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Precast reinforced and prestressed concrete frames provide a high strength, stable, durable and robust solution for any multi-storey structure, and are widely regarded as a high quality, economic and architecturally versatile technology for the construction of multi-storey buildings. The resulting buildings satisfy a wide range of commercial and industrial needs. Precast concrete buildings behave in a different way to those where the concrete is cast in-situ, with the components subject to different forces and movements. These factors are explored in detail in the second edition of Multi-Storey Precast Concrete Framed Structures, providing a detailed understanding of the procedures involved in precast structural design. This new edition has been fully updated to reflect recent developments, and includes many structural calculations based on EUROCODE standards. These are shown in parallel with similar calculations based on British Standards to ensure the designer is fully aware of the differences required in designing to EUROCODE standards. Civil and structural engineers as well as final year undergraduate and postgraduate students of civil and structural engineering will all find this book to be thorough overview of this important construction technology.
A complete handbook of common materials used in lapidary arts, lavishly illustrated with full-colour photographs.
A comprehensive dictionary of sacred and magical gem lore that draws on the rarest source texts of Antiquity and the Middle Ages • Reveals the healing and magical virtues of familiar gemstones, such as amethyst, emerald, and diamond, as well as the lore surrounding exotic stones such as astrios, a stone celebrated by ancient magicians • Examines bezoars (stones formed in animals’ bodies) and “magnets” that attract materials other than metal • Based on ancient Arabic, Greek, Jewish, and European sources, ranging from the observations of Pliny the Elder to extremely rare texts such as the Picatrix and Damigeron’s Virtue of Stones Our ancestors believed stones were home to sacred beings of power, entities that if properly understood and cultivated could provide people protection from ill fortune, envy, and witchcraft; grant invisibility and other magical powers; improve memory; and heal the sick from a wide variety of diseases. These benefits could be obtained by wearing the stone on a ring, bracelet, or pendant; through massage treatments with the stone; or by reducing the gem into a powder and drinking it mixed with water or wine. Drawing from a wealth of ancient Arabic, Greek, Jewish, and European sources--from the observations of Pliny the Elder to extremely rare texts such as the Picatrix and Damigeron’s Virtue of Stones--Claude Lecouteux provides a synthesis of all known lore for more than 800 stones. He includes such common examples as the emerald, which when engraved with the figure of a harpy holding a lamprey in its claws will banish panic and nightmares, and beryl, which when appropriately carved can summon water spirits or win its owner high renown, as well as more exotic stones such as astrios, a stone celebrated by ancient magicians and whose center glows like a star. Lecouteux also examines bezoars--stones formed in animals’ bodies--as well as “magnets” that attract materials other than iron, such as gold, flesh, cotton, or scorpions. This comprehensive dictionary of sacred and magical gem lore, drawn from the rarest sources of Antiquity and the Middle Ages, represents a one-of-a-kind resource for gem enthusiasts and magical practitioners alike.
2016 Nebula Award finalist for Best Novelette From Fran Wilde, the Andre Norton and Compton Crook Award-winning author of Updraft. The kingdom in the Valley has long sheltered under the protection of its Jewels and Lapidaries, the people bound to singing gemstones with the power to reshape hills, move rivers, and warp minds. That power has kept the peace and tranquility, and the kingdom has flourished. Jewel Lin and her Lapidary Sima may be the last to enjoy that peace. The Jeweled Court has been betrayed. As screaming raiders sweep down from the mountains, and Lapidary servants shatter under the pressure, the last princess of the Valley will have to summon up a strength she’s never known. If she can assume her royal dignity, and if Sima can master the most dangerous gemstone in the land, they may be able to survive. “The central fantastical idea is pretty cool... nicely written... I suspect the world it’s set in might yield more fine stories.” – Locus At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Written by one of our leading lapidaries, this important classic on contemporary design describes Hunt's original techniques.
Describes all the techniques and tricks for photographing mineral, lapidary, and fossil specimens.
Introductory text for beginning faceters. Learn the history, the terminology, the machines available, the parts of the machines and how to use them and learn to facet your first stone.
- Offers fresh insights into the rich aesthetic and cultural legacy of the Imperial Mughal age in the Indian subcontinent - Essays by 13 eminent international scholars draw comparisons between the Mughals, the Safavids and the Ottomans - Over 159 images of Mughal artifacts, paintings, gardens and monuments illustrate the lasting heritage of the Imperial Mughals Enter the splendid world of Mughal India and explore its rich aesthetic and cultural legacy through fresh insights offered by 13 eminent scholars. Recent scholarship in this field has offered deeper analysis into established norms, explored pan-Indian connections and drawn comparisons with contemporaneous regions of the early modern world. Further studies along these lines were encouraged in a seminar held by the K.R. Cama Oriental Institute, Mumbai, and the formidable scholarship presented by contributors forms the content of this volume. The articles in this book explore varied subjects under the Mughal umbrella, challenge long-held ideas and draw comparisons between the artistic expressions and material culture of the powerful Islamicate triumvirate of the early modern period - the Safavids in Iran, the European-based Ottomans and the Mughals in the Indian subcontinent. Themes as diverse as portraits of royal women, sub-imperial patronage of temples, word-image relationship, the lapidary arts and the Imperial Library of the Mughals, a reconsideration of Mughal garden typologies, murals painted on architectural surfaces, the textile culture of the city of Burhanpur, changes in visual language and content of painting, and Imperial objets d'art have been discussed, challenged and analyzed. The final three articles are groundbreaking comparisons across Ottoman, Safavid and Mughal spheres. This beautifully illustrated book is sure to appeal to c