretical perspectives reflect several broad themes woven through the volume-cultures of celebrity surrounding the female singer; the emergence of the quasi-mythical figure of the diva; explorations of the intricate and sundry arts associated with the prima donna, and with her representation in other media; and the diversity and complexity of contemporary responses to her. The prima donna influenced compositional practices, determined musical and dramatic interpretation, and affected management decisions about the running of the opera house, content of the season, and employment of other artists--a clear demonstration that her position as "first woman" extended well beyond the boards of the operatic stage itself. The Arts of the Prima Donna in the Long Nineteenth Century is an important addition to the collections of students and researchers in opera studies, nineteenth-century music, performance and gender/sexuality studies, and cultural studies, as well as to the shelves of opera singers and enthusiasts.
'Great Singers on the Art of Singing' is a fascinating collection of essays written by some of the most prominent singers of the early 20th century, providing insights into the technical and practical aspects of their craft. They discuss the hard work and dedication needed to master singing, as well as their personal vocal maintenance and exercises. With informative tips and historical context, it's a must-read for anyone interested in the art of singing. Some of the essays featured include 'Success in Concert Singing' by Clara Butt and 'What Must I Go Through to Become a Prima Donna?' by
(Amadeus). The popular opera star Lily Pons (1898-1976) was the reigning coloratura at the Metropolitan Opera from 1931 to 1959, and her career included several Hollywood films. She was as beautiful and charming as she was talented a combination that made her a true celebrity. This collection brings together the impressions of colleagues, critics and scholars about this much-beloved diva, with more than 100 rare photographs from Lily Pons' own archives, largely owned by Ludecke and her family. HARDCOVER.
Lesbians and gays have gone from "coming out," to "acting up," to "outing," meanwhile radically redefining society's views on sexuality and gender. The essays in Inside/Out employ a variety of approaches (psychoanalysis, deconstruction, semiotics, and discourse theory) to investigate representations of sex and sexual difference in literature, film, video, music, and photography. Engaging the figures of divas, dykes, vampires and queens, the contributors address issues such as AIDS, pornography, pedagogy, authorship, and activism. Inside/Out shifts the focus from sex to sexual orientation, provoking a reconsideration of the concepts of the sexual and the political.
An examination of the female opera singer during the nineteenth and twentieth centuries.